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1 Adorno, T. 1967. “Valéry Proust Museum.” In Prisms, pp. 173–185. Cambridge, MA: MIT Press.

2 Altick, R. 1978. The Shows of London. Cambridge, MA: Belknap.

3 Bacon, F. 1974. The Advancement of Learning. Oxford: Clarendon.

4 Bann, S. 1995. “Shrines, Curiosities and the Rhetoric of Display.” In Visual Display: Culture beyond Appearances, edited by L. Cook and P. Wollen, pp. 14–29. Seattle: Bay Press.

5 Bazin, G. 1967. The Museum Age. Brussels: Desoer.

6 Benjamin, W. (1934) 1973. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations, pp. 211–244. London: Fontana.

7 Bennett, T. 1988. “The Exhibitionary Complex.” New Formations 4: 73–102.

8 Bennett, T. 1995. The Birth of the Museum. London: Routledge.

9 Bennett, T. 2004a. Pasts beyond Memory: Evolution, Museums, Colonialism. London: Routledge.

10 Bennett, T. 2004b. “Exhibition, Difference and the Logic of Culture.” In Museum Frictions: Public Cultures/Global Transformations, edited by I. Karp et al., pp. 46–69. Durham, NC: Duke University Press.

11 Bennett, T. 2013. Making Culture, Changing Society. London: Routledge.

12 Blanchot, M. 1997. “The Museum, Art and Time.” In Friendship, pp. 12–40. Stanford: Stanford University Press.

13 Bourdieu, P. 1984. Distinction: A Social Critique of the Judgement of Taste. London: Routledge & Kegan Paul.

14 Bourdieu, P., and A. Darbel. 1997. The Love of Art. Cambridge: Polity.

15 Crimp, D. 1993. On the Museum’s Ruins. Cambridge, MA: MIT Press.

16 Deleuze, G. 1988. Foucault. London: Athlone.

17 Donato, E. 1979. “The Museum’s Furnace: Notes towards a Contextual Reading of Bouvard and Pécuchet.” In Textual Strategies: Perspectives in Post-structuralist Criticism, edited by J.Harari, pp. 213–238. Ithaca, NY: Cornell University Press.

18 Dreyfus, H., and P. Rabinow. 1982. Michel Foucault: Beyond Structuralism and Hermeneutics. Brighton: Harvester.

19 Dncan, C. 1995. Civilizing Rituals: Inside Public Art Museums. London: Routledge.

20 Duncan, C., and A. Wallach. 1980. “The Universal Survey Museum.” Art History 3: 447–469.

21 Elden, S. 2001. Mapping the Present: Heidegger, Foucault and the Project of a Spatial History. New York: Continuum.

22 Foucault, M. (1966) 1989. The Order of Things: An Archaeology of the Human Sciences. London: Tavistock/Routledge.

23 Foucault, M. 1974. The Archaeology of Knowledge. London: Tavistock.

24 Foucault, M. (1975) 1977. Discipline and Punish. Harmondsworth, UK: Penguin.

25 Foucault, M. (1978) 2001. “Governmentality.” In The Essential Works, vol. 3, Power, edited by J. Faubion, pp. 201–222. London: Allen Lane.

26 Foucault, M. 1986. “Of Other Spaces.” Diacritics 16(1): 22–27.

27 Foucault, M. 1990. “Maurice Blanchot: The Thought from Outside.” In Foucault/Blanchot, pp. 7–58. New York: Zone.

28 Foucault, M. 1998a. “Different Spaces.” In The Essential Works, vol. 2, Aesthetics, edited by J. Faubion, pp. 175–185. London: Allen Lane.

29 Foucault, M. 1998b. “Afterword to The Temptation of Saint Anthony.” In The Essential Works, vol. 2, Aesthetics, edited by J. Faubion, pp. 103–122. London: Allen Lane.

30 Foucault, M. 1998c. “The Thought of the Outside.” In The Essential Works, vol. 2, Aesthetics, edited by J. Faubion, pp. 147–169. London: Allen Lane.

31 Foucault, M. 2009. Manet and the Object of Painting. London: Tate.

32 Heidegger, M. 1977. “The Age of the World Picture.” In The Question concerning Technology and Other Essays, translated and with an introduction by W. Lovitt, pp. 115–154. New York: Garland.

33 Hetherington, K. 1997a. The Badlands of Modernity: Heterotopia and Social Ordering. London: Routledge.

34 Hetherington, K. 1997b. “Museum Topology and the Will to Connect.” Journal of Material Culture 2(2): 199–218.

35 Hetherington, K. 1999. “From Blindness to Blindness: Museums, Heterogeneity and the Subject.” In Actor-Network Theory and After, edited by J. Law and J. Hassard, pp. 51–73. Oxford: Blackwell.

36 Hetherington, K. 2011. “Foucault, the Museum and the Diagram.” Sociological Review 59(3): 457–475.

37 Hetherington, K. 2014. “Museums and the ‘Death of Experience’: Singularity, Interiority and the Outside.” International Journal of Heritage Studies 20(1): 72–85.

38 Hooper-Greenhill, E. 1989. “The Museum in a Disciplinary Society.” In Museum Studies in Material Culture, edited by S. Pearce, pp. 61–72. Leicester: Leicester University Press.

39 Hooper-Greenhill, E. 1992. Museums and the Construction of Knowledge. Leicester: Leicester University Press.

40 Impey, O., and A. McGreggor, eds. 1985. The Origins of Museums: The Cabinet of Curiosities in Sixteenth and Seventeenth Century Europe. Oxford: Oxford University Press.

41 Johnson, P. 2006. “Unravelling Foucault’s ‘Different Spaces.’” History of the Human Sciences19(4): 75–90.

42 Lai, C. 2004. “Museums in Motion.” Doctoral thesis, Lancaster University, UK.

43 Lord, B. 2006. “Foucault’s Museum: Difference, Representation and Genealogy.” Museum and Society 4(1): 1–14.

44 Lyotard, J.-F. 1984. “The Connivances of Desire with the Figural.” In Driftworks, pp. 57–68. New York: Semiotext(e).

45 Maleuvre, D. 1999. Museum Memories: History, Technology, Art. Stanford: Stanford University Press.

46 Malraux, A. 1978. Voices of Silence. St. Albans: Paladin.

47 Marin, L. 1984. Utopics: Spatial Play. London: Macmillan.

48 Rotman, B. 1993. Signifying Nothing: The Semiotics of Zero. Stanford, CA: Stanford University Press.

49 Saisselin, R. 1985. Bricabracomania: The Bourgeois and the Bibelot. London: Thames & Hudson.

50 Shapiro, G. 2003. Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying. Chicago: University of Chicago Press.

51 Vergo, P., ed. 1989. The New Museology. London: Reaktion.

52 Whitehead, C. 2009. Museums and the Construction of Disciplines: Art and Archaeology in Nineteenth Century Britain. London: Duckworth.

53 Witcomb, A. 2003. Re-imagining the Museum: Beyond the Mausoleum. London: Routledge.

Kevin Hetherington is Professor of Geography at the Open University where he is also currently Dean of the Faculty of Social Sciences. He has researched on museums for nearly 20 years, including on museum access and disability, museums and disposal, museum theory, museums and urban regeneration, as well as on heritage and consumption issues. Recent books include Capitalism’s Eye (Routledge, 2007), Consuming the Entrepreneurial City (with Anne Cronin; Routledge, 2008), and Urban Rhythms (with Robin Smith; Wiley-Blackwell, 2013).