Читать книгу The Kingdom of Slender Swords - Hallie Erminie Rives - Страница 6

CHAPTER III
THE LAND OF THE GODS

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In the first touch of the shore, where the Ambassador's pretty daughter waited, Barbara's problem had been swept away. Patricia had rushed to meet her, embraced her, with a moist, ecstatic kiss on her cheek, rescued the bishop from his ordeal of hand-shaking and carried him off to find their trunks, leaving Barbara borne down by a Babel of sound and scent whose newness made her breathless, and to whose manifold sensations she was as keenly alive as a photographic plate to color.

A half-dozen gnarled, unshaven porters in excessively shabby jackets and straw sandals carried her hand-baggage into the hideously modern, red-brick custom-house, over whose entrance a huge golden conventionalized chrysanthemum shone in the sunlight, and as she watched them, a dapper youth in European dress, with a shining brown derby, a bright purple neck-tie, a silver-mounted cane and teeth eloquent of gold bridge-work, slid into her hand a card whose type proclaimed that Mr. Y. Nakajima "did the guiding for foreign ladies and gentlemans." The air was fragrant with the mild aroma from tiny Japanese pipes and a-flutter with moving fans. A group of elderly men in hot frock-coats and tiles of not too modern vintage were welcoming a returning official, and sedate gentlemen in sad-colored houri and spotless cleft foot-wear, bowed double in stately ceremonial, with the sucking-in of breath which in the old-fashioned Japanese etiquette means "respectful awe bordering on terror."

Barbara had found herself singularly conscious of a feeling of universal good-nature. It came to her even in the posture of the resting coolies, stretched at the side of the quay, lazily sunning themselves, with whiffs of the omnipresent little pipe, and in the faces of the bare-legged rick'sha men, with round hats like bobbing mushrooms, arms and chests glistening with sweat, and thin towels printed in black and blue designs tucked in their girdles. She smiled at them, and they smiled back at her with that unvarying smile which the Japanese of every caste wears to wedding and to funeral. She even caught herself patting the tonsured head of a preternaturally solemn baby swaddled in a variegated kimono and strapped to the back of a five-year-old boy.

The rick'sha ride to the stenshun (for so the Japanese has adapted the English word "station") was a moving panorama of strange high lights and shades, of savory odors from bake-ovens, of open shop-fronts hung with gaudy figured crape, or piled with saffron biwa, warty purple melons, ebony eggplant, shriveled yellow peppers and red Hokkaido apples, of weighted carts drawn by chanting half-naked coolies, and swiftly gliding victorias of Europeans. From a hundred houses in the long, narrow streets hung huge gilded sign-boards, painted with idiographs of black and red. At intervals the tall stone front of a foreign business building looked down on its neighbors, or a tea-house towered three stories high, showing gay little verandas on which stood pots of flowers and dwarf trees; between were smaller houses of frame and of cement, and thick-walled go-downs for storing goods against fire.

Here and there, from behind a gateway of unpainted wood, showing a delicate grain, a pine thrust up its needled clump of green, or a cherry-tree flung its pink pyrotechnics against the sky's flood of dimming blue and gold. At a crossing a deformed beggar with distorted face and the featureless look of the leper, waved a crutch and wheedled from the roadside, and a child in dun-colored rags, unbelievably agile and dirty, ran ahead of Barbara's rick'sha, prostrating himself again and again in the dust, holding out grimy hands and whining for a sen. In the side streets Barbara could catch glimpses of bare-breasted women sitting in shop doors nursing babies, and children of a larger growth playing Japanese hopscotch or tossing "diavolo," the latest foreign toy.

When the rick'sha set them down at the station she felt bewildered, yet full of exhilaration. As they drew up at its stone front, a porter with red cap and brass buttons emerged and began to ring a heavy bell, swinging it back and forth in both hands. The bishop bought their tickets at a little barred window bearing over it the sign: "Your baggages will be sent freely in every direction."

Making their way along the platform, crowded with Japanese, mostly in native dress, and filled with the aroma of cigarettes and the thin ringing of innumerable wooden clogs on stone flags, Barbara was conscious for the first time of a studious surveillance. A young Japanese passed her carrying his bent and wizened mother on his back; the old woman, clutching him tightly about the neck, turned her shaven head to watch. Children in startling rainbow tinted kimono stared from the platform with round, serious eyes. A peasant woman, with teeth brilliantly blackened, peered from a car window, and a group of young men turned bodily and regarded her with gravely observant gaze, in a prolonged, unwinking scrutiny that seemed as innocent of courtesy as of any intent to offend. In European cities she had felt the gaze of other races, but this was different. It was not the curious study of a phenomenon, of an enduring puzzle of far origins, nor the expression of the ignorant, vacantly amused by what they do not understand; it was a deeper look of inner placidity, that held no wonder and no awe, and somehow suggested thoughts as ancient as the world. A curious sense began to possess Barbara of having left behind her all familiar every-day things, of being face to face with some new wonder, some brooding mystery which she could not grasp.

They entered the car just behind an ample lady who had been among the ship's passengers—a good-natured, voluble Cook's tourist who, the second day out, had confided to Barbara her certainty of an invitation to the Imperial Cherry-Blossom party, as her husband had "a friend in the litigation." She wore a painted-muslin, and the husband of influential acquaintance and substantial, red-bearded person showed now a gleaming expanse of white waistcoat crossed by a gold watch-chain that might have restrained a tiger. The lady nodded and smiled beamingly.

"Isn't it all perfectly splendid!" she cried. "There was a baby on the platform that was too sweet!—for all the world like the Japanese dolls we buy at home, with their hair shingled and a little round spot shaved right in the crown! My husband tried to give it a silver dollar, but the mother just smiled and bowed and went away and left it lying on the bench." She found a seat and fanned herself vigorously with a handkerchief. "I just thought I never would get through that car door," she added. "It's only two feet across!"

The road was narrow gage and the seats ran the length of the car on either side. Hardly had its occupants settled themselves when, to the shrill piping of a horn, the train started.

"Goodness, this is a relief!" sighed Patricia, as the bishop opened the first Japanese newspaper he had seen for many months. "I hate rick'sha—they're such unsociable things! I haven't said ten words to you, Barbara, and I've got oceans to talk about. But I'll be merciful till I get you home. What a good-looking youth that is in the corner!"

The young man referred to had a light skin and long, almond-shaped eyes. He wore a suit of gray merino underwear, and between the end of the drawers and the white, cleft sock, an inch of polished skin was visible. His hat was a modish felt. His houri, which bore a woven crest on breast and sleeves, swung jauntily open and above his left ear was coquettishly disposed an unlighted cigarette. Next him, under a brass rack piled with bright-patterned carpet-bags, an old lady in dove-colored silk was placidly inflating a rubber air-cushion. Her face had an artificial delicacy of nuance that was a triumph of rice-powder and rouge. Beside her was a girl of perhaps eighteen, in a kimono of dark blue and an obi of gold brocade. The latter wore white silk "mits" with bright metal trimming and on one slender finger was a diamond ring. Her hands were delicately artistic and expressive, and her complexion as soft as the white wing of a miller. She gazed steadfastly away, but now and then her sloe-black eyes returned to study Barbara's foreign gown and hat with surreptitious attention.

"What complexions!" whispered Patricia. "The old lady made hers this morning, sitting flat on a white mat in front of a camphor-wood dressing-chest about two feet high, with twenty drawers and a round steel mirror on top. It beats a hare's-foot, doesn't it! The daughter's is natural. If I had been born with a skin like that, it would have changed my whole disposition!"

Having settled her air-cushion, the old lady drew from her girdle a lacquer case and produced a pipe—a thin reed with a tiny silver bowl at its end. A flat box yielded a pinch of tobacco as fine as snuff. This she rolled between her fingers into a ball the size of a small pea, placed it carefully in the bowl and began to smoke. Each puff she inhaled with a lingering inspiration and emitted it slowly, in a thin curdled cloud, from her nostrils. Three puffs, and the tiny coal was exhausted. She tapped the pipe gently against the edge of the seat, put it back into the case and replaced the latter in her girdle. Then, tucking up her feet under her on the plush seat, she turned her back to the aisle and went to sleep.

Three students in the uniform of some lower school with foreign jackets of blue-black cloth set off with brass buttons, sat in a row on the opposite side. Each had a cap like a cadet's, with a gilt cherry-blossom on its front, and all watched Barbara movelessly. The man nearest her wore a round straw hat and horn spectacles. He was reading a vernacular newspaper, intoning under his breath with a monotonous sing-song, like the humming of a bumblebee. Between them a little boy sat on the edge of the seat, his clogs hanging from the thong between his bare toes, the sleeves of his kimono bulging with bundles. He stared as if hypnotized at a curl of Barbara's bronze hair which lay against the cushion. Once he stretched out a hand furtively to touch it, but drew it back hastily.

"If I could only talk to him!" Barbara exclaimed. "I want to know the language. Tell me, Patsy—how long did it take you to learn?"

"I?" cried Patricia in comical amazement. "Heavens and earth, I haven't learned it! I only know enough to badger the servants. You have to turn yourself inside out to think Japanese, and then stand on your head to talk it."

"Never mind, Barbara," said the bishop, looking up from his newspaper. "You can learn it if you insist on it. Haru would be a capital teacher—bless my soul, I believe I forgot to tell you about her!"

"Who is Haru?" asked Barbara.

"She's a young Japanese girl, the daughter of the old samurai who sold us the land for the Chapel. The family is a fine old one, but of frayed fortune. I was greatly interested in her, chiefly, perhaps, because she is a Christian. She became so with her father's consent, though he is a Buddhist. She isn't of the servant class, of course, but I thought—if you liked—she would make an ideal companion for you while you are learning Tokyo."

"I know Haru," said Patricia. "She's a dear! She's as pretty as a picture, and her English is too quaint!"

"It would be lovely to have her," Barbara answered. "You're a very thoughtful man, Uncle Arthur. Are you sure she'll want to?"

"I'll send her a note and ask her to come to you at the Embassy this evening. Then—all aboard for the Japanese lessons!"

"No such wisdom for me, thank you," said Patricia. "I prefer to take mine in through the pores. All the Japanese officials speak English anyway, just as much as the diplomatic corps. By the way, there's Count Voynich, the Servian Chargé." She nodded toward the farther end of the carriage where a bored-looking European plaintively regarded the landscape through a monocle. "He's nice," she added reflectively, "but he's a dyspeptic. I caught him one night at a dinner dropping a capsule into his soup. He has a cabinet with three hundred Japanese nets'kés—they're the little ivory carvings on the strings of tobacco-pouches. He didn't speak to me for a month once because I said it looked like a dental exhibition. Almost every secretary has a fad, and that's his. Ours has an aëroplane. He practises on it nearly every day on the parade-ground. The pudgy woman in the other corner with a cockatoo in her hat is Mrs. Sturgis, the wife of the big exporter. She wears red French heels and calls her husband 'papa'."

The Kingdom of Slender Swords

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