Читать книгу Lives of Celebrated Women - Goodrich Samuel Griswold - Страница 2

“There stood on the banks of the Saranac a small, neat cottage, which peeped forth from the surrounding foliage – the image of rural quiet and contentment. An old-fashioned piazza extended along the front, shaded with vines and honeysuckles; the turf on the bank of the river was of the richest and brightest emerald; and the wild rose and sweetbrier, which twined over the neat enclosure, seemed to bloom with more delicate freshness and perfume within the bounds of this earthly paradise. The scenery around was wildly yet beautifully romantic; the clear blue river, glancing and sparkling at its feet, seemed only as a preparation for another and more magnificent view, when the stream, gliding on to the west, was buried in the broad, white bosom of Champlain, which stretched back, wave after wave, in the distance, until lost in faint blue mists that veiled the sides of its guardian mountains, seeming more lovely from their indistinctness.”

Such is the description which the younger subject of these memoirs gives us of the home of her parents, Dr. Oliver and Margaret Davidson, in the village of Plattsburg, Vermont. Amidst scenery so well calculated to call forth and foster poetical talent, Lucretia Maria Davidson was born on the 27th September, 1808. Of her earliest childhood there is nothing recorded, except that she was physically feeble, and manifested extreme sensibility of disposition. She was sent to school when she was four years old, and there was taught to read and to imitate, in sand, the printed characters. Books now possessed for her a greater charm than childish sports. The writing paper began to disappear mysteriously from the table, and Lucretia was often observed with pen and ink, to the surprise of her parents, who knew that she had never been taught to write. The mystery remained unexplained until she was six years old, when her mother, in searching a closet rarely visited, found, behind piles of linen, a parcel of little books filled with hieroglyphics. These were at length deciphered by her parents, and proved to be metrical explanations of rudely-sketched pictures on the opposite page; the explanations being made in Roman letters, most unartistically formed and disposed. Not long after, Lucretia came running to her mother in great agitation, the tears trickling down her cheeks, and said, “O mamma! mamma! how could you treat me so? My little books – you have shown them to papa, – Anne, – Eliza! I know you have. O, what shall I do?” Her mother tried to soothe the child, and promised never to do so again. “O mamma,” replied she, a gleam of sunshine illumining the drops, “I am not afraid of that, for I have burned them all.” “This reserve,” says one whose kindred spirit could sympathize with that of Lucretia, “proceeded from nothing cold or exclusive in her character; never was there a more loving or sympathetic creature. It would be difficult to say which was most rare, her modesty, or the genius it sanctified.”

It does not surprise us to learn that, under the guidance of pious parents, religion took a deep and enduring hold, at a very early period, upon so susceptible a child. From her earliest years, she evinced a fear of doing any thing displeasing in the sight of God; and if, in her gayest sallies, she caught a look of disapprobation from her mother, she would ask, with the most artless simplicity, “O mother, was that wicked?” Her extreme conscientiousness exhibited itself in a manner quite remarkable in a child. Some of the friends of the family thought their mode of education not the most judicious, and that her devoting so much time to study was not consistent with the pecuniary circumstances and the physical condition of the mother, who, being a confirmed invalid, was able to take little part in the ordinary family labors. Lucretia’s parents, however, did not concur in this opinion, and carefully concealed it from her; but she in some manner became aware of its existence, and voluntarily acted in accordance with it. The real feeling which prompted this conduct was artlessly made apparent by the incident which led her to return to her favorite occupation. When she was about twelve, she attended her father to a “birth-night” ball. The next day, an elder sister found her absorbed in composition. “She had sketched an urn, and written two stanzas under it. She was persuaded to show them to her mother. She brought them blushing and trembling. Her mother was ill, in bed; but she expressed her delight with such unequivocal animation, that the child’s face changed from doubt to rapture, and she seized the paper, ran away, and immediately added the concluding stanzas. When they were finished, her mother pressed her to her bosom, wept with delight, and promised her all the aid and encouragement she could give her. The sensitive child burst into tears. ‘And do you wish me to write, mamma? and will papa approve? and will it be right that I should do so?’” The following are the verses: —

A literary friend, to whom these verses were shown, felt some doubts as to Lucretia’s being the real author of the stanzas, and suffered them to appear. The feeling that her rectitude was impeached made the sensitive girl actually ill; but a poetic remonstrance, which she prepared on the occasion, removed every doubt.

From what has been before said, it must not be supposed that Lucretia was suffered to abandon herself to literary avocations. She had her prescribed tasks in sewing, and other customary employments, which she generally performed with fidelity and with wonderful celerity; sometimes, however, the voice of her muse struck her in the midst, and “enchanted she dropped each earthly care.” One day, she had promised to do a certain piece of sewing, and had eagerly run for her basket; she was absent long, and on her return found that the work was done. “Where have you been, Lucretia?” said her mother, justly displeased. “O mamma,” she replied, “I did forget; I am grieved. As I passed the window, I saw a solitary sweet pea. I thought they were all gone. This was alone. I ran to smell it, but, before I could reach it, a gust of wind broke the stem. I turned away disappointed, and was coming back to you; but as I passed the table, there stood the inkstand, and I forgot you.” The following beautiful verses insured the forgiveness of her mother: —

All her short pieces were composed with equal rapidity; and sometimes she wished that she had two pair of hands to record as fast as her muse dictated. These she composed wherever she chanced to be when the spirit of poesy came over her. In the midst of her family, blind and deaf to all around her, she held sweet communion with her muse. But when composing her longer poems, as “Amie Khan,” or “Chicomicos,” she required complete seclusion. She retired to her own room, closed the blinds, and placed her Æolian harp in the window. Her mother gives this graphic description: “I entered her room, – she was sitting with scarcely light enough to discern the characters she was tracing; her harp was in the window, touched by a breeze just sufficient to rouse the spirit of harmony; her comb had fallen on the floor, and her long, dark ringlets hung in rich profusion over her neck and shoulders; her cheek glowed with animation; her lips were half unclosed; her full, dark eye was radiant with the light of genius, and beaming with sensibility; her head rested on her left hand, while she held her pen in her right. She looked like the inhabitant of another sphere. She was so wholly absorbed that she did not observe my entrance. I looked over her shoulder, and read the following lines: —

The noise made by her mother roused Lucretia, who soon afterwards brought her the preceding verses, with the following added to them, being an address to her Æolian harp: —

Her parents indulged her in the utmost latitude in her reading. History, profane and sacred, novels, poetry, and other works of imagination, by turns occupied her. Before she was twelve, she had read the English poets. Dramatic works possessed a great charm for her, and her devotion to Shakspeare is expressed in the following verses, written in her fifteenth year: —

But above all other books she valued the Bible. The more poetical parts of the Old Testament she almost committed to memory; and the New Testament, especially those parts which relate the life of our Savior, was studied by her, and excited in her the deepest emotions. As an evidence of this we give the following verses, written in her thirteenth year: —

“THE GOOD SHEPHERD

We have now arrived at a period which most girls look forward to as an epoch in their life – the first ball! Lucretia had been to dancing-school, and took great delight in that exercise. In the hope of overcoming her painful timidity, her mother had consented to her attending the public assemblies of Plattsburg. She was fourteen. The day arrived, and the important subject of dress was the matter of consultation between Mrs. Davidson and her eldest daughter, Lucretia sitting by, absorbed in one of the Waverley novels. “What shall Lucy wear?” asked the sister. “Come, Lucretia; what color will you wear to-night?” “Where?” “Where? why, to the assembly, to be sure.” “Is it to-night? so it is!” and she tossed aside her book, and danced delighted about the room. The question of dress was now settled, and Lucretia was soon again absorbed in her book. At the hour for dressing, the delights of the ball again filled her imagination, and she set about the offices of the toilet with interest. Her sister was to dress her hair; but, when the time came, she was missing. She was called in vain, and was at length found in the parlor, in the dusky twilight, writing poetry. “She returned from the assembly,” says her mother, “wild with delight.” “O mamma,” said she, “I wish you had been there. When I first entered, the glare of light dazzled my eyes; my head whirled, and I felt as if I were treading on air; all was so gay, so brilliant! But I grew tired at last, and was glad to hear sister say it was time to go home.”

About the same period, life received for her a new object of interest. Her little sister Margaret, the frequent subject of her verses, was born. The following are among the earliest stanzas addressed to her: —

Lucretia was now placed in trying circumstances. Her mother, after the birth of Margaret, was very ill; the infant, too, was ill; and, to add to their misfortunes, the nurse was taken sick. Lucretia’s eldest sister had recently been married, and had removed to Canada; so that upon her devolved great and manifold duties.

The manner in which she discharged these shall be related in her mother’s own words. “Lucretia astonished us all. She took her station in my sick-room, and devoted herself wholly to the mother and the child; and when my recovery became doubtful, instead of resigning herself to grief, her exertions were redoubled, not only for the comfort of the sick, but she was an angel of consolation to her afflicted father. We were amazed at the exertions she made, and the fatigue she endured; for with nerves so weak, a constitution so delicate, and a sensibility so exquisite, we trembled lest she should sink with anxiety and fatigue. Until it ceased to be necessary, she performed not only the duties of a nurse, but acted as superintendent of the household.” Neither did she relinquish her domestic avocations when her mother became better; “she did not so much yield to her ruling passion as to look into a book, or take up a pen, lest she should again become so absorbed in them as to neglect to perform those little offices which a feeble, affectionate mother had a right to claim at her hands.” As was to be expected, her mental and physical health suffered; her cheek became pale, and her spirits dejected. Her mother became alarmed, and expressed her apprehensions. “I am not ill, mamma,” said she, “only out of spirits.” An explanation ensued, and the mother convinced the child that her duty did not require a total abandonment of the pursuits she longed for, but a judicious intermingling of literary with domestic labors. The good consequences of the change were soon manifest in the restored health and cheerfulness of Lucretia.

It was about this period (1823-4) that she composed the longest of her published poems, “Amie Khan,” an Oriental tale, which would do credit to much older and more practised writers.

In 1824, an old friend of her mother’s, Moss Kent, Esq., visited Plattsburg. He had never seen Lucretia, but had formed a high opinion of her genius from some of her productions, which had been shown to him by his sister. Her appearance at this time was well calculated to confirm his prepossessions in her favor. She is thus described by her biographer: “Miss Davidson was just sixteen. Her complexion was the most beautiful brunette, clear and brilliant, of that warm tint that seems to belong to lands of the sun, rather than to our chilled regions; indeed, her whole organization, mental as well as physical, her deep and quick sensibility, her early development, were characteristics of a warmer clime than ours: her stature was of the middle height; her form slight and symmetrical; her hair profuse, dark, and curling; her mouth and nose regular, and as beautiful as if they had been chiselled by an inspired artist; and through this fitting medium beamed her angelic spirit.”

Charmed by all he saw and read, Mr. Kent at once made the proposal to her parents to adopt Lucretia as his own child. The proposal was in part accepted, and, in accordance with his wishes, it was determined to send her to the Troy Seminary. Her feelings on this occasion are thus made known by letter to her sister: “What think you? Ere another moon shall fill, ‘round as my shield,’ I shall be at Mrs. Willard’s Seminary. In a fortnight I shall probably have left Plattsburg, not to return at least until the expiration of six months. O, I am so delighted, so happy! I shall scarcely eat, drink, or sleep, for a month to come. You must write to me often, and you must not laugh when you think of poor Lucy in the far-famed city of Troy, dropping handkerchiefs, keys, gloves, &c.; in short, something of every thing I have. It is well if you can read what I have written, for papa and mamma are talking, and my head whirls like a top. O, how my poor head aches! Such a surprise as I have had!”

She left home November 24, 1824, to appearance full of health and of delight at the opportunities of acquiring knowledge which were to be open to her. At parting she left the following verses: —

“TO MY MOTHER

The following extracts from a letter to her mother tell us of the state of her feelings when established at the Seminary.

“December 24, 1824. Here I am at last; and what a naughty girl I was, when I was at aunt Schuyler’s, that I did not write you every thing! But to tell the truth, I was topsy-turvy, and so I am now. But in despite of calls from the young ladies, and of a hundred new faces, and new names which are constantly ringing in my ears, I have set myself down, and will not rise until I have written an account of every thing to my dear mother. I am contented; yet, notwithstanding, I have once or twice turned a wistful glance towards my dear-loved home. Amidst all the parade of wealth, in the splendid apartments of luxury, I can assure you, my dearest mother, that I had rather be with you, in our own lowly home, than in the midst of all this ceremony.” “O mamma, I like Mrs. W. ‘And so this is my little girl,’ said she, and took me affectionately by the hand. O, I want to see you so much! But I must not think of it now; I must learn as fast as I can, and think only of my studies. Dear, dear little Margaret! Kiss her and the little boys for me. How is dear father getting on in this rattling world?”

The transplanting a flower of so delicate a constitution from the clear air of Lake Champlain to the close atmosphere of a city boarding-school, was followed by consequences which might have been expected. Almost from her arrival, Lucretia’s letters speak of ill-health and unhappiness, aggravated by the fear that her progress in studies, thus frequently interrupted, would disappoint the expectations of her kind benefactor, for whom she seems to have cherished the most affectionate and grateful feelings. Neither do the excitements of a large public seminary seem well adapted to one of so sensitive a nature. In the course of time, the public examination approached, and for the two months preceding it, she was kept in a state of constant agitation and dread, which is thus spoken of in a half-serious, half-jesting letter to her mother: “We are all engaged, heart and hand, preparing for this awful examination. O, how I dread it! But there is no retreat. I must stand firm to my post, or experience the anger, vengeance, and punishments, which will, in case of delinquency or flight, be exercised with the most unforgiving acrimony. We are in such cases excommunicated, henceforth and forever, under the awful ban of holy Seminary; and the evil eye of false report is upon us. O mamma, I do, though, jesting apart, dread this examination; but nothing short of real and absolute sickness can excuse a scholar in the eyes of Mrs. W. Even that will not do in the Trojan world around us; for if a young lady is ill at examination, they say with a sneer, ‘O, she is ill of an examination fever!’ Thus you see, mamma, we have no mercy either from friends or foes. We must ‘do or die.’ Tell Morris he must write to me. Kiss dear, dear little Margaret for me, and don’t let her forget poor sister Luly; and tell all who inquire for me that I am well, but in awful dread of a great examination.”

She was interrupted, in her course of preparation for the examination, by an illness so serious as to require the attendance of a physician. But no sooner was she convalescent than she was suffered to renew her suicidal course. “I shall rise between two and four now every morning, till the dreaded day is past. I rose the other night at twelve, but was ordered back to bed again. You see, mamma, I shall have a chance to become an early riser here.” “Had I not written you that I was coming home, I think I should not have seen you this winter. All my friends think I had better remain here, as the journey will be long and cold; but O, there is at that journey’s end, which would tempt me through the wilds of Siberia – father, mother, brothers, sisters, home. Yes, I shall come.” “The dreaded examination is now going on, my dear mother. To-morrow evening, which will be the last, is always the most crowded, and is the time fixed upon for my entrée upon the field of action. O, I hope I shall not disgrace myself. It is the rule here to reserve the best classes till the last; so I suppose I may take it as a compliment that we are delayed.” “The examination is over. E. did herself and her native village honor; but as for your poor Luly, she acquitted herself, I trust, decently. O mamma, I was so frightened! But although my face glowed and my voice trembled, I did make out to get through, for I knew my lessons. The room was crowded to suffocation. All was still; the fall of a pin could have been heard; and I tremble when I think of it even now.”

The expected visit to her home was relinquished, and she passed the vacation with her friends in the vicinity of Troy. An incident which occurred as she was crossing the Hudson on her return to Troy, is thus described: “Uncle went to the ferry with me, where we met Mr. P. Uncle placed me under his care, and, snugly seated by his side, I expected a very pleasant ride, with a very pleasant gentleman. All was pleasant, except that we expected every instant that all the ice in the Hudson would come drifting against us, and shut in scow, stage and all, or sink us to the bottom, which, in either case, you know, mother, would not have been quite so agreeable. We had just pushed off from the shore, I watching the ice with anxious eyes, when, lo! the two leaders made a tremendous plunge, and tumbled headlong into the river. I felt the carriage following fast after; the other two horses pulled back with all their power, but the leaders were dragging them down, dashing, and plunging, and flouncing, in the water. ‘Mr. P., in mercy let us get out!’ said I. But as he did not see the horses, he felt no alarm. The moment I informed him they were overboard, he opened the door, and cried, ‘Get out and save yourself, if possible; I am old and stiff, but I will follow you in an instant.’ ‘Out with the lady! let the lady out!’ shouted several voices at once; ‘the other horses are about to plunge, and then all will be over.’ I made a lighter spring than many a lady does in a cotillon, and jumped upon a cake of ice. Mr. P. followed, and we stood (I trembling like a leaf) expecting every moment that the next plunge of the drowning horses would detach the piece of ice upon which we were standing, and send us adrift; but, thank Heaven, after working for ten or fifteen minutes, by dint of ropes, and cutting them away from the other horses, they dragged the poor creatures out more dead than alive. Mother, don’t you think I displayed some courage? I jumped into the stage again, and shut the door, while Mr. P. remained outside, watching the movement of affairs. We at length reached here, and I am alive, as you see, to tell the story of my woes.”

At the spring vacation, Lucretia returned to her loved home; but the joy of her parents at once more embracing their darling daughter, was damped by observing that the fell destroyer had set its well-known mark upon her cheek. Her father called in another physician to consult with him, and, strange to say, it was decided that she should return to school in Albany, where she arrived May, 1825, and where her reception, her accommodations and prospects, seem to have given her much delight, and where she entered upon her career of study with her wonted ardor. But her physical strength could not sustain the demands upon it. She thus writes to her mother: “I am very wretched: am I never to hear from you again? I am homesick. I know I am foolish, but I cannot help it. To tell the truth, I am half sick, I am so weak, so languid. I cannot eat. I am nervous; I know I am. I weep most of the time. I have blotted the paper so that I cannot write. I cannot study much longer if I do not hear from you.” Her disease appears now to have assumed a fixed character, and in her next letter, she expresses a fear that it is beyond the reach of human art. Her mother, herself ill, set off at once for Albany, and was received by her child with rapture. “O mamma, I thought I should never have seen you again! But, now I have you here, I can lay my aching head upon your bosom. I shall soon be better.”

The journey homeward, though made in the heats of July, was attended with less suffering than was anticipated. “Her joy,” says her mother, “upon finding herself at home, operated for a time like magic.” The progress of disease seemed to be suspended. Those around her received new hope; but she herself was not deceived, and she calmly waited for that great change which for her possessed no terrors, for her hopes as to the future rested upon a sure foundation.

But one fear disturbed her, to which she refers in the following, the last piece she ever composed, and which is left unfinished: —

She died on the 27th August, 1825. Her literary labors will surprise all who remember that she had not yet reached her seventeenth birthday. They consist of two hundred and seventy-eight poetical pieces, of which there are five regular poems, of several cantos each; three unfinished romances; a complete tragedy, written at thirteen years of age; and twenty-four school exercises; besides letters, of which forty are preserved, written in the course of a few months, to her mother alone. Indeed, we cannot but look upon Lucretia Davidson as one of the wonders of humanity. Her early productions excited even the admiration of Byron; and the delicacy, dutifulness, and exaltation, of her character seemed almost to have realized angelic purity and beauty of soul, in a tenement of clay.

The little Margaret, as we have seen, was the object of Lucretia’s fondest affection. She used to gaze upon her little sister with delight, and, remarking the brightness and beauty of her eyes, would exclaim, “She must, she will be a poet!” She did not live to see her prediction verified, but to use her mother’s fond expressions, “On ascending to the skies, it seemed as if her poetic mantle fell, like a robe of light, on her infant sister.”

Though Margaret was but two years and a half old, the death of her sister made a strong impression on her, and an incident which occurred a few months afterwards showed that she appreciated her character. As Mrs. Davidson was seated, at twilight, conversing with a female friend, Margaret entered the room with a light, elastic step, for which she was remarked. “That child never walks,” said the lady; then turning to her, she said, “Margaret, where are you flying now?” “To heaven!” replied Margaret, pointing up with her fingers, “to meet my sister Lucretia, when I get my new wings.” “Your new wings! When will you get them?” “O, soon, very soon; and then I shall fly!” “She loved,” says her mother, “to sit, hour after hour, on a cushion at my feet, her little arms resting upon my lap, and her full, dark eyes fixed upon mine, listening to anecdotes of her sister’s life, and details of the events which preceded her death, often exclaiming, while her face beamed with mingled emotions, ‘O mamma, I will try to fill her place! Teach me to be like her!’”

Warned by their dreadful experience in the former instance, the parents endeavored to repress the intellectual activity of Margaret. She was not taught to read till she was four years old; but so rapid was her progress after that period, under her mother’s instructions, that at six she read not only well, but elegantly, and was wont to solace her mother’s hours of protracted illness, by reading to her the works of Thomson, Campbell, Cowper, Milton, Byron, Scott, &c., in which she took enthusiastic delight, and in discriminating their beauties and defects, she showed wonderful taste and intelligence. The Scriptures were her daily study; not hurried over as a task, but she would spend an hour or two in commenting with her mother upon the chapter she had read.

“Her religious impressions,” says her mother, “seemed to be interwoven with her existence. From the very first exercise of reason, she evinced strong devotional feelings, and, although she loved play, she would at any time prefer seating herself beside me, and, with every faculty absorbed in the subject, listen while I attempted to recount the wonders of Providence, and point out the wisdom and benevolence of God, as manifested in the works of creation.”

About the age of six years, she began to exhibit a talent for rhyming. One of her earliest pieces, if not remarkable for poetical merit, is worthy of transcription, from the incident which gave occasion to its composition; it also exhibits in a striking manner that conscientiousness for which her sister was so distinguished, and a power of self-examination of rare existence in one so young.

Her mother reproved her for some trifling act of disobedience upon which she attempted to justify herself, and for this aggravation of the fault was banished to her chamber until she should become sensible of her error. Two hours elapsed, and she continued obstinate; vindicating herself, and accusing her mother of injustice. Mrs. D. reasoned with her, exhorting her to pray to God to assist her in gaining that meekness and humility which had characterized our Savior, and reminding her of the example he had set of obedience to parents. An hour or two afterwards, Margaret came running in, threw her arms around her mother’s neck, and, sobbing, put into her hands these verses: —

She took little pleasure in the common sports of children; her amusements were almost entirely intellectual. If she played with a doll, or a kitten, she invested it with some historical or dramatic character, and whether Mary, queen of Scots, or Elizabeth, the character was always well sustained.

In her seventh year, her health became visibly delicate, and she was taken to Saratoga springs and to New York, from which excursions she derived much physical advantage, and great intellectual pleasure; but she returned to her native village with feelings of admiration and enthusiasm for its natural beauties, heightened by contrast. As her health began again to fail in the autumn, and the vicinity to the lake seemed unfavorable to the health of Mrs. Davidson, the family went to Canada to pass the winter with the eldest daughter.

Margaret grew stronger, but her mother derived no benefit from the change, and for eighteen months remained a helpless invalid, during which time her little daughter was her constant companion and attendant. “Her tender solicitude,” says Mrs. D., “endeared her to me beyond any other earthly thing. Although under the roof of a beloved and affectionate daughter, and having constantly with me an experienced and judicious nurse, yet the soft and gentle voice of my little darling was more than medicine to my worn-out frame. If her delicate hand smoothed my pillow, it was soft to my aching temples, and her sweet smile would cheer me in the lowest depths of despondency. She would draw for me – read to me – and often, when writing at her little table, would surprise me by some tribute of love, which never failed to operate as a cordial to my heart. At a time when my life was despaired of, she wrote the following verses while sitting at my bed: —

Margaret continued to increase in strength until January, 1833, when she was attacked by scarlet fever, under which she lingered many weeks. In the month of May, she had, however, so far recovered as to accompany her mother, now convalescent, on a visit to New York. Here she was the delight of the relatives with whom she resided, and the suggester of many new sources of amusement to her youthful companions. One of her projects was to get up a dramatic entertainment, for which she was to write the play. Indeed, she directed the whole arrangements, although she had never but once been to a theatre, and that on her former visit to New York. The preparations occupied several days, and, being nearly completed, Margaret was called upon to produce the play. “O,” she replied, “I have not written it yet.” “How is this? Do you make the dresses first, and then write the play to suit them?” “O,” replied she, “the writing of the play is the easiest part of the preparation; it will be ready before the dresses.” In two days she produced her drama; “which,” says Mr. Irving, “is a curious specimen of the prompt talent of this most ingenious child, and by no means more incongruous in its incidents than many current dramas by veteran and experienced playwrights.”

Though it was the study of her relatives to make her residence in New York as agreeable to her as possible, the heart of Margaret yearned for her home: her feelings are expressed in the following lines: —

In the autumn the travellers turned their faces homewards, but it was not to the home of Margaret’s tender longings. The wintry winds of Lake Champlain were deemed too severe for the invalids, and the family took up its residence at Ballston. Margaret’s feelings upon this disappointment are thus recorded: —

“MY NATIVE LAKE

But Margaret was happy; the family were reunited, and she had health sufficient to allow her to pursue her studies, still under her mother’s direction. She was fond, too, of devising little plans for intellectual improvement and amusement: among others, a weekly newspaper was issued in manuscript, called the “Juvenile Aspirant.” But this happiness was soon clouded. Her own severe illness excited alarming fears; and hardly was she convalescent, when, in the spring of 1834, intelligence was received from Canada of the death of her eldest sister. This was a severe shock, for she had always looked up to this only surviving sister as to one who would supply the place of her seemingly dying mother. But she forgot her own grief in trying to solace that of her mother. Her feelings, as usual, were expressed in verses, which are as remarkable for their strain of sober piety as for poetical merit. The following are portions of an address —

“TO MY MOTHER, OPPRESSED WITH SORROW

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So strong and healthful did she seem during the ensuing summer, that her mother began to indulge hopes of raising the tender plant to maturity. But winter brought with it a new attack of sickness, and from December to March the little sufferer languished on her bed. During this period, her mind remained inactive; but with returning health it broke forth in a manner that excited alarm. “In conversation,” says her mother, “her sallies of wit were dazzling; she composed and wrote incessantly, or rather would have done so, had I not interposed my authority to prevent this unceasing tax upon both her mental and physical strength. She seemed to exist only in the regions of poetry.”

There was a faint return of health, followed by a new attack of disease; indeed, the remainder of her brief sojourn in this world presents the usual vicissitudes attendant upon her disease – short intervals of health, which she devoted to study, amid long and dreary periods of illness, which she bore with exemplary patience. It would be painful to follow her through these vicissitudes. We need only note those events and changes which produced a marked effect upon her feelings, and which she has recorded in verse.

In the autumn of 1835, the family removed to “Ruremont,” an old-fashioned country house near New York, on the banks of Long Island Sound. The character and situation of this place seized powerfully on Margaret’s imagination. “The curious structure of this old-fashioned house,” says her mother, “its picturesque appearance, the varied and beautiful grounds around it, called up a thousand poetic images and romantic ideas. A long gallery, a winding staircase, a dark, narrow passage, a trap-door, large apartments with massive doors and heavy iron bolts and bars, – all set her mind teeming with recollections of what she had read, and imagination of old castles, &c.” Perhaps it was under the influence of feelings thus suggested that she composed the following

“STANZAS

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Margaret now felt comparatively well, and was eager to resume her studies. She was indulged so far as to be permitted to accompany her father three times to the city, where she took lessons in French, music, and dancing. To the Christmas holidays she looked forward as a season of delight; she had prepared a drama of six acts for the domestic entertainment, and the back parlor was to be fitted up for a theatre, her little brothers being her fellow-laborers. But her anticipations were disappointed. Two of her brothers were taken ill; and one of them, a beautiful boy of nine, never recovered. “This,” says her mother, “was Margaret’s first acquaintance with death. She saw her sweet little play-fellow reclining upon my bosom during his last agonies; she witnessed the bright glow which flashed upon his long-faded cheek; she beheld the unearthly light of his beautiful eye, as he pressed his dying lips to mine, and exclaimed, ‘Mother, dear mother, the last hour has come!’ It was indeed an hour of anguish. Its effect upon her youthful mind was as lasting as her life. The sudden change from life and animation to the still unconsciousness of death, for a time almost paralyzed her. The first thing that aroused her to a sense of what was going on about her, was the thought of my bereavement, and a conviction that it was her province to console me.” But Mrs. Davidson soon presents a sadder picture: “My own weak frame was unable longer to sustain the effects of long watching and deep grief. I had not only lost my lovely boy, but I felt a strong conviction that I must soon resign my Margaret. Although she still persisted in the belief that she was well, the irritating cough, the hectic flush, the hurried beating of the heart, and the drenching night perspirations, confirmed me in this belief, and I sank under this accumulated weight of affliction. For three weeks I hovered on the borders of the grave, and, when I arose from this bed of pain, it was to witness the rupture of a blood-vessel in her lungs, caused by exertions to suppress a cough. I was compelled to conceal every appearance of alarm, lest agitation of her mind should produce fatal consequences. As I seated myself by her, she raised her speaking eyes to mine with a mournful, inquiring gaze, and, as she read the anguish which I could not conceal, she turned away with a look of despair.” There no longer remained room for hope, and all that remained to be done was to smooth the pathway to the grave.

Although Margaret endeavored to persuade herself that she was well, yet, from the change that took place in her habits in the autumn of 1836, it is evident that she knew her real situation. In compliance with her mother’s oft-repeated advice, she gave up her studies, and sought by light reading and trivial employments to “kill time.” Of the struggles which it cost her thus to pass six months, the following incident, as related by her mother, will inform us: “She was seated one day by my side, weary and restless, scarcely knowing what to do with herself, when, marking, the traces of grief upon my face, she threw her arms about my neck, and, kissing me, exclaimed, ‘My dear, dear mother!’ ‘What is it affects you now, my child?’ ‘O, I know you are longing for something from my pen.’ I saw the secret craving of the spirit that gave rise to the suggestion. ‘I do indeed, my dear, delight in the effusions of your pen, but the exertion will injure you.’ ‘Mamma, I must write! I can hold out no longer! I will return to my pen, my pencil, and my books, and shall again be happy.’” The following verses, written soon after, show the state of her feelings: —

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Some verses written about the same period show the feelings she held towards her sister Lucretia.

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Although the extracts from the works of this gifted being have been so extensive, we cannot forbear giving some portions of a piece written about the same period, and entitled —

“AN APPEAL FOR THE BLIND

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Hitherto Margaret had sedulously avoided all conversations about her health, and seemed unwilling to let the feeling that disease had marked her for its victim take possession of her mind. But in the summer of 1838, she one day surprised her mother by asking her to tell her, without reserve, her opinion of her state. “I was,” says her mother, “wholly unprepared for this question; and it was put in so solemn a manner, that I could not evade it, were I disposed to do so. I knew with what strong affection she clung to life, and the objects and friends which endeared it to her; I knew how bright the world upon which she was just entering appeared to her young fancy – what glowing pictures she had drawn of future usefulness and happiness. I was now called upon at one blow to crush these hopes, to destroy the delightful visions; it would be cruel and wrong to deceive her. In vain I attempted a reply to her direct and solemn appeal; several times I essayed to speak, but the words died away on my lips; I could only fold her to my heart in silence; imprint a kiss upon her forehead, and leave the room, to avoid agitating her with feelings I had no power to repress.”

But this silence was to Margaret as expressive as words. Religion had always been present with her, but from this period it engrossed a large portion of her thoughts. She regretted that so much of her time had been spent in light reading, and that her writings had not been of a more decidedly religious character. “Mamma,” said she one day, “should God spare my life, my time and talents shall, for the future, be devoted to a higher and holier end.” “O mother, how sadly have I trifled with the gifts of Heaven! What have I done which can benefit one human being?” The New Testament was now her daily study, and a portion of each day was devoted to private prayer and self-examination.

The closing scene of her life, which occurred on the 25th November, 1838, would lose much of its interest in the description, if given in other than the beautiful and touching language of her mother. It was night, and, at the entreaty of her husband, Mrs. Davidson had laid herself on the bed in a room adjoining that of her daughter. “Between three and four o’clock, the friend who watched came again, and said, ‘Margaret has asked for her mother.’ I flew. She held a bottle of ether in her hand, and pointed to her breast. I poured it on her head and chest. She revived. ‘I am better now,’ said she. ‘Mother, you tremble; you are cold; put on your clothes.’ I stepped to the fire, and put on a wrapper, when she stretched out both her arms, and exclaimed, ‘Mother, take me in your arms.’ I raised her, and, seating myself on the bed, passed both my arms around her waist; her head dropped on my bosom, and her expressive eyes were raised to mine. That look I never shall forget; it said, ‘Tell me, mother, is this death?’ I answered the appeal as if she had spoken. I laid my hand upon her white brow; a cold dew had gathered there. I spoke – ‘Yes, my beloved, it is almost finished; you will soon be with Jesus.’ She gave one more look, two or three short, fluttering breaths, and all was over; her spirit was with its God: not a struggle or a groan preceded her departure.”

Thus perished Margaret Davidson, at the early age of fifteen years and eight months. Her sister Lucretia had found in Miss Sedgwick a fitting biographer, and the memory of Margaret has been rendered more dear by the touching manner in which Irving has told her brief but wondrous story. We cannot better close our imperfect sketch, than to use the words of her biographer: “We shall not pretend to comment on these records; they need no comment, and they admit no heightening. Indeed, the farther we have proceeded with our subject, the more has the intellectual beauty and the seraphic purity of the little being we have endeavored to commemorate, broken upon us. To use one of her own exquisite expressions, she was ‘a spirit of heaven fettered by the strong affections of earth,’ and the whole of her brief sojourn here seems to have been a struggle to regain her native skies.”