Читать книгу The Battle of the Strong - Gilbert Parker - Страница 19

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At eight o’clock the next morning, Guida and her fellow-voyagers, bound for the Ecrehos Rocks, had caught the first ebb of the tide, and with a fair wind from the sou’-west had skirted the coast, ridden lightly over the Banc des Violets, and shaped their course nor’-east. Guida kept the helm all the way, as she had been promised by Ranulph. It was still more than half tide when they approached the rocks, and with a fair wind there should be ease in landing.

No more desolate spot might be imagined. To the left, as you faced towards Jersey, was a long sand-bank. Between the rocks and the sand-bank shot up a tall, lonely shaft of granite with an evil history. It had been chosen as the last refuge of safety for the women and children of a shipwrecked vessel, in the belief that high tide would not reach them. But the wave rose up maliciously, foot by foot, till it drowned their cries for ever in the storm. The sand-bank was called “Ecriviere,” and the rock was afterwards known as the “Pierre des Femmes.”

Other rocks less prominent, but no less treacherous, flanked it—the Noir Sabloniere and the Grande Galere. To the right of the main island were a group of others, all reef and shingle, intersected by treacherous channels; in calm lapped by water with the colours of a prism of crystal, in storm by a leaden surf and flying foam. These were known as the Colombiere, the Grosse Tete, Tas de Pois, and the Marmotiers; each with its retinue of sunken reefs and needles of granitic gneiss lying low in menace. Happy the sailor caught in a storm and making for the shelter the little curves in the island afford, who escapes a twist of the current, a sweep of the tide, and the impaling fingers of the submarine palisades.

Beyond these rocks lay Maitre Ile, all gneiss and shingle, a desert in the sea. The holy men of the early Church, beholding it from the shore of Normandy, had marked it for a refuge from the storms of war and the follies of the world. So it came to pass, for the honour of God and the Virgin Mary, the Abbe of Val Richer builded a priory there: and there now lie in peace the bones of the monks of Val Richer beside the skeletons of unfortunate gentlemen of the sea of later centuries—pirates from France, buccaneers from England, and smugglers from Jersey, who kept their trysts in the precincts of the ancient chapel.

The brisk air of early autumn made the blood tingle in Guida’s cheeks. Her eyes were big with light and enjoyment. Her hair was caught close by a gay cap of her own knitting, but a little of it escaped, making a pretty setting to her face.

The boat rode under all her courses, until, as Jean said, they had put the last lace on her bonnet. Guida’s hands were on the tiller firmly, doing Jean’s bidding promptly. In all they were five. Besides Guida and Ranulph, Jean and Jean’s wife, there was a young English clergyman of the parish of St. Michael’s, who had come from England to fill the place of the rector for a few months. Word had been brought to him that a man was dying on the Ecrehos. He had heard that the boat was going, he had found Jean Touzel, and here he was with a biscuit in his hand and a black-jack of French wine within easy reach. Not always in secret the Reverend Lorenzo Dow loved the good things of this world.

The most notable characteristic of the young clergyman’s appearance was his outer guilelessness and the oddness of his face. His head was rather big for his body; he had a large mouth which laughed easily, a noble forehead, and big, short-sighted eyes. He knew French well, but could speak almost no Jersey patois, so, in compliment to him, Jean Touzel, Ranulph, and Guida spoke in English. This ability to speak English—his own English—was the pride of Jean’s life. He babbled it all the way, and chiefly about a mythical Uncle Elias, who was the text for many a sermon.

“Times past,” said he, as they neared Maitre Ile, “mon onc’ ‘Lias he knows these Ecrehoses better as all the peoples of the world—respe d’la compagnie. Mon onc’ ‘Lias he was a fine man. Once when there is a fight between de Henglish and de hopping Johnnies,” he pointed towards France, “dere is seven French ship, dere is two Henglish ship—gentlemen-of-war dey are call. Eh ben, one of de Henglish ships he is not a gentleman-of-war, he is what you call go-on-your-own-hook—privator. But it is all de same—tres-ba, all right! What you t’ink coum to pass? De big Henglish ship she is hit ver’ bad, she is all break-up. Efin, dat leetle privator he stan’ round on de fighting side of de gentleman-of-war and take de fire by her loneliness. Say, then, wherever dere is troub’ mon onc’ ‘Lias he is there, he stan’ outside de troub’ an’ look on—dat is his hobby. You call it hombog? Oh, nannin-gia! Suppose two peoples goes to fight, ah bah, somebody must pick up de pieces—dat is mon onc’ ‘Lias! He have his boat full of hoysters; so he sit dere all alone and watch dat great fight, an’ heat de hoyster an’ drink de cider vine.

“Ah, bah! mon onc’ ‘Lias he is standin’ hin de door dat day. Dat is what we say on Jersey—when a man have some ver’ great luck we say he stan’ hin de door. I t’ink it is from de Bible or from de helmanac—sacre moi, I not know. … If I talk too much you give me dat black-jack.”

They gave him the black-jack. After he had drunk and wiped his mouth on his sleeve, he went on:

“O my good-ma’m’selle, a leetle more to de wind. Ah, dat is right—trejous! … Dat fight it go like two bulls on a vergee—respe d’la compagnie. Mon onc’ ‘Lias he have been to Hengland, he have sing ‘God save our greshus King’; so he t’ink a leetle—Ef he go to de French, likely dey will hang him. Mon onc’ ‘Lias, he is what you call patreeteesm. He say, ‘Hengland, she is mine—trejous.’ Efin, he sail straight for de Henglish ships. Dat is de greates’ man, mon onc’ ‘Lias—respe d’la compagnie! he coum on de side which is not fighting. Ah bah, he tell dem dat he go to save de gentleman-of-war. He see a hofficier all bloodiness and he call hup: ‘Es-tu gentiment?’ he say. ‘Gentiment,’ say de hofficier; ‘han’ you?’ ‘Naicely, yank you!’ mon onc’ ‘Lias he say. ‘I will save you,’ say mon onc’ ‘Lias—‘I will save de ship of God save our greshus King.’ De hofficier wipe de tears out of his face. ‘De King will reward you, man alive,’ he say. Mon onc’ ‘Lias he touch his breast and speak out. ‘Mon hofficier, my reward is here—trejous. I will take you into de Ecrehoses.’ ‘Coum up and save de King’s ships,’ says de hofficier. ‘I will take no reward,’ say mon onc’ ‘Lias, ‘but, for a leetle pourboire, you will give me de privator—eh?’ ‘Milles sacres’—say de hofficier, ‘mines saeres—de privator!’ he say, ver’ surprise’. ‘Man doux d’la vie—I am damned!’ ‘You are damned trulee, if you do not get into de Ecrehoses,’ say mon onc’ ‘Lias—‘A bi’tot, good-bye!’ he say. De hofficier call down to him: ‘Is dere nosing else you will take?’ ‘Nannin, do not tempt me,’ say mon onc’ ‘Lias. ‘I am not a gourman’. I will take de privator—dat is my hobby.’ All de time de cannons grand—dey brow-brou! boum-boum!—what you call discomfortable. Time is de great t’ing, so de hofficier wipe de tears out of his face again. ‘Coum up,’ he say; ‘de privator is yours.’

“Away dey go. You see dat spot where we coum to land, Ma’m’selle Landresse—where de shingle look white, de leetle green grass above? Dat is where mon onc’ ‘Lias he bring in de King’s ship and de privator. Gatd’en’ale—it is a journee awful! He twist to de right, he shape to de left trough de teeth of de rocks—all safe—vera happee—to dis nice leetle bay of de Maitre Ile dey coum. De Frenchies dey grind dere teeth and spit de fire. But de Henglish laugh at demdey are safe. ‘Frien’ of my heart,’ say de hofficier to mon onc’ ‘Lias, ‘pilot of pilots,’ he say, ‘in de name of our greshus King I t’ank you—A bi’tot, good-bye!’ he say. ‘Tres-ba,’ mon onc’ ‘Lias he say den, ‘I will go to my privator.’ ‘You will go to de shore,’ say de hofficier. ‘You will wait on de shore till de captain and his men of de privator coum to you. When dey coum, de ship is yours—de privator is for you.’ Mon onc’ ‘Lias he is like a child—he believe. He ‘bout ship and go shore. Misery me, he sit on dat rocking-stone you see tipping on de wind. But if he wait until de men of de privator coum to him, he will wait till we see him sitting there now. Gache-a-penn, you say patriote? Mon onc’ ‘Lias he has de patreeteesm, and what happen? He save de ship of de greshus King God save—and dey eat up his hoysters! He get nosing. Gad’rabotin—respe d’la compagnie—if dere is a ship of de King coum to de Ecrehoses, and de hofficier say to me”—he tapped his breast—“ ‘Jean Touzel, tak de ships of de King trough de rocks,’—ah bah, I would rememb’ mon onc’ ‘Lias. I would say, ‘A bi’tot-good-bye.’ … Slowlee—slowlee! We are at de place. Bear wif de land, ma’m’selle! Steadee! As you go! V’la! hitch now, Maitre Ranulph.”

The keel of the boat grated on the shingle.

The air of the morning, the sport of using the elements for one’s pleasure, had given Guida an elfish sprightliness of spirits. Twenty times during Jean’s recital she had laughed gaily, and never sat a laugh better on any one’s countenance than on hers. Her teeth were strong, white, and regular; in themselves they gave off a sort of shining mirth.

At first the lugubrious wife of the happy Jean was inclined to resent Guida’s gaiety as unseemly, for Jean’s story sounded to her as serious statement of fact; which incapacity for humour probably accounted for Jean’s occasional lapses from domestic grace. If Jean had said that he had met a periwinkle dancing a hornpipe with an oyster she would have muttered heavily “Think of that!” The most she could say to any one was: “I believe you, ma couzaine.” Some time in her life her voice had dropped into that great well she called her body, and it came up only now and then like an echo. There never was anything quite so fat as she. She was found weeping one day on the veille because she was no longer able to get her shoulders out of the window to use the clothes-lines stretching to her neighbour’s over the way. If she sat down in your presence, it was impossible to do aught but speculate as to whether she could get up alone. Yet she went abroad on the water a great deal with Jean. At first the neighbours gave out sinister suspicions as to Jean’s intentions, for sea-going with your own wife was uncommon among the sailors of the coast. But at last these dark suggestions settled down into a belief that Jean took her chiefly for ballast; and thereafter she was familiarly called “Femme de Ballast.”

Talking was no virtue in her eyes. What was going on in her mind no one ever knew. She was more phlegmatic than an Indian; but the tails of the sheep on the Town Hill did not better show the quarter of the wind than the changing colour of Aimable’s face indicated Jean’s coming or going. For Mattresse Aimable had one eternal secret, an unwavering passion for Jean Touzel. If he patted her on the back on a day when the fishing was extra fine, her heart pumped so hard she had to sit down; if, passing her lonely bed of a morning, he shook her great toe to wake her, she blushed, and turned her face to the wall in placid happiness. She was so credulous and matter-of-fact that if Jean had told her she must die on the spot, she would have said “Think of that!” or “Je te crais,” and died. If in the vague dusk of her brain the thought glimmered that she was ballast for Jean on sea and anchor on land, she still was content. For twenty years the massive, straight-limbed Jean had stood to her for all things since the heavens and the earth were created. Once, when she had burnt her hand in cooking supper for him, his arm made a trial of her girth, and he kissed her. The kiss was nearer her ear than her lips, but to her mind it was the most solemn proof of her connubial happiness and of Jean’s devotion. She was a Catholic, unlike Jean and most people of her class in Jersey, and ever since that night he kissed her she had told an extra bead on her rosary and said another prayer.

These were the reasons why at first she was inclined to resent Guida’s laughter. But when she saw that Maitre Ranulph and the curate and Jean himself laughed, she settled down to a grave content until they landed.

They had scarce reached the deserted chapel where their dinner was to be cooked by Maitresse Aimable, when Ranulph called them to note a vessel bearing in their direction.

“She’s not a coasting craft,” said Jean.

“She doesn’t look like a merchant vessel,” said Ranulph, eyeing her through his telescope. “Why, she’s a warship!” he added.

Jean thought she was not, but Maitre Ranulph said “Pardi, I ought to know, Jean. Ship-building is my trade, to say nothing of guns—I wasn’t two years in the artillery for nothing. See the low bowsprit and the high poop. She’s bearing this way. She’ll be Narcissus!” he said slowly.

That was Philip d’Avranche’s ship.

Guida’s face lighted, her heart beat faster. Ranulph turned on his heel.

“Where are you going, Ro?” Guida said, taking a step after him.

“On the other side, to my men and the wreck,” he said, pointing.

Guida glanced once more towards the man-o’-war: and then, with mischief in her eye, turned towards Jean. “Suppose,” she said to him archly, “suppose the ship should want to come in, of course you’d remember your onc’ ‘Lias, and say, ‘A bi’tot, good-bye!” ’

An evasive “Ah bah!” was the only reply Jean vouchsafed.

Ranulph joined his men at the wreck, and the Reverend Lorenzo Dow went about the Lord’s business in the little lean-to of sail-cloth and ship’s lumber which had been set up near to the toil of the carpenters. When the curate entered the but the sick man was in a doze. He turned his head from side to side restlessly and mumbled to himself. The curate, sitting on the ground beside the man, took from his pocket a book, and began writing in a strange, cramped hand. This book was his journal. When a youth he had been a stutterer, and had taken refuge from talk in writing, and the habit stayed even as his affliction grew less. The important events of the day or the week, the weather, the wind, the tides, were recorded, together with sundry meditations of the Reverend Lorenzo Dow. The pages were not large, and brevity was Mr. Dow’s journalistic virtue. Beyond the diligent keeping of this record, he had no habits, certainly no precision, no remembrance, no system: the business of his life ended there. He had quietly vacated two curacies because there had been bitter complaints that the records of certain baptisms, marriages, and burials might only be found in the chequered journal of his life, sandwiched between fantastic reflections and remarks upon the rubric. The records had been exact enough, but the system was not canonical, and it rested too largely upon the personal ubiquity of the itinerary priest, and the safety of his journal—and of his life.

Guida, after the instincts of her nature, had at once sought the highest point on the rocky islet, and there she drank in the joy of sight and sound and feeling. She could see—so perfect was the day—the line marking the Minquiers far on the southern horizon, the dark and perfect green of the Jersey slopes, and the white flags of foam which beat against the Dirouilles and the far-off Paternosters, dissolving as they flew, their place taken by others, succeeding and succeeding, as a soldier steps into a gap in the line of battle. Something in these rocks, something in the Paternosters—perhaps their distance, perhaps their remoteness from all other rocks—fascinated her. As she looked at them, she suddenly felt a chill, a premonition, a half-spiritual, half-material telegraphy of the inanimate to the animate: not from off cold stone to sentient life; but from that atmosphere about the inanimate thing, where the life of man has spent itself and been dissolved, leaving—who can tell what? Something which speaks but yet has no sound.

The feeling which possessed Guida as she looked at the Paternosters was almost like blank fear. Yet physical fear she had never felt, not since that day when the battle raged in the Vier Marchi, and Philip d’Avranche had saved her from the destroying scimitar of the Turk. Now that scene all came back to her in a flash, as it were; and she saw again the dark snarling face of the Mussulman, the blue-and-white silk of his turban, the black and white of his waistcoat, the red of the long robe, and the glint of his uplifted sword. Then in contrast, the warmth, brightness, and bravery on the face of the lad in blue and gold who struck aside the descending blade and caught her up in his arms; and she had nestled there—in those arms of Philip d’Avranche. She remembered how he had kissed her, and how she had kissed him—he a lad and she a little child—as he left her with her mother in the watchmaker’s shop in the Vier Marchi that day. … And she had never seen him again until yesterday.

She looked from the rocks to the approaching frigate. Was it the Narcissus coming—coming to this very island? She recalled Philip—how gallant he was yesterday, how cool, with what an air of command! How light he had made of the riot! Ranulph’s strength and courage she accepted as a matter of course, and was glad that he was brave, generous, and good; but the glamour of distance and mystery were around d’Avranche. Remembrance, like a comet, went circling through the firmament of eleven years, from the Vier Marchi to the Place du Vier Prison.

She watched the ship slowly bearing with the land. The Jack was flying from the mizzen. They were now taking in her topsails. She was so near that Guida could see the anchor a-cockbell, and the poop lanthorns. She could count the guns like long black horns shooting out from a rhinoceros hide: she could discern the figurehead lion snarling into the spritsail. Presently the ship came up to the wind and lay to. Then she signalled for a pilot, and Guida ran towards the ruined chapel, calling for Jean Touzel.

In spite of Jean’s late protests as to piloting a “gentleman-of-war,” this was one of the joyful moments of his life. He could not loosen his rowboat quick enough; he was away almost before you could have spoken his name. Excited as Guida was, she could not resist calling after him:

“ ‘God save our greshus King! A bi’tot—goodbye!’ ”