Читать книгу Pincher Martin, O.D - H. Taprell Dorling - Страница 10

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The Belligerent was a 'Pompey'[7] ship. Many of her officers and men had their homes in or near the port, so the 'funny party'—otherwise the ship's concert troupe—prevailed upon the first lieutenant, their honorary president, to petition the commander for permission to give a farewell entertainment on board the evening before they sailed to rejoin the squadron.

The commander, with visions of endless trouble in rigging a stage for the performance, and the sacred quarterdeck being littered with cigarette-ends, banana-skins, and orange-peel, was not altogether pleased at the prospect. 'They want to give a show!' he said, in surprise, when the first lieutenant mooted the subject. 'Great Scott! they must be mad. It's mid-winter. Suppose it's raining or blowing a gale o' wind?'

'Yes, sir. I pointed that out to them,' answered No. 1. 'I quite realise there are serious objections. They're so jolly keen on it, though, that I couldn't choke 'em off.'

'And they propose that we shall bring all the guests off in our boats, eh?'

Chase nodded. 'They do, sir,' he said. 'But I'll take the management of all that off your hands if you'll let me. They want the show to start at eight o'clock.'

'The devil they do!' laughed the commander, beginning to relent. 'You'll have to cut the encores, though. It'll have to be over by ten-fifteen at the latest. We're sailing the next morning.'

'I'll see to that, sir.'

'Are the officers and their wives to be asked?' the commander wanted to know.

'Oh yes, sir. They specially mentioned that.'

'Well, for goodness' sake censor the programme. Last time we gave a show and had ladies on board, one of the songs was altogether too—er—spicy. I can't remember who sang it, but one of the captain's guests was very much shocked. For heaven's sake make certain it doesn't occur again!'

'Yes, I'll do that, sir,' smiled No. 1, with vivid recollections of the incident.

'All right. I'll ask the captain, then. I don't expect he'll object. You'd better tell me beforehand how many boats you want to bring the people off, and I'll leave all the rest in your hands.'

'Thank you, sir.'

The captain raised no objections; and on the afternoon of the entertainment the carpenter and his men, assisted by the members of the 'funny party' and many willing volunteers, set about preparing the quarterdeck. The day, luckily, was fine, but bitterly cold. A temporary stage, built up of planks placed upon biscuit-boxes, was rigged right aft athwartships. It was provided with the necessary scenery painted on board, was decorated with flags and coloured bunting, and was flanked by a brightly polished twelve-pounder gun and a Maxim on their field-carriages. The awning overhead was shrouded in enormous foreign ensigns, while canvas side-curtains were laced all round the quarterdeck to keep off the wind. Seating accommodation for several hundred people was provided by bringing all the available stools from the mess-decks, and placing them in rows on the deck and the top of the after-barbette with its two 12-inch guns. The first two rows of stalls, so to speak, were reserved for the officers, and consisted of arm-chairs and other chairs borrowed at the last moment from the officers' cabins and messes.

By seven-forty-five the preparations were complete, and the guests were beginning to arrive. As they stepped over the gangway they were claimed by their respective hosts, presented with printed programmes, and conducted to seats. By seven-fifty-five the last boats had come off, and the quarterdeck was tightly packed with men and their female belongings. They were all very much on their best behaviour, talked in hushed, expectant whispers, and spent the time criticising their neighbours and admiring the drop-scene.

The drop-scene was a truly terrific representation of the Belligerent in action. It had been painted on board, and the artist had allowed his colours to run riot. The sea, well covered with shell-splashes, was very, very blue, and so was the sky. The ship herself, with flaunting White Ensigns hoisted everywhere, was fiercely blazing away with every gun at some invisible enemy over the horizon. Here and there the blue expanse of sky was punctuated with large yellow and white blotches. Whether or not they represented clouds, the bursting of hostile shell, or cordite smoke, nobody but the artist could say. They did equally well for any one of them. At the bottom was an elaborate scroll, royal blue in colour, inscribed with the battle honours of previous Belligerents in gold letters; while in the centre came the ship's crest and motto, 'Ut Veniant Omnes' the Latin equivalent of 'Let 'em all come!'

Before long the guests thawed a little, and the place began to hum like a beehive. The ladies produced chocolate and other edibles from handbags, and thrust them on their neighbours in token of friendship. The men lit pipes and cigarettes until the air was blue with tobacco-smoke. Martin, with several other youngsters, had installed himself in an excellent position on the top of the after-turret, and waited anxiously for the performance to start.

The chattering ceased as the orchestra filed out from the wings and took their places behind a zareba of bunting-covered biscuit-boxes and hired palms erected in front of the stage. They all wore their best tunics, had their hair well parted and greased, and seemed very full of their own importance. They concealed themselves behind their barricade until only the tops of their heads were visible, leaving the bandmaster perched precariously on a chair set on a couple of rather insecure boxes. He wore a brand-new pair of white gloves in honour of the occasion, twirled his moustache, and tried hard not to look self-conscious.

'Swanker!' came a loud and very raucous remark from the top of the after-turret. Martin, greatly daring, but carried away by the excitement of the moment, had been responsible for the utterance. He looked round apprehensively, half-expecting to get into trouble for his temerity; but every one seemed quite pleased. The audience was actually tittering. The titter became a laugh, and the laugh a roar of delighted amusement. The bandmaster, with his back to the gathering, seemed rather agitated. He half-turned on his chair, thought better of it when it gave a dangerous wobble, and then pretended he had not heard.

The culprit, undiscovered save by his immediate neighbours, hugged himself at the success of his sally.

A minute later, when the band began to tune up for the overture, the first lieutenant appeared from one of the after-hatches. He had the reputation of being a 'taut hand;' but the men loved him dearly, and his arrival was the signal for a volley of cheers and hand-claps. He faced the audience nervously, bowed and smiled, and then, watch in hand, walked across to the bandmaster and held a whispered conversation.

Other officers came up the after-hatches and filed into their places. They were greeted with round after round of applause, as, very red in the face and very uncomfortable, they settled down in their seats. The Belligerent was notoriously a happy ship, and on occasions of this kind her ship's company were not slow in showing their appreciation for their officers.

The captain had been having a dinner-party in his cabin for some of the married officers and their wives; and he, the commander, the engineer-commander, the fleet surgeon, Hatherley, and Tickle, with their respective wives, arrived last. They, too, received their share of cheers while taking their seats. The captain, however, remained standing, and held up his hand for silence.

'Ladies and gentlemen,' he said when the uproar had subsided, 'I am very glad to see you all here to-night, and I hope you will enjoy the entertainment. The first lieutenant asked me to sing you a song myself, but I'm afraid I'm getting too old for that sort'——

Loud cries of 'No, no!' and more cheering.

'I am,' he continued, laughing, 'though you may not believe it. What I want to tell you is that I have arranged for light refreshments to be served in the battery during the interval, so I hope you will all—er—do full justice to them.'

Loud cheers, during which Captain Spencer sat down and nodded to the first lieutenant for the entertainment to begin.

The latter rose from his chair and glanced at his programme. 'Ladies and gentlemen,' he said, 'the first item on the list is a selection by the band. It is called—er—"Down Channel," and has been specially composed for the occasion by Mr. Johnson, the bandmaster.' He sat down again.

The bandmaster rapped twice with his baton, and with a rattle of drums the music began. The selection was a strange pot-pourri of every nautical song that Mr. Johnson had ever heard. It started off with a variation of 'Hearts of Oak,' wandered into 'The Bay of Biscay,' 'Tom Bowling,' 'They all love Jack,' and several other tunes, ancient and modern, and finished off with 'The Red, White, and Blue' and 'Rule Britannia.' It was hardly original, but it was received with vociferous applause. The bandmaster, highly satisfied, turned and bowed his acknowledgments with great dignity.

'The next item on the programme,' said the first lieutenant, rising to his feet again, 'is a comic song entitled "Archibald," by Stoker Williams.'

The footlights were turned on, and the curtain went up to disclose Stoker Williams dressed in the height of fashion. He wore a morning coat, gray trousers, patent-leather boots and spats, eyeglass, immaculate shirt, collar, and tie. He represented, it would seem, a young man about town looking for a friend named Archibald. Presumably he had some difficulty in finding him, for he walked mincingly across the stage, grasping a cane and a pair of gloves in one horny hand, and in the other a very glossy top-hat, which he twirled violently when the spirit moved him. The first lieutenant fidgeted uneasily. The hat, a brand-new Lincoln & Bennett, belonged to him. So did the clothes. The chorus of the song went something like this:

Har-ar-chibald! Har-ar-chibald!

Son of a belted hearl.

Har-ar-chibald! Har-ar-chibald!

I'll bet 'e's mashin' 'is girl.

'E promised to meet me at 'arf-past three;

But 'e's such a nut that 'e's gone on the spree,

With 'is girls, girls, girls.

(Spoken) 'Har-ar-chibald! where are you?'

The words were not conspicuous for their wit or cleverness, but the tune went with a swing, and the audience, highly appreciative, rocked with laughter; and after the performer's 'Now all together, please,' at the end of the first verse, joined in the inane chorus until the roar of 'Har-ar-chibald! where are you?' could have been heard as far as the dockyard gates.

The song eventually came to a close with Archibald still missing, and Stoker Williams, very pleased with himself, left the stage amidst clapping, cat-calls, and loud cries of 'Encore!' But encores were barred, and the curtain came down with a crash.

The next turn was by the P.T.I. (Physical Training Instructor). He was a magnificently built man, and appeared, despite the weather, clad in flesh-coloured tights, sandals, and an imitation tiger-skin. 'Ladies and gentlemen,' he said, advancing to the front of the stage and addressing the audience in the approved music-hall manner, 'with your kind indulgence I will now introduce a few lifting feats without apparatus of any kind. After that I shall have pleasure in giving a display with the Indian clubs. For the first part of my performance I must ask a member of the audience weighing at least ten stone to join me on the stage.'

After some hesitation and tittering, the challenge was presently accepted by Able Seaman M'Sweeny. Tubby, as he was called by his shipmates, was a short, rotund, and very bulbous person, who was a source of unfailing amusement to his friends. He had a fat red face rather like an apple, and a pair of humorous blue eyes; and, being something of a buffoon, was delighted at the idea of making himself conspicuous. He pretended to be very nervous, left his seat amid shouts of laughter and cries of 'Good old Tubby boy!' from the lookers-on, and presently appeared on the stage with the P.T.I.

'This gentleman informs me that he weighs thirteen stone,' said the P.T.I., producing a broad strap; 'one hundred and eighty-two pounds. I first place the strap round him, so'—buckling it round Tubby's middle—'and will now ask him to lie flat on the deck in the centre of the stage.'

This was rather more than M'Sweeny had bargained for, for he guessed what was coming next. But he acquiesced nevertheless, and, turning his funny face toward the audience with a solemn wink, began to agitate his arms and legs as if he were swimming.

Martin, on the verge of hysterics, was slowly becoming purple in the face. He had never seen anything quite so funny in all his life.

'Look at our Tubby boy!' came another loud remark from a youth seated near him. 'Ain't 'e the limit?'

The P.T.I., seeing that Tubby was getting all the applause, became very wroth. 'Look here!' he growled in a very audible whisper, 'is this your turn or is it mine? Knock off playing the fool, can't you!'

The victim, breathing heavily and balanced on his most prominent part, with the tips of his toes just touching the floor, looked up with a grin. ''Ere,' he asked loudly, 'w'ere do I come in?'

The audience rocked in their seats, with tears streaming down their faces.

'Shut your fat head!' whispered the gentleman in the tiger-skin.—'Ladies and gentlemen,' he went on, producing another short strap fitted with a stout hook, 'I hook this into the strap passing round the gentleman's body, so, and shall now carry him round the stage in my mouth.'

The 'gentleman' seemed distinctly nervous, but it was too late to back out now.

The band broke into slow music. The P.T.I, bent down, seized the strap in his mouth, and, bracing himself with his hands on his knees, lifted M'Sweeny a few inches off the floor. Then, with another heave which very nearly precipitated his victim and himself into the middle of the orchestra, he swung his burden waist-high, and staggered slowly round the stage with his back bowed and his muscles bulging.

Tubby, suspended by his centre of gravity, hung limply, with drops of perspiration trickling off his face. He was desperately alarmed lest he should be dropped with a crash, poor man!

The P.T.I., who, judging from his stertorous breathing, had undertaken more than he had bargained for, tottered once round the stage, and then went to the side and lowered his prey gently to the floor out of sight of the audience. At the same time the big drum gave a prearranged and very resounding crash. The audience laughed themselves hoarse, and cheered uproariously. After sundry other feats of strength with a long wooden bar from which depended the limp figures of two Royal Marines, one ordinary seaman, and one stoker, the performer gave his club-swinging display with lively music from the band. It was quite effective, and came to a close with great éclat.

The next item was a very doleful sentimental ditty about a lonely robin. It was sung by an intensely serious A.B., and the bird, it appeared, was on terms of great intimacy with a lady suffering from an incurable disease, who was slowly dying in the top back-room of a cottage. Every morning at breakfast-time the robin appeared on the window-sill; but on one memorable occasion he came rather late, to find the undertakers in the house. The shock unnerved him to such an extent that he died too, poor bird! It was so intensely pathetic that some of the ladies in the back-rows actually wept. The two rows of officers and their wives blew their noses and hid their faces in their programmes. Their shoulders shook visibly, but not with grief.

'The next thing,' said the master of ceremonies—rather perturbed because the last man had exceeded his appointed time by three minutes—'is a song called "Slattery's Mounted Foot," by the members of the troupe.'

The curtain went up to show a man clad more or less as a soldier. He wore a marine's red tunic, baggy blue trousers with broad yellow stripes, a cocked hat with an enormous plume, a naval cutlass, and a pair of leather sea-boots with huge tin spurs. He sang the first verse of a song amidst much amusement, and then started the rollicking chorus:

Down from the mountains came the squadrons and platoons,

Four-and-twenty fighting men and a couple of stout gossoons.

At the cue 'squadrons and platoons' the Mounted Foot, riding home-made hobby-horses with flowing manes and tails, galloped on to the stage. Their appearance was the signal for a volley of shouts and laughter, in which the music was quite inaudible, and truly they were comical. There were six others besides the first man, who, it would appear, was General Slattery himself. They all wore burlesque military uniforms. One was a hussar, another a lancer, a third a soldier in a British line regiment, a fourth an Indian cavalryman with lance and turban all complete, a fifth a cross between a Chasseur d'Afrique and a Chinese brave, and the last an artilleryman. The pièce de résistance was the artillery itself, for the last man to arrive led the very unwilling Nellie, the ship's pet pig, to which was attached a large cardboard cannon. Headed by their General, they pranced about the stage enjoying themselves hugely. Their efforts brought the house down, for they quite succeeded in making fools of themselves, and 'Slattery's Mounted Foot' was a long way the best event of the evening.

The remaining turns were too numerous to be mentioned in detail. They included further ditties by the singers of 'Archibald' and 'The Lonely Robin,' a banjo solo, some really clever conjuring and lightning sketching by an engine-room artificer, and an absurd sketch, written on board, called 'The Broker's Man.' The plot of this production, if it could be called by such a name, can be deduced from the list of characters:

 Mr. Stony-Broke—an impoverished aristocrat.

 Mrs. Stony-Broke—his wife.

 Miss Gertrude Stony-Broke.

 General Sir Thomas Dammit, K.C.B.—a rich uncle.

 Mr. Hardcash—a hard-hearted landlord.

 Mr. Theodore Buggins—the broker's man.

 Hon. Bertie de Montmorency—Gertrude's fiancé.

 Giles—a footman.

 

 Scene—The Stony-Brokes' drawing-room in London.

 

 Time—The present.

The parts of Mrs. and Miss Stony-Broke were played by seamen. Mrs. Stony-Broke appeared in black satin and a shawl, and the fair Gertrude in an evening-dress of pale yellow. Both mother and daughter were very shapeless, while their home-made wigs, white cotton gloves, bare red arms, and enormous feet brought tears of joy to the eyes of the audience. So did the gallant General Sir Thomas Dammit, who, it would seem, made a habit of wearing his full-dress uniform, cocked hat, and sword on all occasions.

Mr. Hardcash, the villain of the piece, was loudly hissed; while his emissary, Mr. Theodore Buggins, a truly dissolute fellow, became hilariously intoxicated at Mr. Stony-Broke's expense. But everything ended happily. Gertrude and the Hon. Bertie plighted their troth, and were duly set up for life with a handsome cheque from Sir Thomas.

The curtain came down amidst scenes of the wildest enthusiasm from the audience, and the orchestra playing Mendelssohn's 'Wedding March.'

When finally the band played 'God Save the King,' Pincher Martin was convinced that it was quite the best entertainment he had ever seen. His shipmates agreed with him.