Читать книгу The Art and Practice of Silver Printing - H. P. Robinson - Страница 8

CHAPTER IV.
HOW TO KEEP THE SENSITIZING BATH IN ORDER.

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Experience tells us, however strong we may make the bath solution to coagulate the albumen on the paper, that a certain amount of organic matter will always be carried into it. At first this is not apparent, since it remains colourless in the solution; but after a time, after floating a few sheets of paper, the organic silver compound gradually decomposes, and the solution becomes of a brown or red tint, and if paper were floated on it in this condition there would be a dark surface and uneven sensitizing. It is, therefore, necessary to indicate the various means that may be employed to get rid of this impurity. The earliest, if not one of the best, is by the addition of white China clay, which is known in commerce as kaolin. A teaspoonful is placed in the bottle containing the solution, and well shaken up; the organic matter adheres to it, and precipitates to the bottom, and the liquid can be filtered through filter-paper or washed cotton-wool, when it will be found decolourized. Another mode of getting the liquid out of the bottle is to syphon it off by any syphon arrangement, and this prevents a waste in the solution from the absorption of the filtering medium. The accompanying arrangement (fig. 4) will be found useful for the purpose, and can be applied to other solutions where decantation is necessary. A is a wide-mouthed bottle holding the solution. B is a cork fitting the mouth, in which two holes have been bored to fit the two tubes, D and C, which are bent to the form shown. When the kaolin has subsided to the bottom, air is forced by the mouth into the bottle through C, the liquid rises over the bend of the tube D, and syphons off to the level of the bottom of the tube inserted into the liquid, provided the end of D, outside the bottle, comes below it.

The Art and Practice of Silver Printing

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