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Prana Beach would be a part of the solid west coast if it wasn't for a half circle of the deadliest, double-damned, orchid-haunted black morass, with a solid wall of insects that bite, rising out of it. But the beach is good dry sand, and the wind keeps the bugs back in the swamp. Between the beach and the swamp is a strip of loam and jungle, where some niggers live and a god.

I landed on Prana Beach because I'd heard—but it wasn't so and it doesn't matter. Anyhow, I landed—all alone; the canoemen wouldn't come near enough for me to land dry, at that. Said the canoe would shrivel up, like a piece of hide in a fire, if it touched that beach; said they'd turn white and be blown away like puffs of smoke. They nearly backed away with my stuff; would have if I hadn't pulled a gun on them. But they made me wade out and get it myself—thirty foot of rope with knots, dynamite, fuses, primers, compass, grub for a week, and—well, a bit of skin in a half-pint flask with a rubber and screw-down top. Not nice, it wasn't, wading out and back and out and back. There was one shark, I remember, came in so close that he grounded, snout out, and made a noise like a pig. Sun was going down, looking like a bloody murder victim, and there wasn't going to be any twilight. It's an uncertain light that makes wading nasty. It might be salt-water soaking into my jeans, but with that beastly red light over it, it looked like blood.

The canoe backed out to the—you can't call 'em a nautical name. They've one big, square sail of crazy-quilt work—raw silk, pieces of rubber boots, rattan matting, and grass cloth, all colors, all shapes of patches. They point into the wind and then go sideways; and they don't steer with an oar that Charon discarded thousands of years ago, that's painted crimson and raw violet; and the only thing they'd be good for would be fancy wood-carpets. Mine, or better, ours, was made of satinwood, and was ballasted with scrap-iron, rotten ivory, and ebony. There, I've told you what she was like (except for the live entomological collection aboard), and you may call her what you please. The main point is that she took the canoe aboard, and then disobeyed orders. Orders were to lie at anchor (which was a dainty thing of stone, all carved) till further orders. But she'd gotten rid of me, and she proposed to lie farther off, and come back (maybe) when I'd finished my job. So she pointed straight in for where I was standing amid my duds and chattels, just as if she was going to thump herself ashore—and then she began to slip off sideways like a misbegotten crab, and backward, too—until what with the darkness tumbling down, and a point o' palms, I lost sight of her. Why didn't I shout, and threaten, and jump up and down?

Because I was alone on Prana Beach, between the sea and the swamp. And because the god was beginning to get stirred up; and because now that I'd gone through six weeks' fever and boils to get where I was, I wished I hadn't gotten there. No, I wasn't scared. You wouldn't be if you were alone on a beach, after sundown, deserted you may say, your legs shaky with being wet, and your heart hot and mad as fire because you couldn't digest the things you had to put into your stomach, and if you'd heard that the beach was the most malodorous, ghoul-haunted beach of the seas, and if just as you were saying to yourself that you for one didn't believe a word of it—if, I say, just then It began to cut loose—back of you—way off to the left—way off to the right—why you'd have been scared.

It wasn't the noise it made so much as the fact that it could make any noise at all. … Shut your mouth tight and hum on the letter m-mmmmmmm—that's it exactly. Only It's was ten times as loud, and vibrating. The vibrations shook me where I stood.

With the wind right, that humming must have carried a mile out to sea; and that's how it had gotten about that there was a god loose on Prana Beach. It was an It-god, the niggers all agreed. You'll have seen 'em carved on paddles—shanks of a man, bust of a woman, nose of a snapping-turtle, and mouth round like the letter O. But the Prana Beach one didn't show itself that first night. It hummed awhile—m-m-m-m-m—oh, for maybe a minute—stopped and began again—jumped a major fifth, held it till it must have been half burst for breath, and then went down the scale an octave, hitting every note in the middle, and giving the effect of one damned soul meeting another out in eternity and yelling for pure joy and malice. The finish was a whoop on the low note so loud that it lifted my hair. Then the howl was cut off as sharp and neat and sudden as I've seen a Chinaman's head struck from his body by the executioner at Canton—Big Wan—ever seen him work? Very pretty. Got to perfection what golfers call "the follow through."

Yes. I sauntered into the nearest grove, whistling "Yankee Doodle," lighted a fire, cooked supper, and turned in for the night. Not! … I took to the woods all right, but on my stomach. And I curled up so tight that my knees touched my chin. Ever try it? It's the nearest thing to having some one with you, when you're cold and alone. Adam must have had a hard-shell back and a soft-shell stomach, like an armadillo—how does it run?—"dillowing in his armor." Because in moments of real or imaginary danger it's the first instinct of Adam's sons to curl up, and of Eve's daughters. Ever touch a Straits Settlement Jewess on the back of the hand with a lighted cigarette? …

As I'm telling you, I curled up good and tight, head and knees on the grub sack, Colt and dynamite handy, hair standing perfectly straight up, rope round me on the ground in a circle—I had a damn-fool notion that It mightn't be allowed to cross knotted ropes, and I shook with chills and nightmares and cramps. I could only lie on my left side, for the boils on my right. I couldn't keep my teeth quiet. I couldn't do anything that a Christian ought to do, with a heathen It-god strolling around. Yes, … the thing came out on the beach, in full view of where I was, but I couldn't see it, because of the pitch dark. It came out, and made noises with its feet in the sand—up and down—up and down—scrunch—scrunch—something like a man walking, and not in a hurry. Something like it, but not exactly. The It's feet (they have seven toes according to the nigger paddles) didn't touch the ground as often as a man's would have done in walking the distance. There'd be one scrunch and then quite a long pause before the next. It sounded like a very, very big man, taking the very longest steps he could. But there wasn't any more mouth work. And for that I'm still offering up prayers of thanksgiving; for, if—say when it was just opposite where I lay, and not fifty yards off—it had let off anything sudden and loud, I'd have been killed as dead as by a stroke of lightning.

Well, I was just going to break, when day did. Broke so sweet, and calm, and pretty; all pink landward over the black jungle, all smooth and baby-blue out to sea. Till the sun showed, there was a land breeze—not really a breeze, just a stir, a cool quiet moving of spicy smells from one place to another—nothing more than that. Then the sea breeze rose and swept the sky and ocean till they were one and the same blue, the blue that comes highest at Tiffany's; and little puffs of shore birds came in on the breeze and began to run up and down on the beach, jabbing their bills into the damp sand and flapping their little wings. It was like Eden—Eden-by-the-Sea—I wouldn't have been surprised if Eve had come out of the woods yawning and stretching herself. And I wouldn't have cared—if I'd been shaved.

I took notice of all this peacefulness and quiet, twenty grains of quinine, some near food out of a can, and then had a good look around for a good place to stop, in case I got started running.

I fixed on a sandy knoll that had a hollow in the top of it, and one twisted beach ebony to shade the hollow. At the five points of a star with the knoll for centre, but at safe blasting distance, I planted dynamite, primed and short-fused. If anything chased me I hoped to have time to spring one of these mines in passing, tumble into my hollow and curl up, with my fingers in my ears.

I didn't believe in heathen gods when the sea and sky were that exclusive blue; but I had learned before I was fifteen years old that day is invariably followed by night, and that between the two there is a time toward the latter end of which you can believe anything. It was with that dusky period in view that I mined the approaches to my little villa at Eden-by-the-Sea.

Well, after that I took the flask that had the slip of skin in it, unscrewed the top, pulled the rubber cork, and fished the skin out, with a salvage hook that I made by unbending and rebending a hair-pin. … Don't smile. I've always had a horror of accidentally finding a hair-pin in my pocket, and so I carry one on purpose. … See? Not an airy, fairy Lillian, but an honest, hard-working Jane … good to clean a pipe with. So I fished out the slip of skin (with the one I had then) and spread it out on my knee, and translated what was written on it, for the thousandth time.

Can you read that? The old-fashioned S's mix you up. It's straight modern Italian. I don't know what the ink's made of, but the skin's the real article—it's taken from just above the knee where a man can get at himself best. It runs this way, just like a "personal" in the Herald, only more so:

Prisoner on Prana Beach will share treasure with rescuing party. Come at once.

Isn't that just like an oil-well-in-the-South-west-Company's prospectus? "Only a little stock left; price of shares will be raised shortly to thirteen cents."

I bit. It was knowing what kind of skin the ad. was written on that got me. I'd seen cured human hide before. In Paris they've got a Constitution printed on some that was peeled off an aristocrat in the Revolution, and I've seen a seaman's upper arm and back, with the tattoos, in a bottle of alcohol in a museum on Fourteenth Street, New York—boys under fourteen not admitted. I wasn't a day over eight when I saw those tattoos. However. …

To get that prisoner loose was the duty that I owed to humanity; to share the treasure was the duty that I owed to myself. So I got together some niggers, and the fancy craft I've described (on shares with a Singapore Dutchman, who was too fat to come himself, and too much married), and made a start. … You're bothered by my calling them niggers. Is that it? Well, the Mason and Dixon line ran plump through my father's house; but mother's room being in the south gable, I was born, as you may say, in the land of cotton, and consequently in my bright Southern lexicon the word nigger is defined as meaning anything black or brown. I think I said that Prana is on the west coast, and that may have misled you. But Africa isn't the only God-forsaken place that has a west coast; how about Staten Island?

Malaysian houses are built mostly of reed and thatch work standing in shallow water on bamboo stalks, highly inflammable and subject to alterations by a blunt pocket-knife. So a favorite device for holding a man prisoner is a hole in the ground too deep and sheer for him to climb out of. That's why I'd brought a length of knotted rope. The dynamite was instead of men, which we hadn't means to hire or transport, and who wouldn't have landed on that beach anyhow, unless drowned and washed up. Now dynamite wouldn't be a pleasant thing to have round your club or your favorite restaurant; but in some parts of the world it makes the best company. It will speak up for you on occasion louder than your best friend, and it gives you the feeling of being Jove with a handful of thunderbolts. My plan was to find in what settlement there was the most likely prisoner, drive the inhabitants off for two or three days—one blast would do that, I calculated (especially if preceded and followed by blowings on a pocket siren)—let my rope down into his well, lift the treasure with him, and get away with it.

This was a straight ahead job—except for the god. And in daylight it didn't seem as if It could be such an awful devil of a god. But It did have the deuce of a funny spoor, as I made haste to find out. The thing had five toes, like a man, which was a relief. But unlike nigger feet, the thumb toe and the index weren't spread. The thumb bent sharply inward, and mixed its pad mark with that of the index. Furthermore, though the impress of the toes was very deep (down-slanting like a man walking on tiptoe), the heel marks were also very deep, and between toe and heel marks there were no other marks at all. In other words, the thing's feet must have been arched like a croquet wicket. And It's heels were not rounded; they were perfectly round—absolute circles they were, about the diameter of the smallest sized cans in which Capstan tobacco is sold. If ever a wooden idol had stopped squatting and gone out for a stroll on a beach, it would have left just such a track. Only it might not have felt that it had to take such peculiarly long steps.

My knoll being near the south end of Prana Beach (pure patriotism I assure you), my village hunts must be to the northward. I had one good hunt, the first day, and I got near some sort of a village, a jungle one built over a pool, as I found afterward. The reason I gave up looking that day was because the god got between me and where I was trying to get; burst out humming, you might say, right in my face, though I couldn't see It, and directly I had turned and was tiptoeing quietly away (I remember how the tree trunks looked like teeth in a comb, or the nearest railroad ties from the window of an express train), It set up the most passionate, vindictive, triumphant vocal fireworks ever heard out of hell. It made black noises like Niagara Falls, and white noises higher than Pike's Peak. It made leaps, lighting on tones as a carpenter's hammer lights on nails. It ran up and down the major and minor diatonics, up and down the chromatic, with the speed and fury of a typhoon, and the attention to detail of Paderewski—at his best, when he makes the women faint—and with the power and volume of a church organ with all the stops pulled out. It shook and It trilled and It quavered, and It gargled as if It had a barrel of glycothermoline in It's mouth and had been exposed to diphtheria, and It finished—just as I tripped on a snake and fell—with a round bar of high C sound, that lasted a good minute (or until I was a quarter of a mile beyond where I had fallen), and was the color of butter, and could have been cut with a knife. And It stopped short—biff—just as if It had been chopped off.

That was the end of my village hunting. Let the prisoner of Prana Beach drown in his hole when the rains come, let his treasure remain unlifted till Gabriel blows his trumpet; but let yours truly bask in the shade of the beach ebony, hidden from view, and fortified by dynamite—until the satinwood shallop should see fit to return and take him off.

Except for a queer dream (queer because of the time and place, and because there seemed absolutely nothing to suggest it to the mind asleep), I put in six hours' solid sleep. In my dream I was in Lombardy in a dark loft where there were pears laid out to ripen; and we were frightened and had to keep creepy-mouse still—because the father had come home sooner than was expected, and was milking his goats in the stable under the loft, and singing, which showed that he was in liquor, and not his usual affable, bland self. I could hear him plainly in my dream, tearing the heart out of that old folk-song called La Smortina—"The Pale Girl":

"T' ho la scia to e son contento

Non m'in cresca niente, niente

Altro giovine hogià in mente

Pin belino assai di te."

And I woke up tingling with the remembered fear (it was a mixed feeling, half fright, and half an insane desire to burst out laughing to see what the old man would do), and I looked over the rim of my hat, and there walking toward me, in the baby-blue and pink of the bright dawn (but a big way off), came a straggling line of naked niggers, headed by the It-god, Itself.

One look told me that, one look at a great bulk of scarletness, that walked upright like a man. I didn't look twice, I scuttled out to my nearest mine, lighted the fuse, tumbled back into the hollow, fingers in ears, face screwed up as tight as a face can be screwed, and waited.

When it was over, and things had stopped falling, I looked out again. The tropic dawn remained as before, but the immediate landscape was somewhat altered for the worse, and in the distance were neither niggers nor the god. It is possible that I stuck my thumbs into my armpits and waggled my fingers. I don't remember. But it's no mean sensation to have pitted yourself against a strange god, with perfectly round heels, and to have won out.

About noon, though, the god came back, fortified perhaps by reflection, and more certainly by a nigger who walked behind him with a spear. You've seen the donkey boys in Cairo make the donkeys trot? … This time I put my trust in the Colt forty-five; and looked the god over, as he came reluctantly nearer and nearer, singing a magic.

Do you know the tragedian walk as taken off on the comic opera stage, the termination of each strutting, dragging step accentuated by cymbals smashed together F-F-F? That was how the god walked. He was all in scarlet, with a long feather sticking straight up from a scarlet cap. And the magic he sang (now that you knew the sounds he made were those of a tenor voice, you knew that it was a glorious tenor voice) was a magic out of "Aïda." It was the magic that what's-his-name sings when he is appointed commander-in-chief of all the Egyptian forces. Now the niggers may have thought that their god's magics were stronger than my dynamite. But the god, though very, very simple, was not so simple as that. He was an Italian colored man, black bearded, and shaped like Caruso, only more so, if that is possible; and he sang, because he was a singing machine, but he couldn't have talked. I'll bet on that. He was too plumb afraid.

When he reached the hole that the dynamite had made in the landscape—I showed myself; trying to look as much like a dove of peace as possible.

"Come on alone," I called in Italian, "and have a bite of lunch."

That stopped his singing, but I had to repeat. Well he had an argument with the nigger, that finished with all the gestures that two monkeys similarly situated would have made at each other, and after a time the nigger sat down, and the god came on alone, puffing and indignant.

We talked in Dago, but I'll give the English of it, so's not to appear to be showing off.

"Who and what in the seventh circle of hell are you?" I asked.

He seemed offended that I should not have known. But he gave his name, sure of his effect. "Signor——" and the name sounded like that tower in Venice that fell down the other day.

"You don't mean it!" I exclaimed joyfully. "Be seated," and, I added, being silly with joy and relief at having my awful devil turn into a silly child—"there may be some legacy—though trifling."

Well, he sat down, and stuck his short, immense hirsute legs out, all comfy, and I, remembering the tracks on the beach, had a look at his feet. And I turned crimson with suppressed laughter. He had wooden cylinders three inches high strapped to his bare heels. They made him five feet five inches high instead of five feet two. They were just such heels (only clumsier and made of wood instead of cork and crimson morocco or silk) as Siegfried wears for mountain climbing, dragon fighting, or other deeds of derring-do. And with these heels to guide me, I sighed, and said:

"Signor Recent-Venetian-Tower, you have the most beautiful pure golden tenor voice that I have ever heard in my life."

Have you ever been suddenly embraced by a pile-driver, and kissed on both cheeks by a blacking-brush? I have. Then he held me by the shoulders at arm's length, and looked me in the eyes as if I had been a long-lost son returned at last. Then he gathered a kiss in his finger tips and flung it to the heavens. Then he asked if by any chance I had any spaghetti with me. He cried when I said that I had not; but quietly, not harassingly. And then we got down to real business, and found out about each other.

He was the prisoner of Prana Beach. The treasure that he had to share with his rescuer was his voice. Two nights a week during the season, at two thousand a night. But—There was a great big But.

Signor What-I-said-before, his voice weakened by pneumonia, had taken a long travelling holiday to rest up. But his voice, instead of coming back, grew weaker and weaker, driving him finally into a suicidal artistic frenzy, during which he put on his full suit of evening clothes, a black pearl shirt stud, a tall silk hat, in the dead of night, and flung himself from the stern of a P. & O. boat into the sea. He had no knowledge of swimming and expected to drown at once. But he was not built for drowning. The laws of buoyancy and displacement caused him to float upon his back, high out of the water, like an empty barrel. Nor was the water into which he had fallen as tepid as he had expected. From his description, with its accompaniment of shudderings and shiverings, the temperature must have been as low as 80° Fahrenheit, which is pretty sharp for dagoes. Anyhow, the double shock of the cold and of not drowning instantly acted on his vocal chords. Without even trying, he said, he knew that his voice had come back. Picture the poor man's despair—overboard in the ocean, wanting to die because he had nothing to live for, and suddenly discovering that he had everything to live for. He asserts that he actually forgot the cold, and thought only of how to preserve that glorious instrument, his voice; not for himself but for mankind. But he could not think out a way, and he asserted that a passion of vain weeping and delirium, during which he kicked himself warm, was followed by a noble and godlike calm, during which, lying as easily upon the sea as on a couch, and inspired by the thought that some ear might catch the notes and die the happier for it, he lifted his divine voice and sang a swan song. After that he sang twenty-nine others. And then, in the very midst of La Bella Napoli, with which he intended to close (fearing to strain his voice if he sang any more), he thought of sharks.

Spurred by that thought, he claims to have kicked and beaten with his hands until he was insensible. Otherwise, he would, he said, have continued to float about placidly, singing swan songs at intervals until, at last, thinned by starvation to the sinking point, he would have floated no more.

To shorten up. Signor You-know-what, either owing to his struggles, or to the sea breeze pressing against his stomach, came ashore on Prana Beach; was pounced upon by the niggers, stripped of his glad rags (the topper had been lost in the shuffle), and dropped into a hole eight feet deep, for safe-keeping. It was in this hole, buried in sand, that he found the flask I have told you about. Well, one day, for he had a bit of talent that way, he fell to sketching on his legs, knees, upper thigh and left forearm, using for ink something black that they had given him for breakfast. That night it rained; but next morning his drawings were as black and sharp as when he had made them; this, coupled with the flask, furnished him with an idea, a very forlorn and hopeless one, but an idea for all that. He had, however, nothing to write his C Q D on but himself, none of which (for he held himself in trust for his Maker as a complete whole, he explained) he intended to part with.

It was in trying to climb out of the hole that he tore a flap of skin from his left thigh just above the knee, clean off, except for one thread by which it hung. In less than two days he had screwed up his courage to breaking that thread with a sudden jerk. He cured his bit of hide in a novel way. Every morning he cried on it, and when the tears had dried, leaving their minute residue of salt, he would work the raw skin with his thumb and a bit of stick he had found. Then a nigger boy, one beast of a hot day, lowered him a gourd of sea-water as a joke, and Signor What-we-agreed-on, made salt of that while the sun shone, and finished his job of tanning.

The next time he was given a black breakfast, he wrote his hurry-call message and corked it into the flask. And there only remained the somewhat herculean task of getting that flask flung into the sea.

You'll never believe how it got there finally. But I'll tell you for all that. A creek flowed near the dungeon in which the famous tenor was incarcerated. And one night of cloud-burst that creek burst its cerements, banks I mean, filled the singing man's prison in two jerks of a lamb's tail, and floated both him and his flask out of it. He grounded as usual, but the flask must have been rushed down to the sea. For in the sea it was found, calmly bobbing, and less than two years later. A nigger fisherman found it, and gave it to me, in exchange for a Waterbury watch. He tried to make me take his daughter instead, but I wouldn't.

Signor What-you-would-forget-if-I-told-you wasn't put back in his dungeon till the rainy season was at an end. Instead he was picketed. A rope ran from his wrists, which were tied behind his back, and was inserted through the handles (it had a pair of them like ears just above the trunnions) of a small bronze cannon, that had Magellan's name and the arms of Spain engraved around the touch-hole. And thus picketed, he was rained on, joked on, and abused until dry weather. Then, it was the first happiness that he had had among them, they served him one day with a new kind of fish that had begun to run in the creek. It tasted like Carlton sole, he said. And it made him feel so good that, being quite by himself and the morning blue and warm, he began, sitting on his little cannon, to hum an aria. Further inspirited by his own tunefulness, he rose (and of course struck an attitude) and opened his mouth and sang.

Oh, how good it was to hear—as he put it himself—after all those months of silence!

Well, the people he belonged to came running up with eyes like saucers and mouths open, and they squatted at his feet in a semicircle, and women came and children. They had wonder in their faces and fear. Last came the old chief, who was too old to walk, and was carried always in a chair which two of his good-natured sons-in-law made with their hands. And the old chief, when he had listened awhile with his little bald monkey head cocked on one side, signed to be put down. And he stood on his feet and walked.

And he took out a little khris and walked over to the Divo, and cut the ropes that bound him, and knelt before him and kowtowed, and pressed the late prisoner's toes with his forehead. Then—and this was terribly touching, my informant said, and reminded him of St. Petersburg—one of the old chief's granddaughters, a little brown slip of a girl, slender and shapely as a cigar, flung her arms round his neck, and hung—just hung. When they tried to get her away she kicked at them, but she never so much as once changed the expression of her upturned face, which was one of adoration. Well, the people hollered and made drums of their cheeks and beat on them, and the first thing Signor Recent-Disaster knew he was being dressed in a scarlet coat that had belonged to a British colonel dead this hundred years. The girl by now had had to let go and had dropped at his feet like a ripe guava—and he was being ushered into the largest bamboo-legged house that the place boasted, and told as plainly as round eyes, gesticulations, and moans can, that the house was his to enjoy. Then they began to give him things. First his own dress suit, ruined by sea-water and shrinking, his formerly boiled shirt, his red silk underwear still wearable, his black pearl stud and every stiver of gold, silver, copper, and English banknotes that had been found in his pockets. They gave him knives, rough silver bangles, heaps of elaborate mats, a handful of rather disappointing pearls, a scarlet head-dress with a feather that had been a famous chief's, a gun without a lock, and, what pleased him most (must have), a bit of looking-glass big enough to see half of his face in at a time. They allowed him to choose his own house-keeper; and, although several beauties were knocked down in the ensuing riot, he managed to satisfy them that his unalterable choice rested upon the little lady who had been the most convincing in her recognition of his genius, and—what's the line?—"Hang there like fruit, my soul, till the tree die."

Well, he offered to put me up, and show me how the gods keep house. I counter-offered to keep him with me, by force of dynamite, carry him back to civilization, and go shares on his voice, as per circular. And this is where the big But comes in. My offer was pestilential; he shunned it.

"You shall have my black pearl stud for your trouble," he said. "I bought her years ago in a pawnshop at Aix. But me—no. I have found my niche, and my temple. But you shall be the judge of that."

"You don't want to escape?"

His mouth curled in scorn at the very idea.

"Try to think of how much spaghetti you could buy for a song."

His eyes and mouth twitched. But he sighed, and shook his head.

"Do you know," said he, "when you demonstrated against us with your dynamite it was instantly concluded that you were some new kind of a god come to inhabit the beach. It was proposed that I go against you singing a charm that should drive you away. But, as you saw, I came only at the spear's point. Do you think I was afraid? I was; but not of your godship. I had seen your tracks, I had seen the beach rise to your explosive, and I knew that as one Christian gentleman I had nothing on the lines of violence to fear from another. Your explosion was like a note, asking me when I should next call to bring fewer attendants. I was afraid; I was afraid that you were not one, alone, but several, and that you would compel me to return with you to a world in which, take it for all and all, the good things, such as restaurants, artificial heat, Havana cigars, and Steinway pianos, are nullified by climatic conditions unsuited to vocal chords, fatal jealousies among members of the same artistic professions, and a public that listens but does not hear; or that hears and does not listen. But you shall stop with me a few days, in my house. You shall see for yourself that among all artists I alone enjoy an appreciation and solicitude that are better than gold."

Signor Shall-we-let-it-go-at-that had not lied to me. And all he asked was, with many apologies, that I should treat him with a certain reverence, a little as if he were a conqueror. So all the way to the village I walked two paces right flank rear, and wore a solemn and subdued expression. My host approached the dwellings of his people with an exaggeration of tragi-comic stride, dragging his high-heeled feet as Henry Irving used, raising and advancing his chest to the bursting point, and holding his head so proudly that the perpendicular feather of his cap leaned backward at a sharp angle. With his scarlet soldier's coat, all burst along the seams, and not meeting by a yard over his red silk undershirt, with his bit of broken mirror dangling at his waist like a lady's jewelled "vanity set," with his china-ink black mustache and superb beard, he presented for all the purposes of the time and place an appearance in keeping with the magnificence of his voice and of his dreams.

When we got among the houses, from which came a great peeping of shy eyes, the Signor suddenly raised his fingers to his throat and sounded a shocking b-r-rr-rrr of alarm and anxiety. Then there arose a murmur, almost pitiful it was so heartfelt, as of bees who fear an irreparable tragedy in the hive. The old chief came out of the council-house upon the hands of his good-natured sons-in-law, and he was full of tenderness and concern. I saw my friend escorted into his own dwelling by ladies who sighed and commiserated. But already the call for help had reached the tenor's slip of a wife; and she, with hands that shook, was preparing a compress of leaves that smelt of cinnamon and cloves. I, too, showed solicitude, and timidly helped my conqueror to the heaped mats upon which he was wont to recline in the heat of the day. He had made himself a pair of very round terrified eyes, and he had not taken the compress from his throat. But he spoke quietly, and as one possessed of indomitable fortitude. In Malay he told his people that it was "nothing, just a little—brrr—soreness and thickening," and he let slip such a little moan as monkeys make. To me he spoke in Italian.

"I shall have to submit to a bandage," said he. "But there is nothing the matter with my throat" (slight monkey moan here for benefit of adorers), "absolutely nothing. I have invented a slight soreness so—so that you could see for yourself … so that you could see for yourself. … If you were to count those here assembled and those assembled without, you would number our entire population, including children and babes in arms" (a slight moan while compress is being readjusted over Adam's apple by gentle, tremulous brown fingers), "and among these, my friend, are no dissenters. There is none here to stand forth and say that on Tuesday night Signor And-he-pronounced-it's singing was lacking in those golden tones for which we used to look to him. His voice, indeed, is but a skeleton of its former self, and shall we say that the public must soon tire of a singer with so pronounced a tendency to flat?

"Here in this climate," he continued, "my voice by dint of constant and painstaking care and practice has actually improved. I should not have said that this was possible; but a man must believe experience. … And then these dear, amiable people are one in their acclaim of me; although I sometimes grieve, not for myself, but for them, to think that they can never really know what they've got. … "

I sometimes wonder how the god of Prana Beach will be treated when he begins to age and to lose his voice. It worries me—a little.

The black pearl stud? Of course not, you wretched materialist. I sold it in the first good market I came to. No good ever came of material possessions, and always much payment of storage bills. But I have a collection of memories that I am fond of.

Still, on second thought, and if I had the knack of setting them straight on paper, I'd part even with them for a consideration, especially if I felt that I could reach such an appreciative audience as that of Prana Beach, which sits upon its heels in worship and humility and listens to the divine fireworks of Signor I-have-forgotten-too.