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IV

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Maurice brought Miss Sharp to-day to interview me. I do not like her much, but the exhibition she gave me of her speed and accuracy in short-hand satisfied me and made me see that I should be a fool to look further. So I have engaged her. She is a small creature, palish with rather good bright brown hair—She wears horn rimmed spectacles with yellow glasses in them so I can't see her eyes at all. I judge people by their eyes. Her hands look as if she had done rather a lot of hard work—they are so very thin. Her clothes are neat but shabby—that is not the last look like French women have—but as if they had been turned to "make do"—I suppose she is very poor. Her manner is icily quiet. She only speaks when she is spoken to. She is quite uninteresting.

It is better for me to have a nonentity—then I can talk aloud my thoughts without restriction. I am to give her double what she is getting now—2000 francs a month—war price.

Some colour came into her cheeks when I offered that and she hesitated,

I said "Don't you think it is enough?"

She answered so queerly.

"I think it is too much, and I was wondering if I would be able to accept it. I want to."

"Then do."

"Very well—I will of course do my very best to earn it"—and with that she bowed and left me.

Anyhow she won't make a noise.

Nina writes since she has married Jim—which she did just before the offensive in March—she has been too happy—or too anxious, to remember her friends—even dear old ones—but now fortunately Jim is wounded in the ankle bone which will keep him at home for two months so she has a little leisure.

"You can't think, Nicholas, what a different aspect the whole war took on when I knew Jim was in the front line—I adore him—and up to now I have managed to keep him adoring me—but I can see I'll have to be careful if he is going to be with me long at a time."

So it would seem that Nina had not obtained the rest and security she hoped for.

I hope my writing a book will rest me. I have arranged all my first chapter in my head—and to-morrow I begin.

June 26th—Miss Sharp came punctually at ten—she had a black and white cotton frock on—There is nothing of her—she is so slight—(a mass of bones probably in evening dress—but thank goodness I shall not see her in evening dress,) she goes at six—She is to have her lunch here—Burton has arranged it. An hour off for lunch which she can have on a tray in the small salon, which I have had arranged for her work room.—Of course it won't take her an hour to eat—but Burton says she must have that time, it is always done. It is a great nuisance for perhaps when 12:30 comes I shall just be in the middle of an inspiration and I suppose off she'll fly like the housemaids used when the servants' hall bell went at home. But I can't say anything.

I was full of ideas and the beginning of my first chapter spouted out, and when Miss Sharp had read it over to me I found she had not made any mistake. That is a mercy.

She went away and typed it, and then had her lunch—and I had mine, but Maurice dropped in and mine took longer than hers—it was half past two when I rang my hand bell for her (it is a jolly little silver one I bought once in Cairo) She answered it promptly—the script in her hand.

"I have had half an hour with nothing to do," she said—"Can you not give me some other work which I can turn to, if this should happen again?"

"You can read a book—there are lots in the book case" I told her—"Or I might leave you some letters to answer."

"Thank you, that would be best"—(She is conscientious evidently).

We began again.

She sits at a table with her notebook, and while I pause she is absolutely still—that is good. I feel she won't count more than a table or chair. I am quite pleased with my work. It is awfully hot to-day and there is some tension in the air—as though something was going to happen. The news is the same—perhaps slightly better.—I am going to have a small dinner to-night. The widow and Maurice and Madame de Clerté—just four and we are going to the play. It is such a business for me to go I seldom turn out.—Maurice is having a little supper in his rooms at the Ritz for us. It is my birthday—I am thirty-one years old.

Friday—What an evening that 26th of June! The theatre was hot and the cramped position worried me so—and the lights made my eye ache—Madame de Clerté and I left before the end and ambled back to the Ritz in my one horse Victoria and went and sat in Maurice's room. We talked of the situation, and the effect of the Americans coming in, bucking everyone up—we were rather cheerful. Then the sirens began—and the guns followed just as Maurice and Odette got back—They seemed unusually loud—and we could hear the bits of shrapnel falling on the terrace beneath us, Odette was frightened and suggested going into the cellar—but as Maurice's rooms are only on the second floor, we did not want to take the trouble.

Fear has a peculiar effect upon some people—Odette's complexion turned grey and she could hardly keep her voice steady. I wondered how soon she would let restraint slip from her and fly out of the room to the cellar. Madame de Clerté was quite unmoved.

Then the dramatic happened—Bang!—the whole house shook and the glass of the window crashed in fragments—and Maurice turned out the one light—and lifted a corner of the thick curtain to peep out.

"I believe they got the Colome Vendôme" he said awed—and as he spoke another bomb fell on the Ministaìre beside us—and some of the splinters shot into space and buried themselves in our wall.

We were all blown across the room—and Madame de Clerté and I fell in a heap together by the door, which gave way outwards—Odette's shrieks made us think that she was hurt, but she was not, and subsided into a gibbering prayer—Maurice helped Madame de Clerté to rise and I turned on the torch I keep in my pocket, for a minute. I was not conscious of any pain. We sat in the dark and listened to the commotion beneath us for some time, and the crashing bombs but never one so near again.—Maurice's voice soothing Odette was the only sound in our room.

Then Madame de Clerté laughed softly and lit a cigarette.

"A near thing that, Nicholas!" she said—"Let us go down now and see who is killed, and where the explosion actually occurred—The sight is quite interesting you know you can believe me."

"When Bertha hit the—— two days ago, we rushed for taxis to go down to see the place—Coralie—has petrol for her motor since two weeks you know"—and she smiled wickedly—"Monsieur le Ministre must show his gratitude somehow mustn't he?—Coralie is such a dear—Yes—?—So some of us packed in with her—we were quite a large party—and when we got there they were trying to extinguish the fire, and bringing out the bodies—You ought to come with us sometime when we go on these trips—anything for a change."

These women would not have looked on at the sufferings of a mouse before the war—.

The sight in the hall when we did arrive there after the "all clear" went—was remarkable—the great glass doors of the salon blown in and all the windows broken—and the Place Vendôme a mass of debris—not a pane whole there I should think.

But nobody seems very much upset—these things are all in the days work—.

I wonder if in years to come we shall remember the queer recklessness which has developed in almost everyones mentality, or shall we forget about the war and go on just as we were before—Who knows?

I said to Miss Sharp this morning—

"What do you do in the evenings when you leave here"?

I had forgotten for a moment that Maurice had told me that she makes bandages. She looked at me and her manner froze—I can't think why I felt she thought I had no right to question her—I say "looked at me"—but I am never quite sure what her eyes are doing, because she never takes off her yellow glasses—Those appear to be gazing at me at all events.

"I make bandages."

"Aren't you dead tired after working all day with me?"

"I have not thought about it—the bandages are badly needed."

Her pencil was in her hand, and the block ready—she evidently did not mean to go on conversing with me. This attitude of continuous diligence on her part has begun to irritate me. She never fidgets—just works all the time.

I'll ask Burton what he thinks of her at luncheon to-day—As I said before, Burton knows the world.

"What do you think of my typist, Burton?"

He was putting a dish of make-believe before me—it is a meatless day—my one-legged cook is an artist but he thinks me a fool because I won't let him cheat—our want of legs makes us friendly though.

"And with a brother in the trade I could get Monsieur chickens and what he would wish!" he expostulates each week.

"A-hem"—Burton croaked.

I repeated the question.

"The young lady works very regular."

"Yes—That is just it—a kind of a machine."

"She earns her money Sir Nicholas."

"Of course she does—I know all that—But what do you think of her?"

"Beg pardon Sir Nicholas—I don't understand?"

I felt irritated.

"Of course you do—What kind of a creature I mean—?"

"The young lady don't chatter Sir—She don't behave like bits of girls."

"You approve of her then Burton?"

"She's been here a fortnight only, Sir Nicholas, you can't tell in the time"—and that is all I could get out of him—but I felt the verdict when he did give it would be favourable.

Insignificant little Miss Sharp—!

What shall I do with my day—? that is the question—my rotten useless idle day?—I have no more inspiration for my book—besides Miss Sharp has to type the long chapter I gave her yesterday. I wonder if she knows anything about William and Mary furniture really?—she never launches a remark.

Her hands are very red these last days—does making bandages redden the hands?

I wonder what colour her eyes are—one can't tell with that blurred yellow glass—.

Suzette came in just as I wrote that; she seldom turns up in the afternoon. She caught sight of Miss Sharp typing through the open door.

"Tiens!" she spit at me—"Since when?"

"I am writing a book, Suzette."

"I must see her face," and without waiting for permission, Suzette flounced into the small salon.

I could hear her shrill little voice asking Miss Sharp to be so good as to give her an envelope—She must write an address! I watched her—Miss Sharp handed her one, and went on with her work.

Suzette returned, closing the door, without temper, behind her.

"Wouff!" she announced to me—"No anxiety there—an Anglaise—not appetizing—not a fausse maigre like us, as thin as a hairpin! Nothing for thou Nicholas—and Mon Dieu!—she does the family washing by her hands—I know! mine look like that when I have taken one of my fortnights at the sea!"

"You think it is washing?—I was wondering—."

"Does she take off her glasses ever, Nicholas?"

"No perhaps she has weak light eyes. One never can tell!"

Suzette was not yet quite at ease about it all—. I was almost driven to ask Miss Sharp to remove her glasses to reassure her.

Women are jealous even of one-legged half blind men! I would like to ask my cook if he has the same trouble—but—Oh! I wish anything mattered!

Suzette showed affection for me after this—and even passion! I would be quite good-looking she said—when I should be finished. Glass eyes were so well made now—"and as for legs!—truly my little cabbage, they are as nimble as a goat's!"

Of course I felt comforted when she had gone.

* * * * *

The hot days pass—Miss Sharp has not asked for a holiday, she plods along, we do a great deal of work—and she writes all my letters. And there are days when I know I am going to be busy with my friends, when I tell her she need not come—there was a whole week at the end of July. Her manner never alters, but when Burton attempted to pay her she refused to take the cheque.

"I did not earn that" she said.

I was angry with Burton because he did not insist.

"It was just, Sir Nicholas."

"No, it was not, Burton—If she did not work here, she was out of pocket not working anywhere else. You will please add the wretched sum to this week's salary."

Burton nodded stubbornly, so I spoke to Miss Sharp myself.

"It was my business as to whether I worked or did not work for a week—therefore you are owed payment in any case—that is logic——."

A queer red came into her transparent skin, her mouth shut firmly—I knew that I had convinced her, and that yet for some reason she hated having to take the money.

She did not even answer, just bowed with that strange aloofness that is not insolent. Her manner is never like a person of the lower classes, trying to show she thinks she is an equal. It has exactly the right note—perfectly respectful as one who is employed, but with the serene unselfconsciousness that only breeding gives. Shades of manner are very interesting to watch. Somehow I know that Miss Sharp, in her washed cotton, with her red little hands, is a lady.

I have not seen my dear Duchesse lately—she has been down to one of her country places—where she sends her convalescents, but she is returning soon. She gives me pleasure—.

August 30th—The interest in the book has flagged lately—I could not think of a thing, so I proposed to Miss Sharp to have a holiday. She accepted the fortnight without enthusiasm. Now she is back and we have begun again—Still I have no flair—Why do I stick to it?—Just because I have said to the Duchesse that I will finish it?——I have an uneasy feeling that I do not want to probe my real reason—I would like to lie even to this Journal. Lots of fellows have been upon the five days' leave lately, things are going better—they jolly one, and I like to see them, but after they go I feel more of a rotten beast than ever. The only times I forget are when Maurice brings the fluffies to dine with me—when they rush up to Paris from Deauville. We drink champagne—(they love to know how much it costs) and I feel gay as a boy—and then in the night I have once or twice reached out for my revolver. They have all gone back to Deauville now.

Perhaps it is Miss Sharp who irritates me with her eternal diligence—What is her life—who are her family? I would like to know but I will not ask—I sit and think and think what to write about in my book. I have almost come to the end of grinding out facts about Walnut and ball fringe—and she sits taking it all down in short-hand, never raising her head, day after day—.

Her hair is pretty—that silky sort of nut brown with an incipient wave in it—her head is set on most gracefully, I must admit, and the complexion is very pale and transparent—But what a firm mouth!—Not cold though—only firm. I have never seen her smile. The hands are well shaped really—awfully well shaped, if one watches them—How long would it take to get them white again I wonder? She has got good feet, too, thin like the hands—. How worn her clothes look—does she never have a new dress—?

Yes Burton, I will see Madame de Clerté—.

* * * * *

Solonge de Clerté is a philosopher—she has her own aims—but I do not know them.

"Writing a book, Nicholas?" There was the devil of a twinkle in her eye—"There is a poor boy wounded in the leg who would make a perfect secretary if you are not satisfied."

I grew irritated—.

"I am quite satisfied"—we heard the noise of the typing machine from beyond—these modern doors allow nothing to be unknown.

"Young, is she?" Madame de Clerté asked turning her glance in that direction.

"I don't know and don't care—she types well"—.

"Hein?"

She saw that I was becoming enraged.—My dinners are good and the war is not yet over—.

"We shall all be terribly interested—yes—when we read the result—."

"Probably"—.

Then she told me of complications occurring about Coralie's husband.

"Of an insanity to attempt the three at once" she sighed—.

And now I can turn to my journal again—Good God—the last pages have all been about Miss Sharp—ridiculous, exasperating Miss Sharp! did I write ridiculous?—No—it is I who am ridiculous—I shall go for a drive—!

* * * * *

God! what is the meaning of it all—!

I have been in hell——I came in from my drive very quietly, it was early, a quarter to six, Miss Sharp goes at six—It was a horribly chilly evening and Burton had lit a bright wood fire—and I suppose its crackling prevented my hearing the sounds which were coming from the next room for a minute. I sat down in my chair—.

What was that?—the roucoulements of a dove?—No, a woman's voice cooing foolish love words in French and English—and a child's treble gurgling fondness back to her. It seemed as if my heart stopped beating—as if every nerve in my spine quivered—a tremendous emotion of I know not what convulsed me.—I lay and listened and suddenly I felt my cheek wet with tears—then some shame, some anger shook me, and I started to my feet, and hobbled to the door which was ajar—I opened it wide—there was Miss Sharp with the concierge's daughter's baby on her lap fondling it—the creature may be six months old. Her horn spectacles lay on the table. She looked up at me, the slightest flash of timidity showing—but her eyes—Oh! God! the eyes of the Madonna—heavenly blue, tender as an angel's—soft as a doe's—. I could have cried aloud with some pain in the soul—and so that brute part of me spoke—.

"How dare you make this noise"?—I said rudely—"do you not know that I have given orders for complete quiet"—.

She rose, holding the child with the greatest dignity—The picture she made could be in the Sistine Chapel.

"I beg your pardon" she said in a voice which was not quite steady—"I did not know you had returned, and Madame Bizot asked me to hold little Augustine while she went to the next floor—it shall not occur again!"

I longed to stay and gaze at them both—I would have liked to have touched the baby's queer little fat fingers—I would have liked—Oh—I know not what—And all the time Miss Sharp held the child protectively, as though something evil would come from me and harm it.—Then she turned and carried it out of the room—and I went back into my sitting-room and flung myself down in my chair—.

What had I done—Beast—brute—What had I done?

And will she never come back again?—and will life be emptier than ever—?

I could kill myself—.

It shall not be only Suzette but six others for supper to-night—.

Five a.m.—The dawn is here and it is not the rare sound of an August pigeon that I am listening to, but the tender cooing of a woman and a child—God, how can I get it out of my ears.

Man and Maid

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