Читать книгу Vocal Mastery - Harriette Brower - Страница 21

TECHNICAL STUDY

Оглавление

"There are gifted people who may be called natural born singers. Melba is one of these. Such singers do not require much technical practice, or if they need a little of it, half an hour a day is sufficient. I am not one of those who do not need to practice. I give between one and two hours daily to vocalizes, scales and tone study. But I love it! A scale is beautiful to me, if it is rightly sung. In fact it is not merely a succession of notes; it represents color. I always translate sound into color. It is a fascinating study to make different qualities of tonal color in the voice. Certain rôles require an entirely different range of colors from others. One night I must sing a part with thick, heavy, rich tones; the next night my tones must be thinned out in quite another timbre of the voice, to fit an opposite character."

Asked if she can hear herself, Miss Farrar answered:

"No, I do not actually hear my voice, except in a general way; but we learn to know the sensations produced in muscles of throat, head, face, lips and other parts of the anatomy, which vibrate in a certain manner to correct tone production. We learn the feeling of the tone. Therefore every one, no matter how advanced, requires expert advice as to the results.


Vocal Mastery

Подняться наверх