Читать книгу The Healer - Greg Hollingshead - Страница 8

The establishment known in Grant as the Troyer Building was of ancient frame construction in brown shingle-brick pressed up against the heaved narrow sidewalk of the main street. Unlike most of the other buildings on the main street of Grant, it was not false-fronted but an actual two-storey, with a gable, separated from the shoebox IDA Drugs by a broad wooden staircase roofed and set back from the street and rising into darkness. Wakelin stepped into the shadows there. Immediately at his right hand was a dusty window covered on the inside with some kind of perforated board, the regimented holes shining sickly. Stepping deeper, he sighted up the staircase. At the top was a landing and to the right of that a door, which from his research he knew opened into the Troyer home, an apartment on the second floor. Was it from these stairs that Caroline Troyer had addressed a crowd of between twelve and sixty, speaking words of disputable import? It smelled like a urinal in here.

Wakelin walked back out into the sun and stood on the curb and looked up at the building. From the articles he had read he knew that the attic gable window was hers. Above it, in the apex, an oval plaque: Erected 1919. Lower down, at the second-storey level, two windows, larger. Sun-damaged brown drapes, their falls crushed by furniture against the sills. On the ground floor, the family enterprises. To the right of the single entrance from the street, one window only, no sign on the glass. Beneath that, in a row along the sidewalk and leaning at different angles against the front of the building, seven marble headstones. To the left of the door, where the window had been, a rectangle of shingle-brick a deeper shade of brown. Above the door a shingle, brown lettering on beige, divided left and right by a double slash. To the left of the slash, Crooked Hand’s Fine Jewellery and Tackle. To the right, Ross Troyer Realty.

The door was a full two steps above the level of the sidewalk. The steps were concrete, eroded to settings of polished stones. As Wakelin placed his foot on the lower step he was moved to reach over and lay his right hand flat against the ink-blank centre of the nearest marble headstone. A surface glassy and warm in the sun. Other stones were salmon and sand-colour. One was black. All with lapidary margins of maple leaves, lilies, Scotch thistles. Leaning across, Wakelin could also see, along the inside sill of the window, in a gap created by a shortfall of amber cellophane creased and bubbled against the pane, a row of bleached Polaroids, and he leaned farther to study those pale images, of frame cottages, aluminum-sided bungalows, waterfront lots and woodlots, all prices neatly inscribed in faded ballpoint across the bottom margins, and when he had finished this scrutiny he saw, higher up the glass, an octagonal silver sticker, lifting away around the edges: Monuments Sold Here. And he thought, Well, for your long-last home you’ve got your aluminum siding, and before it needs replacing you’ll be wanting the marble. For your long, last home.

He closed his eyes. From a public speaker down the street Roy Orbison was singing “Running Scared” in a voice undersea and pure as bel canto on an old seventy-eight. At Wakelin’s back, two pickups idled at a light. Overhead, a squirrel on a phone cable was turning one of last year’s acorns into a hail of shells, the fragments clicking and bouncing on the sidewalk. The sun was hot against the right side of Wakelin’s face and against the back of his hand on the headstone. He could smell the exhaust from the street, he could smell the scorched sugar fanblast from a doughnut shop somewhere. And he knew that he was right here, that he was nowhere but where he was.

Wakelin lifted his hand from the stone and straightened up. The door was dirty matte white, boot-scuffed along the bottom, an aura of grease around the knob.

Three to four thousand words. Anything he wanted to write on Caroline Troyer he could write. His editor, a buzz-cut beauty, was being kind to him because his wife had died only twenty-two months earlier. Try that again. His editor was being kind to him instead of sleeping with him. She was being kind, and she was being not dumb. She knew there would be three of them in the bed. The healing story he could take to a book if there was a book in it, though that did not seem likely. He was not here to do a hick superstition story. He was not here to put Caroline Troyer down. A little cultural anthropology for the instruction and delight of the readers of a national woman’s magazine. Allow them to make up their own minds. Of course he was here to do a hick superstition story. Of course he was here to put Caroline Troyer down. He didn’t intend to demonstrate she could heal, did he? Attention-seeking daughter of dysfunction. That was his understanding when the stories on her had first started to appear, that was his understanding after he had gone through the files, and that was his understanding driving up here. And if she had stopped healing, or pretending or thinking she was healing, then that was new, nobody to his knowledge had written about that yet, and maybe that could be his story. But it seemed that his predecessors, callous impatient hacks, had betrayed whatever small trust they’d once enjoyed in local hearts, and if he himself hoped to uncover a story in this picked-over patch of glacial outwash, then he would need to continue being a guy just looking for country property. Would need to keep his sheep’s clothing buttoned up a while longer yet.

Or so Wakelin assumed as he climbed the steps of the Troyer Building. Grasped the warm, cheap brass knob. Leaned into the door.