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Bernadette Andrea is Professor in the Department of English at the University of California, Santa Barbara; a core faculty in the Center for Middle East Studies; and an affiliate faculty in the Comparative Literature Program and the Department of Feminist Studies. She previously taught at the University of Texas, San Antonio, where she was the Celia Jacobs Endowed Professor in British Literature. She is the author of The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture (University of Toronto Press, 2017) and Women and Islam in Early Modern English Literature (Cambridge University Press, 2007). Her critical edition, English Women Staging Islam, 1696–1707 (University of Toronto, CRRS, 2012), was published in the series “The Other Voice in Early Modern Europe.” Her coedited collections include Travel and Travail: Early Modern Women, English Drama, and the Wider World, with Patricia Akhimie (University of Nebraska Press, 2019), and Early Modern England and Islamic Worlds, with Linda McJannet (Palgrave Macmillan, 2011).

John Michael Archer is Professor of English at New York University. He received his BA and MA from the University of Toronto in 1982 and 1983, respectively, and his PhD from Princeton University in 1988. His first book, Sovereignty and Intelligence: Spying and Court Culture in the English Renaissance (Stanford University Press, 1993), discusses the portrayal of political surveillance in the works of Montaigne, Marlowe, Bacon, and other authors. Old Worlds: Egypt, Southwest Asia, India, and Russia in Early Modern English Writing (Stanford University Press, 2001) analyzes European travel writings and literary works by Shakespeare, Milton, and Dryden. His third monograph is titled Citizen Shakespeare: Freemen and Aliens in the Language of the Plays (Palgrave Macmillan, 2005). It combines recent historiography, philosophical considerations of citizenship, and the close reading of play texts to show how the London citizen and the immigrant city dweller each figure in the action and verbal texture of Shakespeare’s drama. The fourth book, Technically Alive: Shakespeare’s Sonnets (Palgrave Macmillan) appeared in December 2012. Drawing on Nietzsche, Heidegger, and Agamben, it traces correspondences between philosophical thought about technology and Shakespeare’s poetics of human and natural productivity. Recent interests include questions of technology; labor, life, and being as political concepts; rights and duties; and the tension between religion and theology.

Richmond Barbour is Professor of English Literature at Oregon State University. His research engages the material cultures of manuscript, print, and theater in early modern drama, travel writing, and maritime and corporate history. His essays have appeared in Clio, Criticism, Genre, the Huntington Library Quarterly, JEGP, PMLA, and several edited collections. He is the author of Before Orientalism. London’s Theatre of the East, 1576–1626 (Cambridge University Press, 2003), The Third Voyage Journals: Writing and Performance in the London East India Company, 1607–1610 (Palgrave MacMillan, 2009), and The Loss of the “Trades Increase”: An Early Modern Maritime Catastrophe (University of Pennsylvania Press, 2021). He is currently preparing a critical edition of Capt. John Saris’s 1611–1613 East India Company journal, which documents the first English voyage to Japan.

Crystal Bartolovich is Associate Professor of English at Syracuse University, where she teaches a wide range of courses in Marxist theory and cultural studies. With Jean Howard and David Hillman, she is the author of Marx and Freud, Great Shakespeareans (Contiuum, 2012). Her essays have appeared in numerous venues including New Formations, Cultural Critique, Angelaki and Minnesota Review. Her current project is titled “A Natural History of the Commons.”

Nandini Das is Professor of Early Modern Literature and Culture at the University of Oxford. She works on Renaissance literature and cultural history, with special emphasis on travel and cross-cultural encounters between Europe and Asia in the sixteenth and seventeenth centuries. Her publications include Robert Greene’s Planetomachia (Ashgate, 2007), Renaissance Romance: The Transformation of English Prose Fiction, 1570–1620 (Ashgate, 2011; republished by Routledge, 2016), Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama coedited with Nick Davis (Routledge, 2017), and the Cambridge History of Travel Writing coedited with Tim Youngs (Cambridge University Press, 2019). She is volume editor of Elizabethan Levant Trade and South Asia in the forthcoming edition of Richard Hakluyt’s The Principal Navigations, to be published by Oxford University Press, and project director for the “Travel, Transculturality and Identity in Early Modern England” (TIDE) project, funded by the European Research Council.

Jan de Hond is a curator of the History Department of the Rijksmuseum, where he is responsible for the seventeenth century. He wrote his dissertation on Orientalism in Dutch Culture, 1800–1920. He is specialized in Dutch colonial history and has published on the (cultural) relations between the Dutch Republic and the Moghul Safavid and Ottoman Empire.

Stephen Deng is Associate Professor of English at Michigan State University. He is the author of Coinage and State Formation in Early Modern English Literature (Palgrave Macmillan, 2011), editor of A Cultural History of Money in the Renaissance (Bloomsbury, 2019), and coeditor (with Barbara Sebek) of Global Traffic: Discourses and Practices of Trade in English Literature and Culture from 1550 to 1700 (Palgrave Macmillan, 2008). He has also written on the literary impacts on transformations in English commercial and colonial culture, c. 1620–1660; on the “new mathematics” and sexuality in Shakespeare’s sonnets; and on Sir Edward Coke’s translation of English common law and the establishment of a “juristic public” in seventeenth-century England. Currently, he is working on a second monograph tentatively titled “Hamlet and Accountability.”

Matthew Dimmock is Professor of Early Modern Studies at the University of Sussex. His research has focused on the interaction of peoples and ideas that took place as a consequence of early modern England’s “expansionary thrust” in the late sixteenth century. This research has generated a series of articles and monographs, including New Turkes: Dramatizing Islam and the Ottomans in Early Modern England (Ashgate, 2005), Mythologies of the Prophet Muhammad (Oxford University Press, 2013), and Elizabethan Globalism (Yale University Press, 2019). It has also involved editorial work, including William Percy’s Mahomet and His Heaven: A Critical Edition (Ashgate, 2006), editorial contributions to the Norton Shakespeare 3, and current editorial research for the Oxford Hakluyt and Oxford Nashe projects.

Mary Fuller is Professor of Literature and MacVicar Faculty Fellow at MIT, where she has served as department head and Associate Chair of the Institute faculty. Her research focuses on early modern English geography and exploration and the related histories of practices, narratives, and material texts as these extend across space and time. She is currently working on a book about Richard Hakluyt’s Principal Navigations of the English Nation (1600) and editing materials on the Northwest Passage for the projected Oxford edition of Hakluyt’s compilation. Her publications include Voyages in Print: English Travel to America 1576–1624 (Cambridge University Press, 1995) and Remembering the Early Modern Voyage (Palgrave, 2008) as well as numerous articles and book chapters.

Dr. Masoud “Kasra” Ghorbaninejad earned his PhD in English at Northeastern University, Boston, MA (2018) and, after completing a postdoctoral fellowship at University of Victoria (UVic), Victoria, BC, has worked at UCLA and now at University of Victoria as a digital humanist. He has published on comparative literature, drama and theater, and digital humanities; coauthored with Nathan Gibson and David Joseph Wrisley, “⅃TЯ” in Debates in the Digital Humanities 2012 (University of Minnesota Press, 2012); coauthored with Behzad Ghaderi Sohi, “Ali Nassirian and a Modern Iranian ‘National’ Theatre,” Asian Theatre Journal 29.2 (2012): 495–527; coauthored with Behzad Ghaderi Sohi, “Modernity and ‘Monstros/city’ in Othello and Nassirian’s Halu,” Persian Literary Studies Journal 1.1 (2012): 7–40; and coauthored with Behzad Ghaderi Sohi, “Peer Gynt and the Cult of Mithras,” North-West Passage 5 (2008): 151–159.

Jos J. L. Gommans is Professor of Colonial and Global History at Leiden University. He is the author of two monographs on early-modern south and central Asian history: The Rise of the Indo-Afghan Empire, 1710–1780, (Oxford University Press, 1999) and Mughal Warfare: Indian Frontiers and High Roads to Empire (Routledge, 2002). An omnibus of his work came out recently as The Indian Frontier: Horse and Warband in the Making of Empires (Routledge, 2018). He also wrote extensively on Dutch colonial history, coedited Exploring the Dutch Empire (Bloomsbury, 2005), and coauthored the monograph The Dutch Overseas Empire, 1600–1800 (Cambridge University Press, 2020). In addition, he produced various Dutch source publications, including one archival inventory and two historical VOC atlases. He contributed to major works of reference like the Encyclopaedia of Islam and the Cambridge World History. In recent years his work focused on the Indo-Dutch artistic encounter and wrote The Unseen World: The Netherlands and India from 1550 (Vantilt, 2018) for the Amsterdam Rijksmuseum and acted as guest curator of the 2019 exhibition “India and the Netherlands in the Age of Rembrandt” at the Chhatrapati Shivaji Marahaj Vastu Sangrahalaya at Mumbai.

Andrew Hadfield is Professor of English at the University of Sussex and visiting professor at the University of Granada. He is the author of a number of books on early modern literature and culture, most recently, Shakespeare and Republicanism (Cambridge University Press, 2005), Edmund Spenser: A Life (Oxford University Press, 2012), and Lying in Early Modern English Culture (Oxford University Press, 2017). John Donne: In the Shadow of Religion will appear in 2021, as will his edition of James Shirley’s The Politician (edited with Duncan Fraser). He is currently completing a study of literature and class from the Peasants’ Revolt to the French Revolution and is coediting the works of Thomas Nashe (with Joe Black, Jennifer Richards, and Cathy Shrank), and a revised version of the anthology, Amazons, Savages and Machiavels (with Matthew Dimmock). He is a regular reviewer for the Times Literary Supplement and The Irish Times and was chair of the Society for Renaissance Studies (2016–2019).

Chloë Houston is Associate Professor in the Department of English Literature at the University of Reading. She is the author of a study of early modern utopian literature, The Renaissance Utopia: Dialogue, Travel and the Ideal Society (Ashgate, 2013). She has also edited a collection of essays on representations of utopias and new worlds from 1500 to 1800, New Worlds Reflected: Travel and Utopia in the Early Modern Period (Ashgate, 2010). Her current research interests focus on the dramatization of Persia and the Persian Empire on the early modern English stage.

Jean E. Howard is George Delacorte Professor in the Humanities at Columbia University, where she teaches early modern literature, Shakespeare, feminist studies, and theater history. Besides editing six collections of essays, Howard is author of over fifty articles and several books, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (University of Illinois Press, 1984); The Stage and Social Struggle in Early Modern England (Routledge, 1994); Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (Routledge, 1997), co-written with Phyllis Rackin; Theater of a City: The Places of London Comedy 1598–1642 (University of Pennsylvania Press, 2007); and Marx and Shakespeare, cowritten with Crystal Bartolovich (Continuum, 2012). She is also a coeditor of The Norton Shakespeare (now in its third edition) and general editor of the Bedford contextual editions of Shakespeare. Her new book, Staging History: Forging the Body Politic, on the history play in twentieth- and twenty-first-century American and English theater, is nearing completion.

Ann Rosalind Jones is Esther Cloudman Dunn Professor Emerita of Comparative Literature at Smith College, where she taught with colleagues in national language and literature departments, art history and film studies. Her early research, The Currency of Eros (University of Indiana Press, 1990), focused on the social situations and intertextual poetics of sixteenth-century women writing lyrics and polemics in Western Europe. That work, especially its debates about women’s orderly and disorderly use of clothing, led her to explore material culture, specifically the political and cultural meanings of dress. With Peter Stallybrass, she wrote Renaissance Clothing and the Materials of Memory (University of Pennsylvania Press, 2000); with Margaret Rosenthal, she translated Cesare Vecellio’s Habiti antichi e moderni di diverse parti del Mondo (Clothing, Ancient and Modern, of Various Parts of the World). She has published on imperial and colonial histories related to her current project, a study of Vecellio’s genre: the illustrated costume book, widely published in the printing centers of Europe from the mid-sixteenth to mid-seventeenth century, which represented the clothing worn by people of diverse ranks and regions as the embodiment of moral and political ideologies central to their cultures in Europe, Asia, Africa, and the Americas.

Gerald MacLean is Emeritus Professor of the University of Exeter, UK (2007–2014). A literary and cultural historian, since 2000 MacLean has published widely on relations between early-modern Britain and the Islamic world, especially the Ottoman Empire. He is author, most recently, of Abdullah Gül and The Making of the New Turkey (Oneworld, 2014), Looking East: English Writing and the Ottoman Empire before 1800 (Palgrave 2007; Turkish trans. 2009), and The Rise of Oriental Travel: English Visitors to the Ottoman Empire, 1580–1720 (Palgrave, 2004; Turkish trans. 2006, 2017). With Nabil Matar he is coauthor of Britain and the Islamic World, 1558–1713 (Oxford University Press, 2011), and with Donna Landry he coauthored Materialist Feminisms (Blackwell, 1993). Among other books, critical editions, and multiauthor volumes, MacLean is most recently editor of Britain and the Muslim World: Historical Perspectives (Cambridge Scholars, 2012), Writing Turkey: Explorations in Turkish History, Politics and Cultural Identity (Middlesex University Press, 2006), and Re-orienting the Renaissance (Palgrave, 2005). With Ercihan Dilari, Caroline Finkel, and Donna Landry, he is a founding member of the Evliya Çelebi Way Project, which established a UNESCO-approved equestrian cultural route in Western Anatolia. He is currently writing about Britain and the Kurds.

Stuart M. McManus is a historian and classicist working on premodern culture from a global and multiethnic perspective. He received his PhD in history (secondary field in classical philology) from Harvard and is currently Assistant Professor of Premodern World History at the Chinese University of Hong Kong. Prior to this, he taught Mexican and ancient Mediterranean history at the University of Chicago, where he was the inaugural postdoctoral fellow at the Institute on the Formation of Knowledge. During the 2019–2020 academic year, he was a visiting scholar at Princeton’s Davis Center for Historical Studies.

João Vicente Melo is a cultural historian who works on early modern cross-cultural encounters and diplomacy. His research interests include diplomatic rituals, early modern European ethnographic production about South Asia and Africa, religious missions, and the European presence in the Mughal court. He is a JIN research fellow at University Pablo de Olavide, Seville, Spain. He is currently finishing a comparative history of the experiences of Jesuit missionaries and English agents at the Mughal court between 1580 and 1615. His published work includes the following articles: “Respect and Superiority: The Ceremonial Rules of Goan Diplomacy and the Survival of the Estado da Índia, 1707–50,” Portuguese Studies, 28/2 (2012), 143–158; “Seeking Prestige and Survival: Gift-exchange Practices between the Portuguese Estado da Índia and Asian Rulers,” in Journal of the Economic and Social History of the Orient, 56.4/5 (2013), 672–695; and “In Search of a Shared Language: The Goan Diplomatic Protocol,” Journal of Early Modern History, 20.4 (2016), 390–407. He is currently completing a translation of the writings of Antoni de Monserrate, SJ on his stay at the Mughal Court.

David Morrow is Associate Professor at the College of Saint Rose in Albany, New York. His essay on Thomas Deloney was published in Textual Practice in 2006; another on early seventeenth-century monopolistic merchants appeared in Global Traffic (Palgrave, 2008), edited by Barbara Sebek and Stephen Deng. His current project takes an ecocritical look at how early modern English writing interpreted primitive accumulation.

Ladan Niayesh is Professor of Early Modern Studies at the University of Paris and a member of the LARCA research center of the CNRS UMR 8225 (Laboratoire de Recherche sur les Cultures Anglophones). Her research focuses on early-modern travel writing and travel drama, more specifically in connection to Muscovy and Persia. Her latest publications include Three Romances of Eastern Conquest (Manchester University Press, 2018) and Eastern Resonances (Palgrave Macmillan, 2019), coedited with Claire Gallien. She currently coedits the Persian travels of the Sherley brothers with Kurosh Meshkat and Alasdair MacDonald for the Hakluyt Society.

Ayesha Ramachandran is Associate Professor of Comparative Literature and an affiliate of the Programs in Renaissance Studies and the History of Science and Medicine at Yale University. Her first prizewinning book, The Worldmakers (University of Chicago Press, 2015), provides a cultural and intellectual history of “the world,” showing how it emerged as a cultural keyword in early modernity. She has also published on Spenser, Lucretius, Ariosto, Tasso, Petrarch, Montaigne, postcolonial drama, and the histories of religious fundamentalism and cosmopolitanism in various journals and volumes including NLH, Spenser Studies, MLN, Forum Italicum, and Anglistik. Her current projects range from new research on early modern and contemporary South Asia to work on comparative philology, cartography, oral history, and lyric studies. Her new book manuscript in progress is tentatively titled Lyric Thinking: Towards a Global Poetic.

Catherine Ryu is Associate Professor of Japanese Language and Culture and director of the Japanese Studies Program at Michigan State University. She received her PhD at the University of Michigan, and her teaching and research interests include classical Japanese, Heian women’s narratives, Japanese culture and literature, Korean literature, zainichi (Korean residents in Japan) literature, game studies, translation studies, children’s literature, digital humanities, and global studies. She also holds a US patent for a language-learning platform and is the principal investigator of Mandarin Chinese tone perception projects and the team lead for Tone Perfect, a multimodal Mandarin Chinese audio database (https://toneperfect.lib.msu.edu).

Barbara Sebek is Professor of English at Colorado State University. Her most recent essay, “Edmund Hosts William: appropriation, polytemporality, and postcoloniality in Frank McGuinness’s Mutabilitie,” appears in The Routledge Handbook of Shakespeare and Global Appropriation (2020). Other globally inflected publications include “Quickly, Archy, and the Citizens’ Wives, OR, How to Talk to an Elephant” in Early Modern Culture (2017) http://tigerprints.clemson.edu/emc/vol12/iss1/4, “Global Consciousness, English Histories” in Approaches to Teaching Shakespeare’s Histories (MLA, 2017), “‘Wine and sugar of the best and the fairest’: Canary, the Canaries, and the Global in Windsor” in Culinary Shakespeare (Duquesne University Press, 2016), “Different Shakespeares: Thinking Globally in an Early Modern Literature Course” in Teaching Medieval and Early Modern Cross-Cultural Encounters (Palgrave Macmillan, 2014), and “‘More natural to the nation’: Situating Shakespeare in the ‘Querelle de Canary,’” in Shakespeare Studies (2014). She is also coeditor (with Stephen Deng) of Global Traffic: Discourses and Practices of Trade in English Literature and Culture from 1550 to 1700 (Palgrave Macmillan, 2008).

Amrita Sen is Associate Professor and Deputy Director, UGC-HRDC, University of Calcutta, and affiliated member of the Department of English. She is coeditor of Civic Performance: Pageantry and Entertainments in Early Modern London, with J. Caitlin Finlayson, (Routledge, 2020), and has also coedited a special issue of the Journal for Early Modern Cultural Studies on “Alternative Histories of the East India Company” (2017). She has published essays and book chapters on East India Company women, Bollywood Shakespeares, and early modern ethnography.

Jyotsna G. Singh is Professor in the Department of English at Michigan State University. Her published works include Colonial Narratives/Cultural Dialogues: “Discoveries” of India in the Language of Colonialism (Routledge, 1996), Shakespeare and Postcolonial Theory (Bloomsbury Arden, 2019), Travel Knowledge (coedited with Ivo Kamps; Palgrave, 2001), The Weyward Sisters: Shakespeare and Feminist Politics (coedited with Dympna Callaghan and Lorraine Helms; Wiley Blackwell, 1994), A Companion to the Global Renaissance (editor; Wiley Blackwell, 2009), The Postcolonial World (coedited with David Kim; Routledge, 2016), and numerous book chapters and articles. She serves as a coeditor for a book series New Transculturalisms, 1400–1800 (Palgrave). Singh has also been the recipient of several visiting fellowships, including at Queen Mary University of London, UK (2008) and John Carter Brown Library, Brown University (2010). Most recently, she was elected a Visiting Fellow, St. Catherine’s College, Oxford University, UK (Michaelmas term, 2019).

Ian Smith is Richard and Joan Sell Professor in the Humanities at Lafayette College in the Department of English, where he teaches courses in Shakespeare and early modern drama, early modern and critical race studies, and sexuality. He is the author of Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave Macmillan, 2009) and collaborator on Othello Re-imagined in Sepia (Lucia Press, 2012). His work on Shakespeare and early modern drama has been published in several anthologies and journals. He is currently completing a book on Shakespeare, reading, and race titled Black Shakespeare.

Adam Smyth teaches English Literature and the History of the Book at Balliol College, Oxford. His books include Material Texts in Early Modern England (Cambridge University Press, 2018), Autobiography in Early Modern England (Cambridge University Press, 2010), and (edited with Dennis Duncan) Book Parts (Oxford University Press, 2019). He writes regularly for the London Review of Books.

Mihoko Suzuki is Professor of English and Cooper Fellow in the Humanities Emerita, University of Miami. She is the author of Metamorphoses of Helen: Authority, Difference, and the Epic (Cornell University Press, 1989), Subordinate Subjects: Gender, the Political Nation, and Literary Form in England, 1588–1688 (Routledge, 2003), and Antigone’s Example: Early Modern Women’s Political Writing in Times of Civil War from Christine de Pizan to Helen Maria Williams (2021). She is editor of History of British Women Writing, 1610–1690 (Palgrave Macmillan, 2011) and coeditor, with Ann Rosalind Jones and Jyotsna Singh, of New Transculturalisms, 1400–1800, a book series at Palgrave Macmillan. Her most recent articles include a comparative study of early modern literacies in Western Europe, Islam, and East Asia in the Bloomsbury History of Education in the Renaissance and a chapter (in Japanese) on early modern gender and authorship in Rethinking Authorship in Japan, East Asia, and Europe (Iwanami-shoten).

Edward “Mac” Test is currently Professor and Chair of English at Boise State University. He is a translator, poet, and Renaissance scholar. He has published a book of poetry, three books of translated poetry, and numerous essays and reviews. Most recently he published Sacred Seeds: New World Plants in Early Modern English Literature (University of Nebraska Press, 2019), which was short-listed for the British Society of Literature and Science annual book prize. He is the recipient of several grants and fellowships, including the Idaho Humanities Council Research Grant, National Endowment for Humanities (NEH) summer seminar, Boise State University Research Grants, Alexa Rose Foundation; and fellowships at the Folger Shakespeare Library, Huntington Library and the John Carter Brown Library. Test is currently working on the first English translation of the Comedia famosa de la monja alférez (“The Famous Comedy of the Lieutenant Nun” attributed to Juan Pérez de Montalbán), and a translation of the Chilean poet Raúl Zurita’s Ciudades de Agua (“The Cities of Water”).

Virginia Mason Vaughan is Professor Emerita and Research Professor of English at Clark University. She is the author of Othello: A Contextual History (Cambridge University Press, 1994) and Performing Blackness on English Stages, 1500–1800 (Cambridge University Press, 2005). Vaughan edited Antony and Cleopatra for the Third Norton Shakespeare (2015) and wrote Antony and Cleopatra: Language and Writing for Arden Shakespeare (2016). With Alden T. Vaughan, she coedited The Tempest for the Third Arden Series (1999; rev. ed. 2011) and coauthored Shakespeare in America for Oxford Shakespeare Topics (2012). Her most recent publication, Shakespeare and the Gods (2019), is a study of Shakespeare’s mythological allusions.

Daniel Vitkus is Professor of Literature at the University of California, San Diego, where he holds the Rebeca Hickel Endowed Chair in Early Modern Literature. He is the author of Turning Turk: English Theater and the Multicultural Mediterranean (Palgrave Macmillan, 2003) and of numerous articles and book chapters on early modern culture. Vitkus has edited Three Turk Plays from Early Modern England (Columbia University Press, 2000) and Piracy, Slavery and Redemption: Barbary Captivity Narratives from Early Modern England (Columbia University Press, 2001). He also serves as editor of the Journal for Early Modern Cultural Studies.