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Finance, Terror, and Science on Stage
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Acknowledgements
Introduction: Current Debates and British Drama since 2000
Bibliography
I. Politics Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s
13
(2011)
1. Austerity, Protest, and Political Discourse in the Second Decade of the 21
st
Century
2.
13
as a Response to the Social and Political Context
3.
13
as a Large-scale (and more Implicit) ‘Absurdist Dystopia’
4. The Play’s Central Conflict about Political Power
5. Conclusion
Bibliography Primary Sources
Secondary Sources
Immigration as Farce: Richard Bean’s
England People Very Nice
(2009)
1. Immigration in Contemporary British Discourse
2. Immigration on the British Stage
3. Richard Bean’s
England People Very Nice
4. Farce
5. Comic Techniques
6. Religion
7. Conclusion
Bibliography Primary Sources
Secondary Sources
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