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Table of Contents

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Cover

Title Page

Copyright Page

Acknowledgments

Notes on Contributors

Introduction References

PART I: Scenes from the Institutionalization of the Field Chapter 1: Practices of Visual Culture Pedagogy References Chapter 2: Horizontal Thinking and the Emergence of Visual Culture New Horizons Lawrence Alloway and the Long Front of Culture: From the Hierarchical Pyramid to the Horizontal Line Leo Steinberg and the Emergence of the Flatbed Picture Plane Rosalind Krauss’s Trajectory and the Hatred of Visual Culture References Archival Sources Notes Chapter 3: An Interview References Chapter 4: A Conversation References Chapter 5: A Dialogue References Chapter 6: Scene Selection: Objects Lost and Found References

PART II: Key Concepts A: Histories Chapter 7: The Archive References Further Readings Chapter 8: Observance Introduction: A Minute’s Silence Observing, Caring, Following, Obeying The Shoah, Memory, and Memorialization To Destroy The Evidence The Memory Industry: Dark Tourism, Shoah Selfies, and Genealogy Websites Conclusion: Resilience References Note Chapter 9: Temporality 80,000 Hours TV Guide and the Televisual Present Emergence and Genealogy in the Narrative Presents of Community and The Cosby Show The Present Tense of Television Acknowledgments References Chapter 10: Ephemerality Restricted Imagery The Ephemeral Gesture and “Live” Photography Visibility, Automation, and Autonomy Becoming an Image Encoding Bias in Machine Learning References Notes B: Ecologies Chapter 11: Environment American Real Estate History Seeing Real Estate Real Estate in American Visual Culture References Further Reading Chapter 12: Architectures The Materiality of the Arts and Crafts Resource Barons Teak The Work of Extraction Lively Capital Consolidation of a Global Trade Global Entanglements Material Affects References Note Chapter 13: Sites Object‐Centered Agencies: What Do the Inuksuit Want? The Genesis of the Toronto Airport Inuksuit From Sanctioned Theft to Authentic Replicas Installation, Reception, and Impact Objects and Agency: Speaking Through Archives, Oral Testimony, and Social Media References Further Reading Note Chapter 14: Vernaculars Introduction: New Networked Genres Always‐On Computing and the Always‐On Image What the Internet Is “For”: Too Much from the Bomb to Supercuts Managing Connection by Other Means: Selfies and Animated GIFs References C: Mediation Chapter 15: The Document 1 2 3 Acknowledgments References Notes Chapter 16: Form Acknowledgments References Chapter 17: Play Playing, Seeing, Doing The Lens of Playfulness The Ideology of Play References Further Reading Chapter 18: Memes Before “LOLcats” Performative Representation Memes Cohere and Spread through Illocutionary Force A Meme’s Existence Results in Allegorical Operations of Doubling Things out of Information, Information out of Things The United Fruit Company, the US Government, and the New Left Acknowledgments References D: Agencies Chapter 19: Subjects To Capture To Act and Enact To Look To Be Caught To Cover To Belong To Hold References Chapter 20: Making Making Introductions Making as Activity and Action Making as Material Transformation Making as Conceptual Transformation Making as Causing Effect Making Identity Making Distinctions Making Do Making as Authorship Making Politics Making Visual Culture Acknowledgments References Notes Chapter 21: Institutions Exhibiting Power: Display Culture, Museums, and Diplomacy The Arrival of a New Member in the Community Masterpieces of the World’s Great Museums Institutional Maneuvers: The NGC and External Affairs Masterpieces of European Painting Dark Matter References Archival Sources Notes Chapter 22: Species Slime Mold: Agencies of Meaning Making Artificial Intelligence: Agencies of Imagining Microbes/Ghosts: Agencies of Vision and Knowledge Dependency, Contamination, Failure (or a Species Account of Agency) References E: Politics Chapter 23: The Social References Chapter 24: Identities Two Operations: Post‐Black and Liquid Blackness Bureaucratized Liberal Tolerance and Its Discontents Charles Taylor and the Politics of Recognition Conclusion: Escaping “Diversity” References Note Chapter 25: Representation References Further Reading Chapter 26: Feelings The Political Isn’t the Personal Aesthetics without Feelings The Political in the Personal References Further Reading Chapter 27: Action Water Is Life Liberating Institutions Blockadia The Great Transition References Further Reading Notes

Index

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A Concise Companion to Visual Culture

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