Читать книгу Why Authors Go Wrong, and Other Explanations - Grant M. Overton - Страница 7

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It would be possible to continue at great length giving examples of authors who have gone wrong and specifying the fifty-seven varieties of ways they have erred. But the mere enumeration of fallen authors is terribly depressing and quite useless. If we are to accomplish any good end we must try to find out why they have allowed themselves to be deceived or betrayed and what can be done in the shape of rescue work or preventive effort in the future. Perhaps we can reclaim some of them and guide others aright.

After a consideration of cases—we shall not clog the discussion with statistics and shall confine ourselves to general results—we have been led by all the evidence to the conclusion that the principal trouble is with the authors. Little or none of the blame for the unfortunate situation rests on their readers. Indeed, in the majority of cases the readers are the great and unyielding force making for sanity and virtue in the author. Without the persistent moral pressure exerted by their readers many, many more authors would certainly stray from the path of business rectitude—not literary rectitude, for there is no such thing. What is humanly right is right in letters and nothing is right in letters that is wrong in the world.

The commonest way in which authors go wrong is one already stated: By ceasing to write primarily for money, for a living and as much more as may come the writer’s way. The commonest reason why authors go wrong in this way is comical—or would be if it were not so common. They feel ashamed to write for money first and last; they are seized with an absurd idea that there is something implicitly disgraceful in acting upon such a motive. And so to avoid something that they falsely imagine to be disgraceful they do something that they know is disgraceful; they write from some other motive and let the reader innocently think they are writing with the old and normal and honorable motive.

So widespread is this delusion that it is absolutely necessary to digress for a moment and explain why writing to make money is respectable! Why is anything respectable? Because it meets a human necessity and meets it in an open and aboveboard fashion without detriment to society in general or the individual in particular. All lawful business conforms to this definition and writing for money certainly does. Writing—or painting or sculpturing or anything else—not done to make money is not respectable because (1) it meets no human necessity, (2) it is not done openly and aboveboard, (3) it is invariably detrimental to society, and (4) it is nearly always harmful to individuals, and most harmful to the individual engaged upon it.

It is useless to say that a man who writes or paints or carves for something other than money meets a human necessity—a spiritual thirst for beauty, perhaps. There is no spiritual thirst for beauty which cannot be satisfied completely by work done for an adequate and monetary reward. And to satisfy the human longing for the beautiful without requiring a proper price is to demoralize society by showing men that they can have something for nothing.