Читать книгу The Place of Honeymoons - Harold MacGrath - Страница 4

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Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest. The characteristic of his attitude was tenseness. The nostrils were well defined, as in one who sets the upper jaw hard upon the nether. His brown eyes—their gaze directed toward the stage whence came the voice of the prima donna—epitomized the tension, expressed the whole as in a word.

Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness. To Courtlandt it resembled, as no other sound, the note of a muffled Burmese gong, struck in the dim incensed cavern of a temple. A Burmese gong: briefly and magically the stage, the audience, the amazing gleam and scintillation of the Opera, faded. He heard only the voice and saw only the purple shadows in the temple at Rangoon, the oriental sunset splashing the golden dome, the wavering lights of the dripping candles, the dead flowers, the kneeling devoteés, the yellow-robed priests, the tatters of gold-leaf, fresh and old, upon the rows of placid grinning Buddhas. The vision was of short duration. The sigh, which had been so long repressed, escaped; his shoulders sank a little, and the angle of his chin became less resolute; but only for a moment. Tension gave place to an ironical grimness. The brows relaxed, but the lips became firmer. He listened, with this new expression unchanging, to the high note that soared above all others. The French horns blared and the timpani crashed. The curtain sank slowly. The audience rustled, stood up, sought its wraps, and pressed toward the exits and the grand staircase. It was all over.

Courtlandt took his leave in leisure. Here and there he saw familiar faces, but these, after the finding glance, he studiously avoided. He wanted to be alone. For while the music was still echoing in his ears, in a subtone, his brain was afire with keen activity; but unfortunately for the going forward of things, this mental state was divided into so many battalions, led by so many generals, indirectly and indecisively, nowhere. This plan had no beginning, that one had no ending, and the other neither beginning nor ending. Outside he lighted a cigar, not because at that moment he possessed a craving for nicotine, but because like all inveterate smokers he believed that tobacco conduced to clarity of thought. And mayhap it did. At least, there presently followed a mental calm that expelled all this confusion. The goal waxed and waned as he gazed down the great avenue with its precise rows of lamps. Far away he could discern the outline of the brooding Louvre.

There was not the least hope in the world for him to proceed toward his goal this night. He realized this clearly, now that he was face to face with actualities. It required more than the chaotic impulses that had brought him back from the jungles of the Orient. He must reason out a plan that should be like a straight line, the shortest distance between two given points. How then should he pass the night, since none of his schemes could possibly be put into operation? Return to his hotel and smoke himself headachy? Try to become interested in a novel? Go to bed, to turn and roll till dawn? A wild desire seized him to make a night of it—Maxim’s, the cabarets; riot and wine. Who cared? But the desire burnt itself out between two puffs of his cigar. Ten years ago, perhaps, this particular brand of amusement might have urged him successfully. But not now; he was done with tomfool nights. Indeed, his dissipations had been whimsical rather than banal; and retrospection never aroused a furtive sense of shame.

He was young, but not so young as an idle glance might conjecture in passing. To such casual reckoning he appeared to be in the early twenties; but scrutiny, more or less infallible, noting a line here or an angle there, was disposed to add ten years to the score. There was in the nose and chin a certain decisiveness which in true youth is rarely developed. This characteristic arrives only with manhood, manhood that has been tried and perhaps buffeted and perchance a little disillusioned. To state that one is young does not necessarily imply youth; for youth is something that is truly green and tender, not rounded out, aimless, light-hearted and desultory, charming and inconsequent. If man regrets his youth it is not for the passing of these pleasing, though tangled attributes, but rather because there exists between the two periods of progression a series of irremediable mistakes. And the subject of this brief commentary could look back on many a grievous one brought about by pride or carelessness rather than by intent.

But what was one to do who had both money and leisure linked to an irresistible desire to leave behind one place or thing in pursuit of another, indeterminately? At one time he wanted to be an artist, but his evenly balanced self-criticism had forced him to fling his daubs into the ash-heap. They were good daubs in a way, but were laid on without fire; such work as any respectable schoolmarm might have equaled if not surpassed. Then he had gone in for engineering; but precise and intricate mathematics required patience of a quality not at his command.

The inherent ambition was to make money; but recognizing the absurdity of adding to his income, which even in his extravagance he could not spend, he gave himself over into the hands of grasping railroad and steamship companies, or their agencies, and became for a time the slave of guide and dragoman and carrier. And then the wanderlust, descended to him from the blood of his roving Dutch ancestors, which had lain dormant in the several generations following, sprang into active life again. He became known in every port of call. He became known also in the wildernesses. He had climbed almost inaccessible mountains, in Europe, in Asia; he had fished and hunted north, east, south and west; he had fitted out polar expeditions; he had raided the pearl markets; he had made astonishing gifts to women who had pleased his fancy, but whom he did not know or seek to know; he had kept some of his intimate friends out of bankruptcy; he had given the most extravagant dinners at one season and, unknown, had supported a bread-line at another; he had even financed a musical comedy.

Whatever had for the moment appealed to his fancy, that he had done. That the world—his world—threw up its hands in wonder and despair neither disturbed him nor swerved him in the least. He was alone, absolute master of his millions. Mamas with marriageable daughters declared that he was impossible; the marriageable daughters never had a chance to decide one way or the other; and men called him a fool. He had promoted elephant fights which had stirred the Indian princes out of their melancholy indifference, and tiger hunts which had, by their duration and magnificence, threatened to disrupt the efficiency of the British military service—whimsical excesses, not understandable by his intimate acquaintances who cynically arraigned him as the fool and his money.

But, like the villain in the play, his income still pursued him. Certain scandals inevitably followed, scandals he was the last to hear about and the last to deny when he heard them. Many persons, not being able to take into the mind and analyze a character like Courtlandt’s, sought the line of least resistance for their understanding, and built some precious exploits which included dusky island-princesses, diaphanous dancers, and comic-opera stars.

Simply, he was without direction; a thousand goals surrounded him and none burned with that brightness which draws a man toward his destiny: until one day. Personally, he possessed graces of form and feature, and was keener mentally than most young men who inherit great fortunes and distinguished names.

Automobiles of all kinds panted hither and thither. An occasional smart coupé went by as if to prove that prancing horses were still necessary to the dignity of the old aristocracy. Courtlandt made up his mind suddenly. He laughed with bitterness. He knew now that to loiter near the stage entrance had been his real purpose all along, and persistent lying to himself had not prevailed. In due time he took his stand among the gilded youth who were not privileged (like their more prosperous elders) to wait outside the dressing-rooms for their particular ballerina. By and by there was a little respectful commotion. Courtlandt’s hand went instinctively to his collar, not to ascertain if it were properly adjusted, but rather to relieve the sudden pressure. He was enraged at his weakness. He wanted to turn away, but he could not.

A woman issued forth, muffled in silks and light furs. She was followed by another, quite possibly her maid. One may observe very well at times from the corner of the eye; that is, objects at which one is not looking come within the range of vision. The woman paused, her foot upon the step of the modest limousine. She whispered something hurriedly into her companion’s ear, something evidently to the puzzlement of the latter, who looked around irresolutely. She obeyed, however, and retreated to the stage entrance. A man, quite as tall as Courtlandt, his face shaded carefully, intentionally perhaps, by one of those soft Bavarian hats that are worn successfully only by Germans, stepped out of the gathering to proffer his assistance. Courtlandt pushed him aside calmly, lifted his hat, and smiling ironically, closed the door behind the singer. The step which the other man made toward Courtlandt was unequivocal in its meaning. But even as Courtlandt squared himself to meet the coming outburst, the stranger paused, shrugged his shoulders, turned and made off.

The lady in the limousine—very pale could any have looked closely into her face—was whirled away into the night. Courtlandt did not stir from the curb. The limousine dwindled, once it flashed under a light, and then vanished.

“It is the American,” said one of the waiting dandies.

“The icicle!”

“The volcano, rather, which fools believe extinct.”

“Probably sent back her maid for her Bible. Ah, these Americans; they are very amusing.”

“She was in magnificent voice to-night. I wonder why she never sings Carmen?”

“Have I not said that she is too cold? What! would you see frost grow upon the toreador’s mustache? And what a name, what a name! Eleonora da Toscana!”

Courtlandt was not in the most amiable condition of mind, and a hint of the ribald would have instantly transformed a passive anger into a blind fury. Thus, a scene hung precariously; but its potentialities became as nothing on the appearance of another woman.

This woman was richly dressed, too richly. Apparently she had trusted her modiste not wisely but too well: there was the strange and unaccountable inherent love of fine feathers and warm colors which is invariably the mute utterance of peasant blood. She was followed by a Russian, huge of body, Jovian of countenance. An expensive car rolled up to the curb. A liveried footman jumped down from beside the chauffeur and opened the door. The diva turned her head this way and that, a thin smile of satisfaction stirring her lips. For Flora Desimone loved the human eye whenever it stared admiration into her own; and she spent half her days setting traps and lures, rather successfully. She and her formidable escort got into the car which immediately went away with a soft purring sound. There was breeding in the engine, anyhow, thought Courtlandt, who longed to put his strong fingers around that luxurious throat which had, but a second gone, passed him so closely.

“We shall never have war with Russia,” said some one; “her dukes love Paris too well.”

Light careless laughter followed this cynical observation. Another time Courtlandt might have smiled. He pushed his way into the passage leading to the dressing-rooms, and followed its windings until he met a human barrier. To his inquiry the answer was abrupt and perfectly clear in its meaning: La Signorina da Toscana had given most emphatic orders not to disclose her address to any one. Monsieur might, if he pleased, make further inquiries of the directors; the answer there would be the same. Presently he found himself gazing down the avenue once more. There were a thousand places to go to, a thousand pleasant things to do; yet he doddered, full of ill-temper, dissatisfaction, and self-contempt. He was weak, damnably weak; and for years he had admired himself, detachedly, as a man of pride. He started forward, neither sensing his direction nor the perfected flavor of his Habana.

Opera singers were truly a race apart. They lived in the world but were not a part of it, and when they died, left only a memory which faded in one generation and became totally forgotten in another. What jealousies, what petty bickerings, what extravagances! With fancy and desire unchecked, what ingenious tricks they used to keep themselves in the public mind—tricks begot of fickleness and fickleness begetting. And yet, it was a curious phase: their influence was generally found when history untangled for posterity some Gordian knot. In old times they had sung the Marseillaise and danced the carmagnole and indirectly plied the guillotine. And to-day they smashed prime ministers, petty kings, and bankers, and created fashions for the ruin of husbands and fathers of modest means. Devil take them! And Courtlandt flung his cigar into the street.

He halted. The Madeleine was not exactly the goal for a man who had, half an hour before, contemplated a rout at Maxim’s. His glance described a half-circle. There was Durand’s; but Durand’s on opera nights entertained many Americans, and he did not care to meet any of his compatriots to-night. So he turned down the Rue Royale, on the opposite side, and went into the Taverne Royale, where the patrons were not over particular in regard to the laws of fashion, and where certain ladies with light histories sought further adventures to add to their heptamerons. Now, Courtlandt thought neither of the one nor of the other. He desired isolation, safety from intrusion; and here, did he so signify, he could find it. Women gazed up at him and smiled, with interest as much as with invitation. He was brown from long exposure to the wind and the sun, that golden brown which is the gift of the sun-glitter on rocking seas. A traveler is generally indicated by this artistry of the sun, and once noted instantly creates a speculative interest. Even his light brown hair had faded at the temples, and straw-colored was the slender mustache, the ends of which had a cavalier twist. He ignored the lips which smiled and the eyes which invited, and nothing more was necessary. One is not importuned at the Taverne Royale. He sat down at a vacant table and ordered a pint of champagne, drinking hastily rather than thirstily.

Would Monsieur like anything to eat?

No, the wine was sufficient.

Courtlandt poured out a second glass slowly. The wine bubbled up to the brim and overflowed. He had been looking at the glass with unseeing eyes. He set the bottle down impatiently. Fool! To have gone to Burma, simply to stand in the golden temple once more, in vain, to recall that other time: the starving kitten held tenderly in a woman’s arms, his own scurry among the booths to find the milk so peremptorily ordered, and the smile of thanks that had been his reward! He had run away when he should have hung on. He should have fought every inch of the way. …

“Monsieur is lonely?”

A pretty young woman sat down before him in the vacant chair.