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1 1 Those that are recognized as working to nationally agreed standards for museums. See the accreditation section originally set up by the Museums Libraries and Archives Council and now administered by Arts Council England; see also ACE 2014a. The relationship between DCMS, its UK and English remits is complex, and beyond the scope of this chapter. National museums in Scotland, Wales, and Northern Ireland are funded by those countries’ devolved governments.

2 2 One study concluded that whereas national museums had a uniform 15 percent cut, other museums were affected to varying degrees, with 20 percent of respondents reporting cuts of more than 25 percent (Newman and Tourle 2011, 3).

3 3 Their job is to “drive development and deliver sustainability resilience and innovation in England’s regional museums” (ACE 2014b).

4 4 At the same time, the Welsh Assembly Government issued policy directions related to money distributed in Wales; these complement the UK-wide directions.

5 5 See Sir H. A. Miers. 1928. A Report on the Public Museums of the British Isles (other than the National Museums). Edinburgh; S. F. Markham. 1938. The Museums and Art Galleries of the British Isles. Edinburgh; Standing Commission on Museums and Galleries. 1963. Survey of Provincial Museums and Galleries. London (the Rosse Report); Standing Commission on Museums and Galleries. 1979. Framework for a System of Museums. London (the Drew Report).

6 6 This refers to a demographic classification system derived from the British National Readership Survey (NRS), used in market research, in which C2 are skilled manual workers; D are semi-skilled and unskilled manual workers, and E are state pensioners, casual or lowest grade workers, unemployed with state benefits only (Ipsos Media CT 2009).