Читать книгу The Mysteries of London (Vol. 1-4) - George W. M. Reynolds - Страница 100

CHAPTER LXX.
THE IMAGE, THE PICTURE, AND THE STATUE.

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UPON the sofa in Mr. Greenwood's elegantly-furnished drawing-room was seated the young lady who so anxiously sought an interview with the owner of that princely mansion.

Her face was very pale: a profound melancholy reigned upon her countenance, and was even discernible in her drooping attitude; her eyes expressed a sorrow bordering upon anguish; and yet, through that veil of dark foreboding, the acute observer might have seen a ray—a feeble ray of hope gleaming faintly, so faintly, that it appeared a flickering lamp burning at the end of a long and gloomy cavern.

Her elbow rested upon one end of the sofa, and her forehead was supported upon her hand, when Greenwood entered the room.

The doors of that luxurious dwelling moved so noiselessly upon their hinges, and the carpets spread upon the floors were so thick, that not a sound, either of door or footstep, announced to that pale and mournful girl the approach of the man whom she so deeply longed to see.

He was close by her ere she was aware of his presence.

With a start, she raised her head, and gazed steadfastly up into his countenance; but her tongue clave to the roof of her mouth, and refused utterance to the name which she would have spoken.

"Ellen!" ejaculated Greenwood, as his eyes met hers.—"what has brought you hither?"

"Can you not imagine it possible that I should wish to see you again?" answered Miss Monroe—for she was Mr. Greenwood's visitor upon the present occasion.

"But why so much mystery, Ellen? why refuse to give the servant your name? why adopt a course which cannot fail to render your visit a matter of suspicion to my household?" said Greenwood, somewhat impatiently.

"Forgive me—forgive me, if I have done wrong," exclaimed Ellen, the tears gushing to her eyes. "Alas! misfortunes have rendered me so suspicious of human nature, that I feared—I feared lest you should refuse to see me—that you would consider me importunate—"

"Well—well, Ellen: do not cry—that is foolish! I am not angry now; so cheer up, and tell me in what I can serve thee?"

As Greenwood uttered these words, he seated himself upon the sofa by the side of the young lady, and took her hand. We cannot say that her tears had moved him—for his was a heart that was moved by nothing regarding another: but she had looked pretty as she wept, and as her eyes glanced through their tears towards him; and the apparent kindness of his manner was the mechanical impulse of the libertine.

"Oh! if you would only smile thus upon me—now and then—" murmured Ellen, gazing tenderly upon him—"how much of the sorrow of this life would disappear from before my eyes."

"How can one gifted with such charms as you be unhappy?" exclaimed Greenwood.

"What! do you imagine that beauty constitutes felicity?" cried Ellen, in an impassioned tone. "Are not the loveliest flowers exposed to the nipping frosts, as well as the rank and poisonous weeds? Do not clouds obscure the brightest stars, as well as those of a pale and sickly lustre? You ask me if I can be unhappy? Alas! it is now long—long since I knew what perfect happiness was! I need not tell you—you—how my father's fortune was swept away;—but I may detail to you the miseries which the loss of it raised up around him and me—and chiefly me!"

"But why dwell upon so sad a theme, Ellen? Did you come hither to divert me with a narrative of sorrows which must now be past, since—according to what I have heard—your father and yourself have found an asylum—"

"At Markham Place!" added Miss Monroe, emphatically. "Yes—we have found an asylum there—there, in the house of the individual whom my father's speculations and your agency—"

"Speak not of that—speak not of that, I conjure you!" hastily exclaimed Greenwood. "Tell me Ellen—tell me, you have not breathed a word to your father, nor to that young man—"

"No—not for worlds!" cried Ellen, with a shudder: then, after a pause, during which she appeared to reflect deeply, she said, "But you ask me why I wish to narrate to you the history of all the miseries I have endured for two long years, and upwards: you demand of me why I would dwell upon so sad a theme. I will tell you presently. You shall hear me first. But pray, be not impatient: I shall not detain you long;—and, surely—surely, you can spare an hour to one who is so very—very miserable."

"Speak, Ellen—speak!"

"The loss of our fortune plunged us into the most frightful poverty. We were not let down gradually from affluence to penury;—but we fell—as one falls from a height—abruptly, suddenly, and precipitately into the depths of want and starvation. The tree of our happiness lost not its foliage leaf by leaf: it was blighted in an hour. This made the sting so much more sharp—the heavy weight of misfortune so much less tolerable. Nevertheless, I worked, and worked with my needle until my energies were wasted, my eyes grew dim, and my health was sinking fast. Oh! my God, I only asked for work;—and yet, at length, I lost even that resource! Then commenced a strange kind of life for me."

"A strange kind of life, Ellen—what mean you?" exclaimed Greenwood, now interested in the recital.

"I sold myself in detail," answered Ellen, in a tone of the deepest and most touching melancholy.

"I cannot understand you," cried Greenwood. "Surely—surely your mind is not wandering!"

"No: all I tell you is unhappily too true," returned the poor girl, shaking her head; then, as if suddenly recollecting herself, she started from her thoughtful mood, and said, "You have a plaster of Paris image as large as life, in the window of your staircase?"

"Yes—it is a Diana, and holds a lamp which is lighted at night," observed Greenwood. "But what means that strange question—so irrelevant to the subject of our discourse?"

"More—more than you can imagine," answered Ellen, bitterly. "That statue explains one phase in my chequered life;"—then, sinking her tone almost to a whisper, grasping Greenwood's hand convulsively, and regarding him fixedly in the countenance, while her own eyes were suddenly lighted up with a strange wildness of expression, she added, "The face of your beautiful Diana is my own!"

The Mysteries of London (Vol. 1-4)

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