Читать книгу A Companion to Greek Lyric - Группа авторов - Страница 9

William Allan studied Classics and Gaelic at Edinburgh University. He is Professor of Greek at the University of Oxford, and McConnell Laing Fellow and Tutor in Classics at University College. His publications include Greek Elegy and Iambus: A Selection (Cambridge, 2019).

Tobias Allendorf’s DPhil, on the choruses in Seneca’s tragedies, is in preparation for publication with OUP’s Classical Monographs series. He taught for various colleges and as a Departmental Lecturer in the Faculty of Classics at Oxford, before deciding to leave academia (and the UK) in 2019. He maintains interests in Latin literature, intersections between Latin and English, and the ways in which Latin and English are taught to the next generations.

Lucia Athanassaki is Professor of Classical Philology at the University of Crete. Her publications include Mantic Vision and Diction in Pindar’s Victory Odes (PhD thesis 1990); Ἀείδετο πὰν τέμενος (2009); Apolline Politics and Poetics (co-ed. with R. P. Martin and J. F. Miller, 2009); Archaic and Classical Choral Song (co-ed. with E. L. Bowie, 2011); Ιδιωτικός βίος και δημόσιος λόγος στην ελληνική αρχαιότητα και τον διαφωτισμό (co-ed. with A. Nikolaidis and D. Spatharas, 2014); Gods and Mortals in Greek and Latin Poetry (co-ed.with C. Nappa and A. Vergados, 2018). She is presently working on two Lyric and the Sacred (co-ed. with A. Lardinois, Brill) and Plutarch’s Cities (with F. B. Titchener, OUP) and writing a book, provisionally titled Euripides’ Athens. Art, Myth and Politics.

Armand D’Angour is a Professor of Classics at the University of Oxford, and Fellow of Jesus College, Oxford. He has published articles and chapters on the music, literature, and culture of ancient Greece and Rome, and has conducted research into reconstructing the sounds of ancient Greek music. Recent books include Music, Text, and Culture in Ancient Greece (OUP 2018, co-edited with Tom Phillips) and Socrates in Love: The Making of a Philosopher (Bloomsbury 2019).

Krystyna Bartol is Full Professor of Classics at Adam Mickiewicz University, Poznań. She works on Greek lyric poetry, especially on early elegy and iambus. She published a monograph on this topic (Greek Elegy and Iambus. Studies in Ancient Literary Sources, 1993) as well as numerous papers in various classical journals. Her areas of interest (besides Greek lyric poetry) include Greek Imperial prose (Athenaeus, Plutarch) and didactic poetry (Oppian). She has also produced Polish translations (with commentaries) of many Greek authors, among them Ps.- Plutarch, Philodemus, Oppian, and (co-authored) Athenaeus and comici minores.

Ewen Bowie, now an Emeritus Fellow of Corpus Christi College, Oxford, was Praelector in Classics there from 1965 to 2007, and successively University Lecturer, Reader, and Professor of Classical Languages and Literature in Oxford University. He has written on early Greek elegiac, iambic and melic poetry; Aristophanes; Herodotus; Hellenistic poetry; and many aspects of Greek literature and culture under the Roman Empire. He has published a commentary on Longus, Daphnis and Chloe (CUP 2019); edited a collection entitled Herodotus. Narrator, scientist, historian (de Gruyter 2018); and co-edited collections entitled Archaic and Classical Choral Song (de Gruyter 2011) and Philostratus (CUP 2009).

Christopher G. Brown is William Sherwood Fox Professor of Classics in the Department of Classical Studies at the University of Western Ontario. He has written on a wide range of Greek poetry, and is currently the editor of Phoenix, the journal of the Classical Association of Canada.

Ettore Cingano is Professor of Greek Literature at Ca’ Foscari University, Venice. He has edited and commented on Pindar’s Pythians 1 and 2 for the Fondazione Valla and has published extensively on the epic cycle, on the Hesiodic corpus, on lyric poetry from Stesichorus to Bacchylides, on early mythography and local traditions. Among his most recent publications: “A Fresh Look at the Getty Hexameters: Style, Diction, Tradition and Context,” in C. Antonetti (ed.), Gli Esametri Getty e Selinunte: testo e contesto (2018); “The early antecedents for the representation of strong-minded women in Greek tragedy,” in G.B. D’Alessio, L. Lomiento, C. Meliadò, G. Ucciardello (ed.), Il potere della parola. Studi di letteratura greca per Maria Cannatà Fera (2020).

Robert de Brose graduated summa cum laude in Classics from the University of São Paulo with a thesis on the performance of Pindaric epinikia. He is currently Professor of Classics and Translation at the Federal University of Ceará in Brazil, as well as member of the Graduate Programme of Translation Studies at that same institution. He has published on Ancient Greek lyric and poetics (mainly Pindar), its receptions and translation. He is currently working on a complete translation of Pindar’s odes and fragments, as well as on a translation of Greek lyric, and a handbook on Greek meter.

Mark de Kreij is Assistant Professor of Ancient Greek and Papyrology at the Radboud University in Nijmegen. His research ranges from linguistics to papyrology, and in his current project he studies the material and documentary evidence for the reading, composition, and performance of Greek lyric in Roman Egypt.

Evert van Emde Boas is Associate Professor in Classical Philology at Aarhus University. He previously held posts at the University of Oxford and at various universities in the Netherlands. His research focuses on the application of modern linguistic and cognitive approaches to Greek literature. He is the lead author of The Cambridge Grammar of Classical Greek (CUP 2019), author of Language and Character in Euripides’ Electra (OUP 2017), and co-editor of Characterization in Ancient Greek Literature (Brill 2018).

David Fearn is Reader in Greek Literature at the University of Warwick. He has published widely on Greek lyric poetry, including the recent books Pindar’s Eyes: Visual and Material Culture in Epinician Poetry (OUP, 2017), and Greek Lyric of the Archaic and Classical Periods: From the Past to the Future of the Lyric Subject (Brill, 2020), a survey of the state of lyric scholarship.

P. J. Finglass is Henry Overton Wills Professor of Greek at the University of Bristol. He has published a monograph Sophocles (2019) in the series Greece and Rome New Surveys in the Classics; has edited Sophocles’ Oedipus the King (2018), Ajax (2011), and Electra (2007), Stesichorus’ Poems (2014), and Pindar’s Pythian Eleven (2007) in the series Cambridge Classical Texts and Commentaries; has co-edited six books, including (with Adrian Kelly) The Cambridge Companion to Sappho (2021) and Stesichorus in Context (2015), and (with Lyndsay Coo) Female Characters in Fragmentary Greek Tragedy (2020); and edits the journal Classical Quarterly.

William Furley benefited from the freedoms of the European Union when he moved from London to S Germany after completing his BA. Work as research assistant of Konrad Gaiser in Tübingen was followed by a Cambridge PhD supervised by Geoffrey Kirk. Then Furley moved to Heidelberg as Assistent of Albrecht Dihle where he remained, eventually becoming adjunct professor of Greek. Visiting professorial appointments were at Saarbrücken, Tübingen, Mannheim, London, Catania, Lyon. His main work is in the fields of Greek religion, Menander, and literary papyrology.

Annette Giesecke is the Elias Ahuja Professor of Classics at the University of Delaware. She is a specialist in the history, meaning, and representation (in literature and the arts) of ancient Greek, Roman, and Near Eastern gardens and designed landscapes. Her work extends to the many cultural “uses” of plants in antiquity: symbolic, religious, culinary, medicinal, ornamental, and technological. Her recent books include: A Cultural History of Plants (6 vols., Bloomsbury: 2022), Classical Mythology A to Z (Black Dog and Leventhal: 2021), The Good Gardener? Nature, Humanity, and the Garden (Artifice Books on Architecture: 2015), and The Mythology of Plants (The J. Paul Getty Museum: 2014).

Jonathan M. Hall is the Phyllis Fay Horton Distinguished Service Professor in the Humanities and Professor of History and Classics at the University of Chicago. He is the author of Ethnic Identity in Greek Antiquity (1997), Hellenicity: Between Ethnicity and Culture (2002), A History of the Archaic Greek World, ca. 1200–479 BCE (2^nd ed., 2014), Artifact and Artifice: Classical Archaeology and the Ancient Historian (2014), and Reclaiming the Past: Argos and its Archaeological Heritage in the Modern Era (2021), as well as numerous articles and chapters on the political, social, and cultural history of ancient Greece.

John Hamilton is the William R. Kenan Professor of German and Comparative Literature at Harvard University. Publications include: Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition (2004); Music, Madness, and the Unworking of Language (2008); Security (2013); Philology of the Flesh (2018); and, most recently, Über die Selbstgefälligkeit (“On Self-Complacency,” 2021).

Marguerite Johnson is Professor of Classics at The University of Newcastle, New South Wales. Her research expertise is predominantly in the area of ancient Mediterranean cultural studies, particularly in representations of gender, sexualities and the body. These interests also intersect with her work in contemporary debates surrounding feminism, LGBTIQ histories, and related issues. She also works in Classical Reception Studies, with an emphasis on colonial Australasia.

Adrian Kelly is Tutorial Fellow in Ancient Greek Language and Literature at Balliol College, Oxford, and Associate Professor and Clarendon University Lecturer in Classics at the University of Oxford. He has recently co-edited (with P. J. Finglass) The Cambridge Companion to Sappho (Cambridge, 2021) and (with Christopher Metcalf) Gods and Mortals in Early Greek and Ancient Near Eastern Mythology (Cambridge, 2021), and he is completing a Cambridge Greek and Latin Classics commentary on Homer, Iliad Book XXIII.

André Lardinois is Professor of Ancient Greek Language and Literature at Radboud University in Nijmegen, the Netherlands. He obtained his PhD degree from Princeton University in 1995, after studying Classics at the Free University of Amsterdam and Utrecht University. His main field of study is early Greek poetry. Among his publications are Making Silence Speak: Women’s Voices in Greek Literature and Society (Princeton 2001), edited with Laura McClure; Sappho: A New Translation of the Complete Works (Cambridge 2014), with Diane Rayor; and The Newest Sappho: P. Sapph. Obbink and P. GC inv. 105, frs. 1-4 (Leiden 2016), edited with Anton Bierl.

Klaus Lennartz is Associate Professor of Greek and Latin at the University of Hamburg. He is the author of Non verba sed vim: Kritisch-exegetische Untersuchungen zu den Fragmenten der archaischen römischen Tragödie (1994) and of various articles on classical and mediaeval texts. In the field of greek and latin iambos, he published on Archilochus, Hipponax, and Catullus, and gave a detailed view of this poetic genre in his Iambos: Philologische Untersuchungen zur Geschichte einer Gattung in der Antike (2010).

Jane Montgomery Griffiths is a multi award winning actor, playwright & academic. She has performed with theatre companies across the UK & Australia & her plays have been produced by Malthouse Theatre, NIDA & ABC Radio National. “Sappho…in 9 Fragments” was short listed for the NSW and Victorian Premiers’ Literary Awards & is published by Currency Press. Jane was formerly Professor of Theatre Practice & Director of Monash University’s Centre for Theatre & Performance.

A.D. Morrison is Professor of Greek at the University of Manchester, where he has taught since 2001. His books include The Narrator in Archaic Greek and Hellenistic Poetry (Cambridge, 2007), Apollonius Rhodius, Herodotus and Historiography (Cambridge, 2020) and (as co-editor) Ancient Letters (Oxford, 2007) and Lucretius: Poetry, Philosophy, Science (Oxford, 2013). Current projects include a commentary on Callimachus for the Cambridge Greek and Latin Classics series, a G&R New Survey on Hellenistic poetry and (since 2016) co-directing the AHRC project on Ancient Letter Collections.

Nigel Nicholson is the Walter Mintz Professor of Classics at Reed College, where he has also served as the Dean of the Faculty. His research circles around Pindar, athletics, medicine, and Sicily, and he is the author of three books: Aristocracy and Athletics in Archaic and Classical Greece (Cambridge University Press, 2005), The Poetics of Victory in the Greek West: Epinician, Oral Tradition and the Deinomenid Empire (Oxford University Press, 2016), and The Rhetoric of Medicine (Oxford University Press, 2019), jointly authored with Dr. Nathan Selden. In 2005, he was named Oregon’s Professor of the Year by the Carnegie Foundation for the Advancement of Teaching.

Pauline A. LeVen (PhD Princeton & Ecole Normale Supérieure, Paris) is Associate Professor of Classics at Yale University. She is the author of The Many-Headed Muse: Tradition and Innovation in Late Classical Greek Lyric Poetry (Cambridge, 2014), which received the Samuel and Ronnie Heyman Yale College Prize for outstanding publication; and Music and Metamorphosis in Graeco-Roman Thought (Cambridge, 2021). She has published widely on Greek poetry, musical culture, and literary criticism, and co-edited, with Sean Gurd, A Cultural History of Western Music, vol.1: Antiquity (Bloomsbury, forthcoming). Her new monograph is entitled Posthuman Lyric: Greek Poetry and the Anthropocene.

Tom Phillips is Lecturer in Classical Literature at the University of Manchester. His publications include Pindar’s Library: Performance Poetry and Material Texts (Oxford, 2016), Untimely Epic: Apollonius Rhodius’ Argonautica (Oxford, 2020), and articles on Greek and Latin lyric poetry.

Tim Power is Associate Professor of Classics at Rutgers University, New Brunswick. His research focuses mainly on the poetry of archaic and classical Greece, and its various contexts of production, performance, and reception. A current project deals with the representation of singing in lyric and drama.

Richard Rawles is Lecturer in Greek at the University of Edinburgh. He is the author of articles on Greek lyric, tragedy, comedy and Hellenistic poetry, and of monographs on Simonides and on Callimachus.

Patricia A. Rosenmeyer is George L. Paddison Professor of Classics at the University of North Carolina-Chapel Hill, having taught previously at Michigan, Yale, and Wisconsin. She has published books in various research areas: The Politics of Imitation: Anacreon and the Anacreontic Tradition (Cambridge 1992), Ancient Epistolary Fictions: the Letter in Greek Literature (Cambridge 2001), Ancient Greek Literary Letters (Routledge 2006), and The Language of Ruins: Greek and Latin Inscriptions on the Memnon Colossus (Oxford 2018). Her interests also include the reception of Classical literature by English, French, German, and Jewish authors.

C. Michael Sampson is Associate Professor of Classics at the University of Manitoba in Winnipeg, Canada. He is an editor of the Digital Corpus of Literary Papyri (https://papyri.info) and is the author of “Deconstructing the Provenances of P.Sapph.Obbink” (Bulletin of the American Society of Papyrologists 57, 2020: 143–169).

Hannah Silverblank is a Visiting Assistant Professor in Classics at Haverford College, where she teaches courses in Greek, Latin, Comparative Literature, and Religion. She received her DPhil in 2017 from Oxford, where she wrote her dissertation on monstrous voice in ancient Greek epic, lyric, and tragedy. Her research examines nonhuman sociologies and the power-sensitivity of categories in Greek, Latin, and English literature. Her recent research focuses on occulture, disability studies, and classical reception; regarding the two latter subjects, she has recently published an article in Classical Receptions Journal with Marchella Ward entitled “Why does Classical Reception need Disability Studies?”

Henry Spelman is the Leventis Fellow in Ancient Greek at Merton College, Oxford. He is the author of Pindar and the Poetics of Permanence (Oxford University Press, 2018) and the editor of The Cambridge Companion to Pindar (forthcoming from Cambridge University Press).

Laura Swift is Senior Lecturer in Classical Studies at the Open University. She is the author of Archilochus: The Poems (2019), Greek Tragedy: Themes and Contexts (2016), The Hidden Chorus: Echoes of Genre in Tragic Lyric (2010) and Euripides: Ion (2008), as well as numerous articles on Greek tragedy and early Greek poetry. She has also worked with theatre practitioners on how to represent and stage fragmentary Greek poetry as a contemporary art form.

Marek Wecowski (M.A. Warsaw; Ph.D. Paris, with honours) is associate professor of ancient history at the University of Warsaw and member of the Academic Board of the Polish Archaeological Institute at Athens. He was a junior fellow at Harvard’s Center for Hellenic Studies and a Fulbright visiting professor at Princeton University. His research interests include archaic Greek poetry, Greek historiography, archaic and classical Greek history and Athenian democracy. His works include the book on The Rise of the Greek Aristocratic Banquet (OUP 2014). The English translation of his recent book on the original purpose of Athenian ostracism is in preparation

Andreas T. Zanker holds the position of Assistant Professor of Classics at Amherst College. He has published two monographs - Greek and Latin Expressions of Meaning: The Classical Origins of a Modern Metaphor and Metaphor in Homer: Time, Speech, and Thought - as well a volume (co-edited with Kathrin Winter and Martin Stöckinger) dedicated to the relationship between Horace and Seneca.