Читать книгу A Companion to Documentary Film History - Группа авторов - Страница 49

1 1 Tedesco's Vieux‐Colombier programming of newsreels, documentaries, pre‐war comedies, animal and science films, and experimental films had a strong historiographical dimension: he believed viewers would be educated and inspired by the accumulated history of film styles to not only become more demanding and informed spectators, but electrified makers of cinema's future. For more on the occluded history of the Vieux‐Colombier, see Cahill (2015).

2 2 No such image‐right courtesies were extended to his patients, including the famous conjoined twins Radica and Doodica whom Doyen separated on film in a headline grabbing operation.