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joined up with Rumanvat, who was going to depose the king of Kosala. And so my master’s enterprise is almost accomplished.” [R 1.28].

6.Winning happiness: “Why, this is the king, Udayana, to whom my father gave me! (sighing deeply) Though I thought my life was blighted because I was sent to someone else, now the sight of him has made it precious to me.” [R 1.229].

7.The arrival of the seed: from Vasava·datta: “Then bring me the things I need for the ritual,” to Sagarika: “I’ll watch unobserved.” [R 1.98–101].

8.The production of pain or pleasure. [No example from R.]

9.The surprise: Sagarika: “Why, the god of flower-weapons himself, in the flesh, is receiving this worship! In the women’s quarters in my father’s palace, we worshipped him just in the form of an image. So I, too, will stay here and worship with these flowers the god of flower-weapons.” [R 1.123].

10.Penetrating a secret: Sagarika: “Why, this is the king, Udayana, to whom my father gave me!” [R 1.129].

11.Encouragement, excitement. [No example from R.]

12.The beginning of the actual action in question: Sagarika: “Honor to you, lord of the flower-weapons. My vision of you and yours of me now will not be in vain. (bowing). I have seen what I had to see. So I will go away before anyone sees me.” [R 1.123]. Levi remarks: “This is the beginning of the action which will take place in the second act, in which the lovers will see one another without obstacles” (1963: 44–57).

The Lady of the Jewel Necklace & The Lady who Shows her Love

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