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STARSHIP DREAMING
ОглавлениеThe Starship Enterprise heads into the void, its warp drive set to maximum, its crew primed ‘to boldly go where no man has gone before’. The drive engages, a burst of light flares out from the rear engines and with an indefinable Woosh ingrained in the minds of Star Trek fans everywhere, the world’s most famous spaceship disappears from our screens and zaps across the universe to a far distant galaxy. As one of those besotted millions, I am not here to quibble about the scientific ‘errors’ in Gene Roddenberry’s masterpiece; as far as I’m concerned ‘Beam me up, Scotty’ remains the most thrilling line on television. What I wish to discuss here is an underlying premise of the series that has tugged at the back of my consciousness since childhood. The crew of the Enterprise take it for granted – as do real-life physicists, astronomers and SETI enthusiasts – that our cosmos is a homogeneous space ruled everywhere by the same physical laws. Such continuity is logically necessary if humans are ever to travel to the stars or communicate extraterrestrially. So essential is the idea of spatial homogeneity to modern science it has been named ‘the cosmological principle’ and it serves as the foundation of our faith that if indeed we are not alone then we will share something meaningful with our alien confrères – the Laws of Nature.
In the realms of both science fiction and science practice the importance of this principle is hard to overstate, for it underpins physicists’ confidence that the patterns of behaviour discovered here on Earth will govern distant worlds. Apples, planets, stars, galaxies, black holes and the explosive aftermath of the big bang are all compelled by gravity’s unifying force. The Enterprise can set its navigation system to any spatial coordinates precisely because the cosmological principle assures its crew that when they arrive the physics they know and trust will still be working. In contrast to biology, whose plasticity Star Trek writers gleefully celebrate in a myriad polymorphous modes, the laws of physics remain the same everywhere – they are the Platonic ideal at the core of an otherwise capricious cosmos. It is physics that makes ours a uni- rather than a multi-verse.
To citizens of the twenty-first century the cosmological principle may seem close to tautological. For us space is now an arena to be measured and mapped, ‘the final frontier’ on which we have imposed a metric of parsecs and light years. Yet the idea of spatial continuity was one of the more contentious propositions of the scientific revolution and its consequences have been far reaching. I want to argue here that adopting this view set the stage for an unbearable tension between science and Christianity and has problematised the very concept of a human ‘self’. In essence, concepts of space and concepts of self are inextricably entwined so that when a culture adopts a new conception of space, as Western culture did in the seventeenth century, it impacts our sense of not merely where we are but of what we are. While Newton’s synthesis famously united the heavens and Earth, it tore a hole in our social fabric that we are still struggling to comprehend and whose consequences continue to reverberate in the US ‘war’ between science and religion.