Читать книгу Love Always: A sweeping summer read full of dark family secrets from the Sunday Times bestselling author - Harriet Evans - Страница 11

Chapter Three

It’s always been me and my mother. I don’t know my father. Mum met him at a party, he was a one-night stand and she never saw him again. I found this out when I was a teenager; I had no idea where he was before that. When I was about ten, and impressionable, I saw The Railway Children, and it all suddenly became perfectly clear to me: my father was away, somewhere, but he would come back one day soon. He had been wrongly imprisoned, like Roberta’s daddy, he was on a ship sailing around the world, rescuing people, he was a doctor helping famine victims in Africa, he was a famous actor in America and couldn’t tell people about me and Mum. He was a person in my life, absent for the moment, but he would come back.

One summer, Granny drove me to Penzance; she said she had a surprise for me at the station, and I knew it then with absolute certainty, the kind of certainty that has got me into trouble my whole life. We were going to meet my dad off the train, and he would fling his arms open wide and smile, and I would run towards him, crying, ‘Daddy! My daddy!’ He would hug me tight, and kiss my forehead, and come home with me and Granny, and then he would take me and Mum away from the damp Hammersmith flat to a beautiful castle in the countryside, and we would live – yes, we would – happily ever after.

Under my breath, the rest of the way there, I tried the unfamiliar words out on my tongue. Dad. Daddy. Hi Dad. By the time we got to the station, I was jiggling my legs up and down, I was so excited. Granny had a watchful, sparkling look in her eyes. She kept glancing at me as we waited for the train to pull in to the platform, holding my hand in hers as she was afraid I’d simply run off, mad with anticipation. She was right, I remember it, I felt as if I might.

When the train arrived and the teeming hordes of passengers had hurried off, when the platform was emptying and my neck was aching from craning forward, desperate to see who he was, she finally squeezed my fingers.

‘Look, there he is.’

And there was Jay with Sameena, his mum, walking down the platform, also hand in hand, only he was straining with excitement to see me, and I just looked at him, my heart sinking, sliding my hand out of Granny’s.

‘He’s come early,’ she said. ‘So you’ll have someone to play with now.’

I couldn’t tell her she’d ruined everything, that I’d rather be on my own with dreams of my dad than playing stupid Ghostbusters with Jay. I couldn’t explain how silly I’d been. How could I? She never knew, I never told her, but I couldn’t ever think about that day again. How I tried to picture what my father would look like as he got off the train. From that day on I stopped looking for him. Like Granny’s beauty, it became one of those things that’s just a fact, rather than a changeable situation. The sea is blue. Granny has a scar on her little finger. You don’t know your dad.

The sea isn’t always blue though. Sometimes it’s green. Or grey. Or almost black like tar, with roiling, foaming white waves.

* * *

The sound of movement around me wakes me and I look up, startled. St Michael’s Mount looms up in the distance, the battlements and towers of the old castle rising out of the water, glinting in the midday sun. When I was a child the holidays were one long effort on my part to persuade whomever I could to take me, walk across the glittering causeway to the castle at low tide, climb up to the turreted towers, and look out across the bay to Penzance or out to sea.

‘Welcome to Penzance. Penzance is our final destination. Thank you for travelling with First Great Western. May we wish you a pleasant onward journey,’ a voice intones over the loudspeaker, and there is the usual rush around me as I rub my eyes, tasting something sour in my mouth. Still in a daze, I jump up, stretching, and climb off the train, nearly bumping into someone on the platform. I look up and around me. I am here.

You can smell the sea in the air. It is warmer than London, though it’s still February and the wind is sharp. I huddle into my coat as I reach the end of the platform, wondering who’s come to meet me. Mum said she or Archie would. People saunter past; there’s no bustling and jostling like Paddington. It still does always remind me of The Railway Children.

‘Nat?’ A voice floats across the hordes of people. ‘Natasha!’

I glance up.

‘Natasha! Over here!’

I look behind me and there is Jay, my beloved cousin. He is striding towards me, so tall, smiling sort of sheepishly. He folds me in his arms and I close my eyes, sinking into his embrace. When Jay is here, everything is always a bit better. He’s one of those people who leaves a gap when he exits a room.

‘It’s good to see you,’ he tells me, dropping a kiss onto my head.

‘You were on the train?’

‘I looked for you, then I fell asleep. I had a late night, we were working through.’ Jay is a website designer; he works crazy hours, but he stays out crazy hours too. ‘I had to get some sleep.’ He squeezes me tight. ‘This is a sad day.’

I nod and link my arm through his as we walk outside, into the fresh air.

The car park is next to the harbour, where ships and boats of every kind over the centuries have arrived and disem-barked, spilling out silks and spices and foods and wines from the furthest corners of the world. The riggings clatter against the masts, tinkling loudly in the gusting breeze. Seagulls shriek overhead.

‘Jay! Sanjay! Over here!’ We look up to see my uncle Archie, leaning against his car, waving coolly at us.

I always forget when I first see him how much my uncle reminds me of those older male models, the kind you see in ads for cruises and dentures. Like my mother, he was very handsome when he was younger: I’ve seen the photos. Now, he’s like someone from a bygone era; suave, international, at ease in any situation. Today he’s in a dark suit but his usual uniform is a blazer, dark trousers, immaculate pressed pink or blue checked shirts with big gold cufflinks. He has a signet ring. His Asian father and English mother have given him a dual citizenship, also like my mother, with which he struggled when he was younger, but has now embraced extremely enthusiastically. It’s almost his badge. He speaks with a posh English accent but at home his wife Sameena cooks the best Indian food you’ll find in Ealing, a million times better than most of the ropey curry houses on the main drag of Brick Lane.

Jay and I are very similar, but I love how his dad and my mum, the twins, half Indian, went different ways. With me, my Indian heritage is hardly visible beyond my dark hair and olive skin, thanks to a mother who uses it in a lazy cross-cultural way when she wants to show off, and thanks to a father who I assume is white, although who knows? Whereas Jay goes the other way, the reverse of me. He is almost wholly Indian, and slips easily back into that culture, thanks to Sameena, then back into the world of Summercove, as if he’s changing from one pair of comfortable shoes to another. I envy him that ability, and I love him for it.

Jay is waving back at his father. ‘Look at him,’ he says, as Archie sneaks a look at his reflection in the car window, staring intently at himself for a brief second. ‘He’s looking more and more like Alan Whicker every day. Hey, Dad,’ he says.

‘Aha, Natasha, my dear.’ Archie hugs me enthusiastically, gripping my shoulders. His moustache tickles my face as always and I have to tell myself not to shrink away. ‘It’s wonderful to see you. Jay. Son.’ He gives his son a walloping great slap on the back. Jay rocks back against me.

‘I’m sorry about Granny,’ I tell him. ‘I am too,’ Archie says soberly. ‘I am too.’ He scratches the bridge of his nose vigorously, suddenly, and turns away. ‘Let’s be off.’ His hand is on the boot of the car. ‘Bags?’

‘No bags,’ I say.

Archie looks at me as if I’m insane. ‘No bags? Where are your things?’

I take a deep breath. ‘I can’t stay tonight, unfortunately,’ I say.

He stares at me. ‘Not staying? Does your mother know? That’s crazy, Natasha.’

‘I know,’ I say, trying to sound calm, collected. ‘I’m really sorry, but I’ve got a meeting tomorrow I can’t get out of.’ I wish I could tell them why. But I can’t. They mustn’t know, not yet.

‘I should have thought . . .’ Archie mutters, trailing off. Jay, who is watching me intently, jumps in.

‘The sleeper’s much better and if you have to get back for a meeting, there it is.’ His father frowns at him, opens his mouth to say something, but Jay presses on. ‘Come on, Nat,’ he says, slinging his rucksack into the boot. ‘We’re cutting it fine anyway, aren’t we? Let’s go.’

Suddenly, I remember Octavia and Julius. ‘I saw Octavia and Julius on the train. I mean, think I saw them,’ I amend. ‘Should we—’

‘Oh,’ Archie says, ruffled, he hates any interruption to his plans, to being told what to do by anyone except my mother. And indeed, our cousins are emerging from the station and looking around. ‘I’m sure they’ll have made their own arrangements . . .’

But they haven’t, it turns out. Octavia and Julius are the kind of ruthlessly efficient people who expect others to be at their beck and call. They’re like the answers to those survival guide questions: both of them could survive on a raft floating on the Indian Ocean with only a mirror and a comb for days, I’m sure. But they’d never think of getting round to booking a car or a taxi. They assume that someone else will have got the train down too and will furnish them with a lift. And they assume rightly, of course.

‘I must say, it’s extremely strange we didn’t bump into either of you on the train,’ Octavia says, as Archie drives off along the harbour. ‘I suppose you two were sitting together.’ She makes it sound as if we were planning a high-school shooting.

‘No,’ Jay says simply. ‘Meeting you all is a lovely surprise on this sad day.’

‘Jolly sad. So,’ Julius, already red in the face, looking more than ever like a fatter, less patrician version of Frank, his father, asks, ‘what’s the order of things today? Straight to the church? Or nosh first?’

Squashed next to Octavia in the back of the car, Jay and I dare not exchange looks. It’s as though we’re children again.

‘Hrrr.’ Archie clears his throat, self-importantly. ‘The funeral is at two, so we’re going straight to the church,’ he says. ‘Don’t have time to stop off beforehand and we couldn’t have it any later, some people –’ he raises his eyebrows – ‘some

people came down last night and are going back to London this evening.’ I nod politely.

‘We’ll meet the others there, then?’ Jay says. ‘Yes, yes,’ Archie says briskly, as though he’s got it all under control and supplementary questions are ridiculous. ‘Father’s going with Miranda – with your mother, Natasha – to the church. Then we’re all off back to Summercove afterwards, for some food.’

‘I know Mum’s done an awful lot of cooking,’ Octavia says slowly. ‘She’s been flat out all week, poor thing. It’s been pretty stressful for her.’ She sighs. ‘And clearing out the house, getting poor Great-Uncle Arvind settled somewhere new – I mean, we all know he’s a brilliant man, but he’s not exactly easy, is he!’ She laughs.

Don’t let Octavia wind you up, I chant to myself. She signed up for an Oxbridge-graduates-only online dating service and she fancies George Osborne. That is the kind of person she is.

I would still quite like to smack her though. I hope the feeling doesn’t stay with me all day. I wish I could. I wish I could get really drunk at the wake and start a fight, EastEnders style. Perhaps I should. Archie and Jay are silent. I make a non-committal sound.

‘Your mum’s been wonderful,’ I force myself to say instead because it’s the truth, despite being annoying to admit. Louisa is the one who gets things done, she always has been. She is the one who’d take me into Truro to buy me new socks and shoes for the autumn term at school, muttering all the while about how someone had to do it, mind you, but still. ‘Oh, Louisa, she is wonderful,’ is sort of her shoutline. That’s what you say about her, in the absence of anything else to say.

We are climbing up and out of Penzance. Below us, the sea is frothing and churning. There are dark, restless clouds on the horizon. We drive in silence for a while, going further inland. Here on the south coast the country is wild, but lush, greener than the rest of the country, even though it’s February. We pass Celtic crosses, their intricate decorations long worn away by the wind from the sea, and soon we are driving past the Merry Maidens, the ten girls who were turned to stone for dancing on a Sunday. They’re all so familiar. It is so strange to be here when it’s not high summer, but it is so wonderful all the same, and then I remember why I’m here. Granny would have loved a day like today, walking through the winding lanes and over the high exposed fields, a silk head-scarf covering her hair, her eyes alight with the joy of it all.

In the front, Archie turns to Julius. ‘So, Julius, how are the markets?’

‘Weulllll –’ Julius begins, in his low, blubbery voice. ‘Patchy, Archie. Patchy . . .’

I am spared the rest of his answer by Octavia turning to me.

‘How’s your jewellery stuff going then?’ she asks, curiously. As ever I grit my teeth at this question, which makes it sound as though I’ve been to the Bead Shop and threaded a few plastic hearts onto a string for a friend’s birthday, rather than that it’s my job.

‘Fine, thanks,’ I say. ‘I’m just finishing a new collection.’

‘Wow, how great,’ Octavia says. ‘Where will you sell that, on a stall, or . . . ?’ She trails off, almost embarrassed.

It has been about two years since I sold my jewellery on a stall, first in Spitalfields Market, then at the Truman Brewery nearby. I got lucky when one of my pieces, a gold chain made of tiny interconnected flowers, was featured in Vogue a couple of years ago, and a minor but quite trendy pop star wore it in a magazine, after which a boutique in Notting Hill and one just off Brick Lane started stocking my stuff. That’s how it works these days. Someone I’d never heard of wore a necklace of mine and I ended up hiring a PR to promote myself and paying someone to set up a website. Now I sell online through the website, and through a few retailers. But Octavia, a bit like Louisa, still likes to think that I’m standing behind a stall wearing a hat, gloves and change belt, shouting out, ‘Three pound a pair of earrings! Get your necklaces here, roll up roll up!’

There’s an implied snobbery there too which is hilarious. I made as much on the stall as I do now. In fact, often I’d sell more there in a day than I do in a month online. Plus the stall was a great way of meeting customers and other designers, seeing what was selling, talking to people, finding out what they liked. Pedro, who used to have a veg stall in the old Spitalfields market and upgraded it to an upmarket deli stall in the new, updated, boring Spitalfields, has a house in Alicante, a timeshare in Chamonix and drives an Audi TT. Sara, the girl whose stall used to be next to mine, bought her mum a house in Londonderry last year and paid for the whole family to go on holiday to Barbados. I thought taking myself off the stall would move me to the next level, and I suppose it did.

But increasingly I’ve come to wonder whether I was right. Things have been difficult, the last year or so. The recession means people don’t want jewellery. And even though Jay designed my site for free, bless him, other costs keep mounting up – hiring the studio, paying for materials and for the metals and stones, the PR who I hired, the trade fairs which you pay to attend . . . It adds up. I haven’t heard of the pop star who wore my necklace since, incidentally. Perhaps that explains it.

A few months ago, it didn’t seem to matter. We had Oli’s salary too. Mine was ‘pin money’, as he called it, which I found super-patronising. But it’s true. It used to be joyful, exciting, stimulating. Lately, it is almost painful. I’m no good. My thoughts are no good, my head seems to be blank. And it shows.

‘On the website, through some shops,’ I tell Octavia. ‘The usual.’

‘Oh,’ she says. ‘That’s good – well done.’

I sink lower down into my scarf and look out at the dramatic, wind-flattened black trees, the yellow lichen, the startling green of the sea, crashing against the grey rocks, as the car bowls through the empty, muddy lanes, deeper into the countryside. I chew my lip, thinking.

I wonder if anyone has opened her studio since she died? I wonder, for the thousandth time, how Granny could have stopped painting all those years ago when I know how much the landscape around her meant to her, how it inspired her. But though no one ever says it, it’s obvious something died inside her with Cecily, and it never came alive again.

Archie slows down, and all of a sudden we’ve arrived at the church, perched high on the edge of the moor. I squint, and see the hearse pulled up outside the door. They are unloading the coffin. There, twisting an order of service over in her hands, is Louisa, and next to her, ramrod straight, stands my mother. The pallbearers are sliding the long coffin out – Granny was tall – and it hits me again, that’s her inside the wooden box, that’s her. Archie turns the engine off. ‘We’re here,’ he says. ‘Just in time. Let’s go.’