Оглавление
Группа авторов. World Literature, World Culture
INTRODUCTION: WORLD LITERATURE AND WORLD CULTURE. Karen-Margrethe Simonsen & Jakob Stougaard-Nielsen
HISTORIES
TRANSLATIONS
MIGRATION
INSTITUTIONS
WORKS CITED
WORLD LITERATURE OR LITERATURE AROUND THE WORLD? Svend Erik Larsen, University of Aarhus. SMALL TOWN, GLOBAL IMPACT
WORLD LITERATURE IN A PROVINCIAL TOWN
LOCAL LITERATURE AS THE PRISM OF WORLD LITERATURE
LITERATURE AROUND THE WORLD
WORKS CITED
THE MONSTROSITY OF LITERATURE: HUGO MELTZL’S WORLD. LITERATURE AND ITS LEGACIES. David Marno, Stanford University. HUGO MELTZL AND THE HISTORIES OF COMPARATIVE LITERATURE
LEFTOVER IDEOLOGY: MELTZL’S ANTI-COSMOPOLITANISM
AMERICAN COMPARATIVE LITERATURE: AFTER HISTORY, BEFORE PHILOSOPHY
PHILOSOPHY OF HISTORY: THE CENTAUR
CONCLUSION: COMPARATIVE LITERATURE AND PHILOSOPHY OF HISTORY
WORKS CITED
THE PAST AS A FORBIDDEN FRUIT: NOSTALGIA’S ETHICAL AND UNIVERSAL POTENTIAL IN TRANVÍA A LA MALVARROSA BY MANUEL VICENT. Fiona Schouten, Radboud University Nijmegen. NOSTALGIA AS A UNIVERSAL PHENOMENON
ETHICAL NOSTALGIA AS A LOCAL PHENOMENON
ETHICAL NOSTALGIA IN MANUEL VICENT’S TRANVÍA A LA MALVARROSA
THE PAST AS A FORBIDDEN FRUIT
WORKS CITED
GRECO-ROMAN CLASSICS, NATIONAL LITERATURES AND LITERARY HISTORY IN THE LATER EIGHTEENTH CENTURY: THE MODEL OF JUAN ANDRÉS. Tomás González Ahola, University of Santiago de Compostela
CONCLUSION
WORKS CITED
WRITING TIME, WRITING SPACE. Susan Bassnett, University of Warwick
CHASING A ROMAN POET
TRANSLATING AFGHANISTAN
CHALLENGING TRANSLATION
WORKS CITED
FROM OLDER TESTIMONY. TO WORLD LITERATURE? A GREEK, OTTOMAN AND RUSSIAN REPORT OF THE FALL OF CONSTANTINOPLE (1453) Michel De Dobbeleer, Ghent University. TESTIMONY AND WORLD LITERATURE: THE CASE OF THREE “CAPTURE STORIES”
HISTORIOGRAPHY’S NARRATIVITY – AND DEALING WITH BATTLES
PLOT STRUCTURES: A BAKHTINIAN MODEL
BART KEUNEN’S (MONOLOGIC) TELEOLOGI-CAL PLOT-SPACES / PLOT TYPES:
WINNERS AND LOSERS
TURSUN BEĞ
NESTOR-ISKANDER
GEORGE SPHRANTZES
FROM SPHRANTZES TO HOLOCAUST LITERATURE
CONCLUSION
WORKS CITED
WORLD LITERATURE AS VIDEO: LITERARY QUOTATION IN JEAN-LUC GODARD’S HISTOIRE(S) DU CINÉMA. Miriam Heywood, University College London
SAUSSURE’S ANAGRAM
MONTAGE AND QUOTATION
MONTAGE AND WORDPLAY
INTERTEXTUAL VOYAGES
RECONTEXTUALISATION AS RESURRECTION
CONCLUSION
WORKS CITED
THE PERIODICAL AS A (TRANS-)NATIONAL SPACE: NINETEENTH-CENTURY LITERARY PERIODICALS IN BELGIUM. Karen Vandemeulebroucke, Catholic University of Leuven. INTRODUCTION
BELGIAN POETRY IN THE NINETEENTH CENTURY: A HISTORIOGRAPHICAL OVERVIEW
PERIODICALS REMAIN LOCALLY ANCHORED, YET CROSS BORDERS
LA REVUE DE BELGIQUE
NATIONAL LEVEL
TRANS-NATIONAL LEVEL
LA JEUNE BELGIQUE
NATIONAL LEVEL
TRANS-NATIONAL LEVEL
CONCLUSION
WORKS CITED
MINOR LANGUAGES AND WORLD LITERATURE: THE CASE OF DUBRAVKA UGREŠIĆ. Dragana Obradović, University College London. VARIATIONS ON A THEME
PALINDROMES: WAYS OF READING THE NATION
METAPHORS OF HOME AND HOMELESSNESS
CONCLUSION
WORKS CITED
TRANSLOCAL NOISE: COMPLEXITY AND THE CITY IN HARI KUNZRU’S TRANSMISSION. Marie Lauritzen, University of Aarhus. INTRODUCTION
TRANSMISSION
IN VIVO – IN VITRO
OPEN-ENDEDNESS
THE VIRUS IN-BETWEEN
THE CITY
GLOBAL AND LOCAL
CONCLUDING REMARKS
WORKS CITED
“ACROSS THE MERIDIAN, I TRY SEEING THE OTHER SIDE”: UNTRANSLATABILITY AND CREOLE IDENTITY IN DEREK WALCOTT’S OMEROS. Eleonora Ravizza, Justus Liebig University, Giessen
JOURNEYS OF THE MIND
“ACROSS THE MERIDIAN, I TRY SEEING THE OTHER SIDE”
THE FIRST JOURNEY OF HOMECOMING
THE SECOND JOURNEY OF HOMECOMING
CONCLUSION
WORKS CITED
CULTURAL ARCHIPELAGOS: CABRAL DO NASCIMENTO AND JOÃO VARELA. Ana Salgueiro Rodrigues, University of Lisbon
BETWEEN THE ISLAND AND THE WORLD: MADEIRA AND CAPE VERDE AS LITERARY “ÎLES-MONDE”1
INSULAR WORLD LITERATURE: ARCHIPELAGOS OF TEXTS AND CULTURES
WORKS CITED
CANONIZATION AND WORLD LITERATURE: THE NOBEL EXPERIENCE. Horace Engdahl, Permanent Secretary of the Swedish Academy
ROMANTICISM AND WORLD LITERATURE
THE BIRTH OF LITERATURE
CRITERIA BEHIND THE NOBEL PRIZE IN LITERATURE
THE NOBEL PRIZE AND THE CANON
THE WORLD LITERATURE SYSTEM
WORKS CITED
THE PRACTICAL CRITICS IN WORLD LITERATURE. Gesche Ipsen, University College London
UNIVERSALISTS – INDIVIDUALIST UNIVERSALISTS?
BLIND PROVINCIALS?
SPECIALISTS, GENERALISTS AND CANONS
WORKS CITED
THE WORLD IN DOUBLE VISION: NEGOTIATIONS OF LITERARY AUTONOMY IN THE AGE OF GLOBALISATION. Mads Anders Baggesgaard, Aarhus University
WORKS CITED
“HIS FACE TOWARDS AMSTERDAM, HIS BACKSIDE FACING FLANDERS”: LOUIS PAUL BOON AS A REFERENCE POINT IN THE REPERTOIRE OF DUTCH LITERARY CRITICISM. Floor van Renssen, Radboud University Nijmegen. INTRODUCTION: A FLEMISH AND A DUTCH SUBSYSTEM
THEORETICAL FRAMEWORK: RECONSTRUCTING THE LITERARY REPERTOIRE
LOUIS PAUL BOON IN DUTCH CRITICISM: “LOCALLY ANCHORED AND BORDER-CROSSING”
LOUIS PAUL BOON IN DUTCH CRITICISM: “CULTURAL INTEGRATION”
LOUIS PAUL BOON IN THE DUTCH REPERTOIRE: TWO HYPOTHESES
BOON AS A POINT OF REFERENCE FOR FLEMISH LITERATURE
BOON AS A POINT OF REFERENCE FOR DUTCH LITERATURE
CONCLUDING REMARKS
WORKS CITED
DE/RECENTRING OF THE LITERARY UNIVERSE: THE BAROQUE ELLIPSE AND THE GEOGRAPHY OF THE NOVEL. Reindert Dhondt, Catholic University of Leuven
SEVERO SARDUY’S NEOBAROQUE REINTERPRETATION OF KEPLER’S COSMOGRAPHY
CARLOS FUENTES’S MULTIPOLAR GEOGRAPHY OF THE NOVEL
CONCLUSION
WORKS CITED
AFTERWORD. STALINGRAD: HERMES IN AARHUS 2007. Dragana Obradović, University College London
WORKS CITED
AUTHORS
