Читать книгу A Companion to Arthur C. Danto - Группа авторов - Страница 5

1  Cover

2  Series page

3  Title page

4  Copyright

5  Preface

6  Notes on Contributors

7  Introduction: Five Pieces for Arthur Danto (1924–2013) In memoriam

8  1 Roquebrune, 1962

9  2 Boundaries Crossed

10  3 Writing with Style

11  4 Sartre, Transparency, and Style

12  5 Nietzsche and Historical Understanding

13  6 Pragmatism between Art and Life

14  7 Danto on Dewey (and Dewey on Danto)

15  8 Thought Experiments: Art and Ethics

16  9 A Normative Perspective on Basic Actions

17  10 Cognitive Science and Art Criticism

18  11 Perception

19  12 The Anthropology of Art

20  13 The Birth of Art

21  14 The End of Art

22  15 Representation, Truth, and Historical Reality

23  16 History and Retrospection

24  17 Action in the Shadow of Time

25  18 The Sixties

26  19 Criticism and the Pale of History

27  20 Postmodernism and Its Discontents

28  21 Shakespeare and the Repetition of the Commonplace

29  22 Engaging Henry James: The Metaphorical Perspective

30  23 Literature, Philosophy, Persona, Politics

31  24 Moving Pictures

32  25 Photography and Danto’s Craft of the Mind

33  26 Transfiguration/Transubstantiation

34  27 Embodiment and Medium

35  28 The Style Matrix

36  29 Disenfranchisement

37  30 Definition

38  31 Danto and Dickie: Artworld and Institution

39  32 Danto and Wittgenstein: History and Essence

40  33 Censorship and Subsidy

41  34 Amnesty International and Human Rights

42  35 Random Noise, Radical Silence

43  36 Mad Men and Pop Art

44  37 Vija Celmins: Nature at Art’s End

45  38 The Meaning of Ugliness, The Authority of Beauty

46  39 Feminist Criticism: On Disturbatory Art and Beauty

47  40 Beauty and Politics

48  41 Public Art: Monuments, Memorials, and Earthworks

49  42 On Architecture

50  43 Aliveness and Aboutness: Yvonne Rainer’s Dance Indiscernibles

51  44 Arthur and Andy

52  45 Letter to Posterity

53  Index

54  End User License Agreement