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ACKNOWLEDGMENTS

Editing this volume has been an enormously rewarding experience. We wish to thank all those who made it possible, particularly our friend Chris Healy, who first brought us into this project. We would also like to thank Sharon Macdonald and Helen Rees Leahy, who conceptualized the series and have overseen its develop? ment. As our guiding editor, Sharon was exacting but enormously supportive, and we thank her for it. We also warmly acknowledge our contributors–colleagues inside and outside museums without whom this volume would not have taken shape. Thank you for staying the course of the project–all those emails backward and forward, the drafting and redrafting that went into the editing process, and your faith that the publication would eventually emerge. Finally but not least, we wish to thank Gill Whitley, the project manager working with Wiley, who went above and beyond her duty of care in supporting us as editors, running around chasing copyright, and keeping us to deadlines or managing requests for exten? sions when we needed them. We are also no less grateful for the patience, careful reading, and extraordinary care taken by our copy?editor, Jacqueline Harvey