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The Courtship of Sir Butterfly

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It was a beautiful May morning. The air was soft and balmy, still retaining the freshness of the evening. Sir Butterfly woke up very early to go to the garden and pay a visit to the beautiful flowers that grew there. The garden looked inviting. For there was already Miss Sampaguita, fresh as the morning with little drops of dew on her cheeks; there was the tall and graceful Miss Champaka; there was Miss Ilang-ilang, giving perfume to the balmy air that kissed her; there was Miss Sunflower with her face toward the Eastern Gate—all of them were expecting early and courteous visitors.

However, Sir Butterfly was a shrewd critic, and could find faults in each one of these beauties. But when he came before Miss Rose, he found himself at a loss what to say. In fact, he was fascinated by her beauty, and soon began to flutter about her. After a while he addressed her in this way:

"Fair Rose, thou art the queen of flowers;

This throne I give alone to thee;

And this I'll say at all hours,

The sweetest nectar thine must be.

"Thy garment of the purest green

Befits right well thy being a queen;

And this I have to say to thee,

The sweetest nectar thine must be.

"Thy cheeks are rosy, lips are red

With tints of freshness never dead;

Come, give me a kiss, sweet Rose,

Of thine own nectar sweet, a dose."

Here Miss Rose interrupted him. "Nay, nay, please do not flatter me," she said in a tone of affected coquetry.

But Sir Butterfly continued his recitation:

"Thy graceful form invites me

A dear embrace to give thee."

Saying this, he drew near her and passed his arms around her body. But what an embrace! The thorns held him fast; he was now a wounded prisoner. In a tone of anger and despair he cried: "Let me free, you ugly, ugly Miss Rose!"

Moral: The seemingly desirable is not always desirable, or circumstances alter estimates.

—Máximo M. Kalaw.

Types of Prose Narratives

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