Читать книгу Finance, Terror, and Science on Stage - Группа авторов - Страница 7

Adiseshiah, Siân, and Louise LePage (eds.). Twenty-First Century Drama: What Happens Now. London: Palgrave Macmillan, 2016.

—. “Introduction: What Happens Now.” Twenty-First Century Drama: What Happens Now. Eds. Siân Adiseshiah and Louise LePage. London: Palgrave Macmillan, 2016.

Bruder, Klaus-Jürgen. “Das postmoderne Subjekt.” Zwischen Autonomie und Verbundenheit: Bedingungen und Formen der Behauptung von Subjektivität. Eds. Hans Rudolf Leu and Lothar Krappmann. Frankfurt am Main: Suhrkamp, 1999. 49–76.

Goddard, Lynette. Contemporary Black British Playwrights: Margins to Mainstream. Houndsmills, Basingstoke: Palgrave Macmillan, 2015.

Hall, Stuart. “Introduction: Who Needs ‘Identity’?” Questions of Cultural Identity. Eds. Stuart Hall and Paul du Gay. London: Sage, 1996. 1–17.

Haydon, Andrew. “Theatre in the 2000s.” Modern British Playwriting 2000–2009: Voices, Documents, New Interpretations. Ed. Dan Rebellato. London et al.: Bloomsbury, 2013. 40–98.

Lane, David. Contemporary British Drama. Edinburgh: Edinburgh UP, 2010.

Middeke, Martin, Peter Paul Schnierer and Aleks Sierz (eds.). The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, 2011.

—. “Introduction.” The Methuen Drama Guide to Contemporary British Playwrights. Eds. Martin Middeke, Peter Paul Schnierer and Aleks Sierz. London: Methuen Drama, 2011. vii-xxiv.

Sierz, Aleks. Rewriting the Nation: British Theatre Today. London: Methuen Drama, 2011.

—. “Introduction.” The Methuen Drama Book of Twenty-First Century British Plays. Ed. Aleks Sierz. London et al.: Bloomsbury, 2010. vii-xviii.

Rebellato, Dan (ed.). Modern British Playwriting 2000–2009: Voices, Documents, New Interpretations. London et al.: Bloomsbury, 2013.

Rebellato, Dan. “Introduction: Living in the 2000s.” Modern British Playwriting 2000–2009: Voices, Documents, New Interpretations. Ed. Dan Rebellato. London et al.: Bloomsbury, 2013. 1–39.

Tönnies, Merle (ed.). Das englische Drama der Gegenwart: Kategorien – Entwicklungen – Modellinterpretationen. Trier: Wissenschaftlicher Verlag Trier, 2010.

Travis, Alan. “Fear of Immigration Drove the Leave Victory – Not Immigration Itself.” The Guardian. 24 June 2016. https://www.theguardian.com/politics/2016/jun/24/voting-details-show-immigration-fears-were-paradoxical-but-decisive. Accessed on 22 April 2017.

Wilkie, Fiona. “The Production of ‘Site’: Site-Specific Theatre.” A Concise Companion to Contemporary British and Irish Drama. Eds. Nadine Holdsworth and Mary Luckhurst. Malden et al.: Blackwell, 2008. 87–106.