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For the Record: Lexington Studies in Rock and Popular Music

Series Editors:

Scott D. Calhoun, Cedarville University

Christopher Endrinal, Florida Gulf Coast University

For the Record: Lexington Studies in Rock and Popular Music features monographs and edited collections that examine topics relevant to the composition, consumption, and influence of the rock and popular music genres which have arisen starting in the twentieth century in all nations and cultures. In the series, scholars approach these genres from music studies, cultural studies, and sociological studies frameworks, and may incorporate theories and methods from literary, philosophical, performance, and religious studies, in order to examine the wider significance of particular artists, subgenres, fandoms, or other music-related phenomena. Books in the series use as a starting point the understanding that as both products of our larger culture and driving forces within that wider culture, rock and popular music are worthy of critical study.

Advisory Board

Joshua Duchan, Wayne State University; David Easley, Oklahoma City University; Bryn Hughes, University of Miami; Greg McCandless, Full Sail University; Ann van der Merwe, Miami University; Meg Wilhoite

Titles in the Series

“We Didn’t Start the Fire”: Billy Joel and Popular Music Studies, edited by Joshua S. Duchan and Ryan Raul Bañagale

The Rock Music Imagination, by Robert McParland

From Factory Girls to K-Pop Idol Girls: Cultural Politics of Developmentalism, Patriarchy, and Neoliberalism in South Korea’s Popular Music Industry by Gooyong Kim

Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2, edited by James Rovira

The Beatles, Sgt. Pepper, and the Summer of Love: Roll Up for the Mystery Tour! edited by Kenneth Womack and Katheryn Cox

U2 Above, Across, and Beyond: Interdisciplinary Assessments, edited by Scott D. Calhoun