Читать книгу Why Art Criticism? A Reader - Группа авторов - Страница 5
ОглавлениеEditors: Beate Söntgen, Julia Voss
Leuphana University Lüneburg
Coordinator: (rights, authors, translations, research) Catharina Berents-Kemp
Editorial assistants: Jette Berend, Marie Lynn Jessen, David Mielecke, Katharina Tchelidze
Office manager: Stephanie Braune
Hatje Cantz
Managing editor: Lena Kiessler
Project manager: Kimberly Bradley
Copyediting: Kimberly Bradley
Graphic design: Neil Holt
Photo research: Kimberly Bradley
Jennifer Bressler
Translations (commentaries):
Angela Anderson: Holger Kuhn, Beate Söntgen (Diderot, Fry); Matthew James Scown: Sabeth Buchmann, Peter Geimer, Stephanie Marchal, David Mielecke, Thorsten Schneider, Margarethe Vöhringer, Julia Voss (Zuckerkandl, Higgie), Foreword and Introduction;
Katherine Vanovitch: Valerie Hortolani, Valerija Kuzema (Tretyakov, Lang)
Source text translators listed in bibliography.
Indexing: Jochen Fassbender
Typeface: Arnhem
Production: Vinzenz Geppert
Reproductions: Repromayer, Reutlingen
Printing and binding: GRASPO CZ, A.S
Published by
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isbn 978-3-7757-5074-5 (Print)
isbn 978-3-7757-5092-9 (eBook)
Printed in the Czech Republic
Photo credits
Frontispiece: © Anna Reinhardt / VG Bild-Kunst, Bonn, 2022; p. 27 © akg-images, The State Hermitage Museum. Saint Petersburg; p. 28 © akg-images, Scottish National Gallery; p. 32 akg-images, Musée de Louvre; p. 33 © akg-images, Erich Lessing; p. 41 Photo: Kristina Mösl, Francesca Schneider ©Staatliche Museen zu Berlin, Nationalgalerie; p. 45 Wikimedia Commons; p. 49 Courtesy the author; p. 67 © akg-images; p. 79 akg-images; p. 89 Reproduced with the kind permission of Letterform Archive; p. 122, Photo © Chris Doullgeris, Basil & Elise Goulandris Foundation Collection; VG Bild-Kunst, Bonn, 2022; p. 135 akg-images, VG Bild-Kunst, Bonn, 2022; p. 149 from Happenings (ed. Jorge Álvarez, Buenos Aires, 1967); p. 163 Courtesy the author; p. 180 The Andy Warhol Foundation for the Visual Arts and the Artists’ Rights Society; p. 197 © Alexander Liberman Photography Archive, Getty Research Institute, Los Angeles, 2000.R.19; p. 214 © akg-images/ World History Archive / VG Bild-Kunst, Bonn, 2022; p. 228 Granger Historical Picture Archive / Alamy Stock Photo; p. 229 © akg-images; p. 231 © akg-images / Science Source; p. 240 Photo: Renato Ghiazza, Courtesy Archivio Fondazione Merz, Torino; © SIAE; pp. 254, 259, 260: Courtesy Newton Harrison; pp. 271–72 Courtesy the artists; p. 281 akg-images / Jazz Archiv Hamburg / Hardy Schiffler; p. 289 Photographer: Mali Olatunji (copyright: The Museum of Modern Art, New York). Photographic Archive. The Museum of Modern Art Archives, New York. Object Number: IN1633.42 / VG Bild-Kunst, Bonn, 2022; p. 322 Courtesy Tony Chakar; p. 335 Courtesy Vardan Azatyan; p. 342 Wikimedia Commons / VG Bild-Kunst, Bonn, 2022; p. 349 Courtesy Wahed Khakdan; p. 362 Photo: Manuel Reinartz, image courtesy of the Artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin,VG Bild-Kunst, Bonn, 2022; p. 374 Photo: Kathryn Carr © Marina Abramovic and Guggenheim Museum, VG Bild-Kunst, Bonn, 2022; p. 390 Photo: Philipp Hänger / Kunsthalle Basel; p. 401 Photo: Enric Duch, Georg Kolbe Museum Berlin; p. 425 Courtesy Nature Morte, New Delhi (Collection Kiran Nadar Museum of Art, New Delhi); p. 426 Courtesy Nature Morte, New Delhi (private collection); p. 433 Photo: Iwan Baan, courtesy Diller Scofidio and Renfro, New York; p. 434 Stephanie Berger; pp. 441–43: © Sophie-Charlotte Opitz, courtesy the artist and Akademie Schloss Solitude; p. 452 Courtesy Sable Elyse Smith, JTT, and Carlos/Ishikawa; p. 454 Courtesy Smithsonian American Art Museum.
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Funded by the Deutsche Forschungsgemeinschaft (DFG, German Research Foundation) – Projectnumber 2114.
