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1 “Text, Action and Space (TAS)” was initiated by Lars Sætre and the late Atle Kittang († 2013) at the University of Bergen in 2006, with Sætre as project leader. Together with Sætre and Kittang, Patrizia Lombardo (University of Geneva, and Swiss National Center of Competence in Research in Affective Sciences) and Svend Erik Larsen (Aarhus University) have been TAS’ leadership group from the outset. For this second volume, Ragnhild Evang Reinton (University of Oslo) and Julien Zanetta (University of Geneva, and Swiss National Center of Competence in Research in Affective Sciences) have served as additional members of the editorial group. TAS consists of scholars from Norway, Denmark, Germany, Italy, Switzerland, Austria, Croatia and the United States, and represents a plethora of disciplines in the humanities: comparative literature, Scandinavian, Anglo-American, Germanic, Italian, Austrian and French literary studies, theatre studies, dramaturgy, and film studies. For the general foundation of the project, see the preface and the articles in TAS’ first volume: Sætre, Lombardo and Gullestad (eds.): Exploring Textual Action, Aarhus: Aarhus University Press, 2010.

2 “[Der Affekt] ist wie ein Rausch, den man ausschläft, obgleich Kopfweh darauf folgt, die Leidenschaft aber wie eine Krankheit aus verschlucktem Gift oder Verkrüppelung anzusehen, die einen inneren oder äußeren Seelenarzt bedarf, der doch mehrenteils keine radikale, sondern fast immer nur palliativ-heilende Mittel zu verschreiben weiß.” (Kant 1912: 185)

3 “Seufzen, Lächeln, Lachen – haben unzählige Arten, wir können sie aber nur durch Adverbien ausdrücken: resigniert, zweideutig, geringschätzig, nachlässig, fröhlich, belustigt, verbindlich.” (Musil 1976: 749)

4 “Der Sinn, in dem ich in dem Buche das Wort Geist gebrauche, besteht aus Verstand, Gefühl und ihrer gegenseitigen Durchdringung. […] Und ich möchte zum Schluss noch einmal wiederholen, dass der Intellekt nicht der Feind des Gefühls ist […] sondern der Bruder, wenn auch gewöhnlich der entfremdete. Der Begriff senti-mental im guten Sinn der Romantiker hat beide Bestandteile schon einmal in ihrer Vereinigung umfasst.” (Musil 1981: 494-495)

5 “Freilich, die Kunst stellt nicht begrifflich, sondern sinnfällig dar, nicht Allgemeines, sondern Einzelfälle, in deren kompliziertem Klang die Allgemeinheiten ungewiß mittönen, und während bei dem gleichen Fall ein Mediziner für den allgemeingültigen Kausalzusammenhang sich interessiert, interessiert sich der Künstler für einen individuellen Gefühlszusammenhang, der Wissenschaftler für ein zusammenfassendes Schema des Wirklichen, der Künstler für die Erweiterung des Registers von innerlich noch Möglichem, und darum ist Kunst auch nicht Rechtsklugheit, sondern – eine andere. […] Kunst zeigt, wo sie Wert hat, Dinge, die noch wenige gesehen haben.” (Musil 1983: 980-981)