Читать книгу Night Of The Blackbird - Heather Graham, Heather Graham - Страница 7
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ОглавлениеIt had been a damned long day. Michael McLean took his work to heart, and he accomplished what he set out to do, whether it took diplomacy and tact or a dead-set determination and a few strong-arm techniques.
When the phone rang, Michael jumped. He’d been lying there, half asleep, and though his work meant that he got calls at all hours, he hadn’t been expecting the abrasive ring. He’d been traveling large expanses of the country—they had to be prepared for every contingency—and he was tired. For a moment the ringing was simply jarring, and he let it go on. Then he forced himself up, dragging his legs over the side of the bed, running his fingers through his hair. He started for his bedside phone, then realized that it was his cellular ringing. He rose, running his fingers through his hair, found his pants and dug out the phone.
He glanced at the caller ID. Moira.
“Hey, babe, what’s up? You’re all right, aren’t you? It’s late.”
“I know, I’m sorry. I should have called earlier.”
“You can call me any time, day or night. You know that.”
“Thanks,” she said, her voice soft.
There were lots of women in the world. He’d known his share. But the tenor of her voice slipped into him. There were others, yes. But none quite like her. He pictured her. Moira was a beauty, with her true deep red hair and blue-green eyes. Tall, elegant, with a natural sophistication and the ability to dirty her hands and nails, laugh at any obstacle and get involved with the most absurd situations. When he’d answered the ad for an associate producer and locations manager for KW Productions, he’d known her from seeing her on the air, having studied what tapes he could find before applying for the job. She was good on tape. She was even better in person. He hadn’t been ready for the excitement she could create or the emotion she could invoke. He wished she were there right now. Amazing what the sound of her voice could do to a man.
“I should have called you—could have called you—hours ago,” she went on, then halted suddenly. “You haven’t heard from Josh already, have you?”
“No.”
He heard her sigh. “Yeah, he would make me do this one myself. And it’s so late because I’ve been trying to get up the nerve to call you.”
He was about to assure her that she never needed nerve to call him when she rushed on.
“I know how much work you’ve already done—”
“You are the boss, you know.”
“Not really. Josh and I have always made decisions together, and since you’ve been with us, well, you’ve just been the perfect addition to the show…. Oh, Lord, Michael, I’m so sorry to be doing this, but…we’re making a sudden switch in plans.”
He’d been expecting this; still, he felt every muscle in his body tense. He knew what she was about to say.
“I know that you and Josh have made an incredible effort on the Orlando angle, that acquiring permits to tape has been a bitch…but we’re switching locations for Saint Patrick’s Day. I’m so sorry. I know—”
“Family pressure, eh?” he asked quietly.
“My father has to go in for tests next week. Nothing serious, Mum assures me, but I’m willing to bet he’s still working the pub himself until all hours of the night. Anyway, she made it sound as if I were punching the Easter Bunny or something, and I…I caved in.”
“Don’t worry,” he told her. “I’ve already looked into the Boston situation.”
“What?”
“Josh and I both kind of expected this,” he said.
She was silent.
“Moira, it’s all right. Hey, I’m going to love meeting your family. I’ll get to feel important, right? The man in your life, someone who means everything in the world to you, right?”
“You’re incredible, you know that?”
“Well, of course, you’d have nothing less, right?” he said.
“You know what?”
“What?”
“You sound so good.”
Her voice was almost like silk.
“I was just thinking the same about you.”
“They’re crazy, you know.”
“Who?”
“My folks.”
“Moira, you’ve hit the right guy here. My family is Irish, too. Okay, we don’t own a pub and no one runs around whistling ‘Danny Boy’ all day, but I can deal with the leprechaun and banshee stories. Don’t be so worried.”
She was still silent. Then she said, “Mine do.”
“What?”
“They run around whistling ‘Danny Boy’ all the time.”
He laughed. “I’ve got nothing against the song. Hey, Josh and I had a wager going, you know.”
“Who bet that I wouldn’t cave in to family pressure?”
“Neither of us. The wager was on the date you’d finally do it.”
“I can’t wait to see you,” she said. Once again, he pictured her. Not the woman on television. The one who should be here with him now. Softly scented, sleek and smooth, hair down and wild, naked as the day she was born. Maybe that was part of her allure. She could be so elegant and almost aloof in public, and so incredibly sensual and volatile in private.
“I don’t think there are any planes at this time of night,” he said regretfully. “Can’t even hop a train. I could rent a car…if you’re really needy.”
“You’re good. Very good.”
“No, what I am is—”
“Never mind,” she said, laughing again. “You know you can’t rent a car in Florida and be here that quickly. And I have to—have to—tie up a few things here tomorrow and then head up right after. That will give us a week before the actual big day. Time so I can see my folks and so we can give the Leisure Channel a really good show.”
“I can be there, if you want.” He wondered if he should tell her that he wasn’t in Florida. Maybe he’d better leave that one for Josh.
He was silent for a moment. Yes, there were other women in the world, he knew that well. The fingers of his free hand tensed and eased, tensed and eased. But none like her.
“Aye, me love, at ye olde pub!” he said, giving her his best Irish accent. “If you insist that we wait that long.”
“You’d really drive all night…?”
“I would.”
“I’d rather have you alive in the future than dead in such an effort,” Moira said firmly. “Boston, night after next, Kelly’s Pub, you’ll meet the folks. I’ll see you there?”
“All right,” he told her. Then, though he had expected it, he found himself dreading the fact that they would all be in Boston together. He, Moira, her family, her past—and the future. “I love you,” he added, and he was surprised by the almost desperate ardor in his voice.
“I love you, too,” she said, and he believed her.
A few moments later, they rang off.
Though it was late and he was still exhausted, Michael found himself rising and getting dressed. He glanced at the clock. Not that late; just after midnight.
He dressed and left the hotel room.
His destination was within easy walking distance. Boston was a good city in that respect. Narrow, winding streets in the old section and even in the newer areas. There was little distance here between the colonial and the modern. He liked Boston. Great seafood. A sense of history.
He walked quickly and came to the street he had checked out earlier that day. There, in the middle of the block, beneath a soft yellow streetlight, was the sign.
Kelly’s Pub.
He stood there, staring at it.
And damning the days to come.
The doors were still open, though it looked quiet within. Weeknight. He thought about sauntering in, quietly ordering a draft, sitting in a corner, taking a look.
No.
At twelve-thirty, he turned and walked away.
Twelve forty-five.
From the shadows cast by the long buildings, another man watched Michael McLean leave the premises. He hadn’t really seen his face, had never known the man previously, but even so, he was fully aware of who he was.
Dan O’Hara watched the man thoughtfully until he had disappeared. He had avoided the streetlight on the opposite side of the block and therefore had hardly been even a dark silhouette in the night.
He leaned against the old building. With the street clear, he lit a cigarette, slowly allowing the smoke to filter out of his lungs. Bad habit. He needed to quit, he thought idly. So that was Michael. He didn’t have enough basis for any rational judgments, but by virtue of instinct, he disliked the guy. But then, Moira could be seeing a Nobel Peace Prizewinning certified saint and he would still dislike the guy.
He had to force himself to hold back any conclusions on Michael McLean. He couldn’t even blame the guy for wanting a good look at the pub.
Kelly’s. Dan loved the place himself.
How long had he been gone this time? Too long. Of course, last time he had come back, things had been different. No Moira.
How many times had he pushed her away? Doing the right thing, of course. At first she’d been too young. Then, even when they’d become lovers, he’d just known that he was wrong for her. Yet he hadn’t realized that he still lived with the belief that she was his, that she would still be there. He truly wanted her to be happy, but he wasn’t a man without an ego. Somewhere inside, he had believed that happiness for her would mean waiting for him.
Okay, so he was an ass.
An ass…yet he had done the right thing. She was a strong character, with a sense of the world, of right and wrong and everything that being an American meant. He hadn’t been able to help it; he was Irish. An Irishman who loved America, but who felt…
Obligated.
Was he always going to feel obligated?
Hell, was he going to survive?
He thought angrily of how much he didn’t like what was going on, and there seemed to be no help in the knowledge that it wasn’t his fault. He’d never put any of this into motion, but there wasn’t a damn thing he could do.
Moira was coming home. He’d talked to Katy Kelly on the phone today, and she’d been in heaven, knowing that she would have her whole family home and in one place for the special holiday. She was also a little nervous. “She’s been seeing a man, one her da and I have yet to meet,” Katy had informed him, trying to keep her disapproval out of her voice.
“He’s probably a great guy,” Dan had told her. “She’s grown up a smart woman, Katy, you know that. You should be proud.”
“He’s in television, too. Working for her and Josh.” Katy had sighed. “Now Josh…there’s a good man.”
“A fine man.” Danny could say so easily. He liked Moira’s partner. And the fellow was married, was truly a friend and had never had an intimate relationship with Moira.
“Well, this new fellow is Irish.”
“Oh? And what’s his name.”
“Michael. Michael McLean.”
“Well, there you go. What more can you ask for?”
Katy sighed again. “Well, I suppose…for you two to have married, Danny.”
“Ah, Katy. We were going different ways. Besides, I wasn’t meant for marriage.”
“I think you were.”
She had gone on to insist that it wouldn’t matter that Moira and her crew would be there—the back room of the pub was his, as it always was when he came to Boston. And yes, Moira knew that he was coming.
A strange sense of nostalgia stole over him. This place really was home to him, certainly as much as any other. His early years seemed a very long time ago. Living with his uncle, he had traveled a great deal. Brendan O’Toole, his mother’s brother, who had married a cousin of Katy Kelly, had been a scholar and broker for antique manuscripts. He had given Dan his first love of literature. Of the written word and the power within it. He’d been a storyteller, another talent he had passed on to Dan. His house in Dublin had been home, but they’d been on the go constantly. Dan had seen many foreign countries, and he had spent a great deal of time in America. He did love the States.
And after any length of time away, he missed this old place.
It was time for him to be there. He could go on in. But he had said he was arriving in the morning. He would wait. No reason to tell the folks that he had been in Boston a bit before checking in with them.
Aye, he would wait.
As he stood there against the building, he saw another man striding down the street. He wore a huge overcoat and a low-brimmed hat. Nothing odd in that. Boston could be frigid this time of year.
But this man approached the pub oddly; then, as Dan had done himself, he paused, staring at the windows.
He stood there for a long time. Dan dropped his cigarette to the ground and remained still, watching the watcher.
The man was peering through the windows, trying to see who was in the pub.
Apparently he didn’t see the person—or people—he was seeking, because after a long moment, he turned away and started down the street again, back in the direction from which he had come.
Nothing odd in that. A guy out to find friends at a pub, taking a look for them, realizing they weren’t there, deciding to leave.
Nothing odd in that.
Except that the man in the huge coat and low-brimmed hat was Patrick Kelly, son of the owners of Kelly’s Pub.
Dan lit another cigarette, feeling a new tension, as if rocks were forming in his gut.
He waited awhile longer, then hiked up the collar of his coat and started off down the street, as well.
Moira seldom paused to window-shop; she was usually running somewhere, and besides, she had been in New York a long time. She still loved the beautiful displays that were put out for holidays, and she appreciated the fact that she could buy almost anything in the world in the city where she lived and worked. She loved clothes, but she also loved a day when she could take the time to try on outfits, go through a zillion pair of shoes, driving salesmen crazy.
But that morning, walking toward the new French restaurant in the Village where she was to meet the lady from Maine to discuss their taping schedule, she found herself stopping to stare at an incredible Saint Patrick’s showcase. The stores usually had out all their Easter wares along with their Saint Patrick’s Day items. This particular window had been done with real love. There were shamrocks everywhere, arranged artfully. A field of lovely porcelain fairies had been hung to fly above a rainbow with the traditional pot of gold at the end. Finely carved leprechauns with charming faces were set around the rainbow, as if they were busy at daily tasks. The leprechaun in the middle sat on a pedestal, facing a fairy on another pedestal. The fairy was exquisite, poised on one toe, with wings painted the colors of the rainbow. Pausing without realizing it, she stared at the fairy, charmed. She realized that it was a music box.
She glanced quickly at her watch and decided she had time to take a closer look. She went into the store, not surprised to discover that the shop owner was the cashier, that she still carried a bit of an Irish accent and that she was delighted with Moira’s interest in the item.
“My mother would absolutely love that piece,” Moira told her, and asked the price.
It was high, but the woman quickly explained. “The piece is one of a kind. The fairies and leprechauns, you see. The porcelain fairies are limited, but the carved pieces are handcrafted by two brothers in Dublin. Each is individual, and signed. I believe they’ll be very popular in the future, but it’s not the fact that they may be highly collectible one day that makes them so dear. It’s the time taken for the work that goes into each one.”
“I hate to ask you to take it out of the window.”
“Oh, no, dear, I love the darling little things. Please, it’s my pleasure, even if you don’t buy. You seem to truly appreciate the art of it.”
Moira assured her that she did, indeed. And when the woman took the piece from the window and put it before her, she found that it was even more beautiful than she had thought. The carving of the face was exquisite. The fairy created a feeling that was totally ethereal. She was simply magical. All that is good and enchanting about the Irish people, Moira thought.
“I’ll take her,” Moira said.
“Don’t you wish to hear her play?” the woman asked, twisting the key at the bottom of the small pedestal.
“Sure, thank you. What song does she play?”
The woman laughed softly. She allowed her accent to deepen as she jokingly said, “Why, besure and begorrah, dear. She plays ‘Danny Boy.’ You know, ‘Londonderry Air.”’
The little fairy began to spin, to fly on her pedestal. The music tinkled out, charming, beautiful, sweet, the haunting melody familiar and yet light, different.
“Danny Boy.” Of course. What else? There were so many beautiful old Irish tunes, but naturally this box would play “Danny Boy.”
“Is something wrong?” the woman asked.
“No, she’s lovely, thank you so much. I’ll definitely buy her for my mum.”
“I’ll wrap her very carefully for you.”
“Thanks so much.”
As Moira waited, she realized that she would be spending the next week listening to “Danny Boy.” Might as well get used to it now.
“Are you sure there’s nothing wrong, dear?”
“Not at all. In fact, I’d like both of those little stuffed leprechauns, please. They’ll make cute little gifts for my nieces. Then I need something for a boy.”
“I have a small, hand-held video game just in. Banshees against fairies, with the leprechauns being the chance factor, some of them good, some of them bad.”
“Sounds perfect,” Moira said. “Thank you so much.”
Tomorrow she was going home. And suddenly, here in this shop, anticipation mingled with her dread.
Kelly’s Pub was already in full nightly swing when Dan O’Hara emerged from the back room of the tavern, the guest quarters, where he had been staying. The pub band, Blackbird, was already playing a mixture of old and new Irish music with a bit of American pop thrown in here and there. He knew all the members from way back.
It was the first time he had come into the pub during opening hours, and he was ready for the greeting he knew he would receive.
“And there he is!” Eamon Kelly called from behind the bar. “The best and brightest of you lot of reprobates, Mr. Daniel O’Hara.”
“Hey, Danny, how are you?” asked old Seamus.
“Danny boy, you’re back in town!” Liam McConnahy said.
The lineup at the bar was made up of Eamon’s longtime friends, some old country, some born and bred in the USA. He recognized Sal Costanza, an old school chum who had grown up in the Italian sector along the North Shore. Eamon Kelly had created his own little Gaelic empire here, but he was a good-hearted, friendly fellow, with a keen interest in everyone around him and—usually—a nose for a decent character in any man. But now Dan didn’t like what was happening here. He would have done anything in his power to keep Kelly’s Pub and the Kellys themselves out of what was happening. But things had been set in motion; he had no choice. Whatever was going down had been given the code name Blackbird, and that could only refer to Kelly’s Pub.
Hell, a Kelly could be involved.
“Back in town,” Dan said easily, embracing both old Seamus and Liam, then shaking hands with the others as each man spoke a quick greeting.
“So,” Seamus said, his thick, snow-white brows rising over cloudy blue eyes, “have you been hanging around back in the old country or gallivantin’ around the States?”
“A bit of both,” Dan said.
“You’ve been in Ireland recently?” Liam asked. He had the same cap of white hair as Seamus, except that his was thinning now.
“That I have,” Dan said.
“The Republic—or the North?” Seamus asked, a slight frown denoting his worry.
“A bit of both,” Dan said. “Eamon, how about a round for my old friends at the bar? It’s good to see them again. Sal, how’s it going in the pasta business in Little Italy? I’ve been hankering for a taste of your mom’s lasagna. No one makes it as good as she does.”
Sal answered, and Dan kept smiling, nodding in reply to the thanks he received for the round of drinks. But as he engaged in the banter at the bar, he looked around the room. Though the band was in action at one end, the scene remained fairly quiet. An attractive young couple, with either his or her parents, were having dinner at a center table. A group just off from work—probably from the IBM offices or the bank around the corner—huddled around a couple of tables near the band, winding down from their nine-to-five workday. Patrick Kelly was in. Eamon’s son, tall, with a head full of dark hair touched by a reddish sheen. He was a good-looking fellow, on stage now with the band, playing along with the violinist. He saw Daniel and gave him a wave and a grin, beckoning to him. Daniel nodded and smiled in return, motioning that he would join them all soon. Patrick nudged Jeff Dolan, lead guitarist and group leader, and Jeff, too, nodded Dan’s way.
Still scanning the room, Dan saw a lone man in a business suit seated at a far corner table, a darkened table. A stranger. Dan had the feeling the man was surveying the occupants of the pub, just as he was doing himself.
“What are you drinking yourself?” Eamon asked him.
“What’s he drinking?” Seamus said indignantly. “Give him a whiskey and a Guinness!”
“Now, Seamus, I’m in the grand old USA,” Dan protested. “A Bud Lite on draft, if you will, Eamon. It may prove to be a long night—back with a party of Boston’s black sheep!”
“How’s the place look, Danny?” Liam asked. “You miss it when you’re away?”
“Why, the pub looks just fine, and old friends look even better,” Dan replied. He lifted the stein Eamon had brought him. “Slainte! To old times, old friends.”
“And to the old country!” Eamon declared.
“Aye, to the old country,” Dan said softly.
The sky was overcast when Moira’s shuttle from New York to Boston made its initial descent for landing. Even so, she stared out the window for a bird’s-eye view of the city where she had grown up, and which she still loved so much. Coming home. She was excited; she loved her family dearly. They were all entirely crazy, of course. She was convinced of that. But she loved them and was happy at the prospect of seeing them.
But then…then there was this whole Danny thing.
The plane landed. She was slow to take off her seat belt and slow to deplane. No one was picking her up; she had made the last-minute decision to take an earlier shuttle than the rest of the cast and crew, who would be taking the last flight. When the people in the seats behind her had filed out, she grabbed her overnight bag and walked out, thanking the flight attendant and the pilots, who were waiting for her exit to leave themselves.
Outside Logan, she hailed a taxi. Once seated, she realized that the driver, a young man of twenty-something with a lean face and amber eyes, was staring at her by way of the rearview mirror.
“You’re Moira Kelly!” he said, flushing as she caught his eye.
“Yes.”
“In my cab! Fancy that. You just travel on a regular plane and get in a regular taxi?”
“Seems to be the best way to get around,” she told him, smiling.
“You mean you don’t have a private jet and a limo waiting?” the man demanded.
She laughed. “I don’t have a private jet at all, though sometimes we do hire private cars.”
“And no one recognizes you—and hounds you?”
“I’m afraid that all of America doesn’t tune in to the Leisure Channel. And even those who do don’t necessarily watch our show.”
“Well, they should.”
“Thank you. Very much.”
“What are you doing in Boston?”
“I’m from here.”
“Wow. Right. And you’re Irish, right? Are you home to see family, or are you going to film stuff here?”
“Both.”
“Wow. Well, great. Hey, it’s a privilege. If you need more transportation while you’re here, call me. I’ve got the cleanest cab in the city. I grew up here, too. I know the place backward and forward. No charge, even. Honest.”
“I’d never take advantage that way of anyone making a living,” Moira said. “But give me your card, and I promise when we need transportation we’ll call you.” In fact, he did seem to be a good driver. Boston’s traffic was as crazy as ever. There was always construction; the freeway was as often as not a stop-and-go place. Once they were out of the tunnel and off the highway, the streets were narrow and one-way. And then there were the traffic circles…. The old character and ultra-thin roadways were part of the charm of the city—and the bane of it, as well.
The young man kept his right hand solidly on the steering wheel and slipped her a card with his left hand.
“Hey, I’m Irish, too.”
“Your name is Tom Gambetti.”
He grinned at her in the rearview mirror. “My mom is Irish, Dad is Italian. Hey, this is Boston. There are lots of us living on pasta and potatoes! Both your folks are Irish?”
“Oh, Lord, yes!” Moira laughed.
“Right off the old potato boat, eh?”
“Something like that,” she said, then leaned forward, pointing. “There it is—Kelly’s Pub.”
The street was narrow. Though both corners held large new office buildings, the rest of the block still had a lot of old character. The building that housed the pub was two stories, with a basement and an attic. It dated from Colonial days, as did many of its nudged-in neighbors. An old iron tethering pole remained in front, from the days when the country’s forefathers had come to knock back a pint or two. Kelly’s Pub was lettered on an attractive board above the door, and there were soft friendly lights issuing from lamps on either side. When the weather was warm, tables spilled onto the narrow enclosed patio in front. There were two windows in the front, as well; they were closed now, in deference to the winter, but within the pub, the lace-edged curtains were drawn back so that passersby could see the welcoming coziness to be found inside.
“Want your suitcase right in the pub?” Tom asked.
“No, thanks, just on the sidewalk. I’m going upstairs first.”
“I’ll be happy to take it up for you,” he suggested.
She shook her head. “No, thanks. I appreciate it, but—”
“But a homecoming is best alone,” he said.
She paid him as he set her bag down. “Thanks. And I will call you if we need transportation.”
“You may not have to call me. It looks like a great pub.”
“It is,” she murmured, listening to the laughter and music coming from within. “It’s everything a pub is supposed to be. Céad mile fáilte.”
“What does that mean?”
She looked at him, smiling wryly. “A hundred thousand welcomes.”
“Nice. Well, good luck. I’ll be seeing you.”
“Thanks.”
He got in his car and drove away, it seemed regretfully. Nice kid, she thought. Then she hefted her suitcase and started up the outside stairs that led to the family living quarters above the thriving business.
Her mother was a model of domesticity. The porch beside the front door of the home area was set with white wicker café tables, and the canvas overhang was clean as a whistle, even in the dying days of winter. Moira set her case down by the door and knocked, her fingers colder than she had realized inside her gloves. Knocking was easier than trying to find her key.
The door opened. Her mother was there, taking one look at her face and giving her the kind of smile that would have made a trek halfway around the world worthwhile. “Moira Kathleen!” And then, though Katy Kelly was thin as a reed and two inches shorter than Moira’s five feet eight, she enveloped her daughter in a fierce hug with the strength of a grizzly.
“Moira Kathleen, you’re home!” Katy said, stepping back at last, hands on her hips as she surveyed her daughter.
“Mum, of course I’m home. You knew I was coming.”
“Seems so long, Moira,” Katy said, shaking her head. “And you look like a million.”
Moira laughed. “Thanks, Mum. Good genes,” she said affectionately. Her mother was a beautiful woman. Katy didn’t dye the tendrils of silver threading through her auburn hair. God was granting her age, in her words. A head full of silver wasn’t going to matter. Katy was trim from moving a thousand miles an hour every day of her life. Her eyes were the green of her old County Cork, and her face had a classical beauty.
“Ah, sweetie, I miss you so!” Katy said, kissing her. “It’s been so long.”
“Mum, we’re just heading into Saint Patrick’s day. I spent Christmas here. And we all did First Night in the city together, remember?”
“Aye, and maybe it’s not so long, but your brother, Patrick, you know, manages to get back at least once a month, he does.”
“Ah, yes, my brother. Saint Patrick,” Moira murmured.
“Now would you be mocking the likes of your brother?” The question came from behind Katy. Moira looked past her mother to see her grandmother standing there, Granny Jon. On a good day, Granny Jon might be considered an even five feet. At ninety something—no one, including Granny Jon, was quite sure what year she’d been born—she was still as straight as a ramrod and spry as a young girl. Her keen sense of humor sparkled in hazel eyes as she playfully accosted Moira.
“And there—the heart of Eire herself!” Moira laughed, stepping forward to hug her grandmother. As she hugged Granny Jon, she felt the old woman shake a little. Spry and straight she might be, but her grandmother was still a tiny mass of delicate bones, and Moira adored her. She’d given Moira leprechauns and legends, wonderful tales about the banshees being tricked or bribed to go away, and then, when she’d been older, true tales of the fight for freedom for the Irish through long years of mayhem throughout history. She was keen and wise and had seen the battlefield of her city torn to shreds, yet had somehow maintained a love for all the humanity around her, a glorious sense of humor, and a sound judgment regarding both politics and people.
“Why, Moira, you haven’t aged a day,” Granny Jon teased. “Katy, have a heart now. The girl is out there doing us proud. And she is living in New York, while Patrick has stayed in the state of Massachusetts.”
“Um. As if western Mass weren’t nearly as far away as New York City,” Katy said.
“But it hasn’t the traffic,” Granny Jon said.
“Then there’s my evil younger sister,” Moira teased, rolling her eyes.
Katy inclined her head with a wry smile for the two of them. “Well, then, Colleen has gone as far as the west of the entire country now, hasn’t she? And she’d never even consider not being here for Saint Patrick’s Day.”
Moira sighed. “Mum, I’m here, and I’m even bringing in the non-Irish for you to convert,” Moira told her.
“Ah, now, ’tis enough,” Katy said. “We’ll give you a quick cup of tea. Granny Jon was just brewing—”
“And it will be strong enough to pick itself up and walk itself right across the table, eh?” Moira said, teasing her grandmother and putting on her accent.
“We’ll have none of that,” Granny Jon said. “And I do make a good pot of tea, a real pot of tea, nothing wishy-washy about it. And what have we here?”
The main entry to the living quarters was a foyer, with the kitchen—a very large room with added warmth in winter from the oven—and a hallway leading to the bedrooms, library and office straight ahead. Moira hadn’t heard a thing, but when she looked beyond Granny Jon, she saw three little heads bobbing into sight.
Patrick and his wife, Siobhan, had nearly repeated her parents’ pattern of procreation; their son Brian was nine and daughters Molly and Shannon were six and four respectively.
“Hey, guys!” Moira called delightedly, hunching down on the balls of her feet and putting her arms out for the kids. They came running to her with whoops and hollers, kissing her, hugging her.
“Auntie Mo,” Brian said. As a baby, he’d never quite gotten her name right. She’d been Auntie Mo to the kids ever since. “Is it true we’re going to be on the telly?”
“On the telly? Oh, dear, you’ve been hanging around the Irish too long, me lad!” she teased. “Yes, of course, if you wish, you’ll be on the telly.”
“Cool!” Molly told her.
“Cool!” Shannon repeated, wide-eyed.
“Oh, yes, all the kids at the preschool will be talking!” Moira said, ruffling her nieces’ hair. Brian was almost a Mini-Me of her brother, with his hazel eyes and deep auburn hair. The girls had acquired their mother’s soft true-blond hair and huge blue eyes. Leave it to Patrick. They were wonderful children, well-behaved without being timid, full of personality and love. Chalk that all up to Siobhan, Moira thought. Her sister-in-law was a doll. Patrick…well, as Granny Jon had once said, he could fall into a mire of cow dung and come up smelling like roses. She adored her brother, of course. She just wished he didn’t manage to go his own way all the time and still wind up appearing to be the perfect child on every occasion. He should have been a politician. Maybe he would be one day. He’d gotten his law degree and now practiced in a tiny town in western Massachusetts, where he also owned land, kept horses and a few farm animals and still maintained a home that always seemed as beautifully kept as something out of Architectural Digest. Business frequently brought him to Boston, where, naturally, he always stopped in to see his parents.
Her brother had married well, she decided. She knew Siobhan, née O’Malley, had taken a chance with Patrick after his wild days in high school, but apparently the chance had paid off. They both seemed happy and still, after ten years of marriage, deeply in love.
“Cool, cool, cool, Auntie Mo!” Shannon repeated.
“Cool. I like that. Good American slang term,” Moira said seriously.
Her mother let out a tsking sound. “Now, Moira, if you can’t hold on to a few traditions…”
“Mum! I adore tradition,” she said.
“And you, you little leprechauns!” Katy chastised the children. “It’s nearly nine. You’re supposed to be asleep now. You’ve gotten to see Auntie Mo, now back in bed.”
“Ah, Nana K!” Brian protested.
“I’ll not have your mother telling me I can’t handle her poppets in my old age,” Katy said. “’Tis back in bed with you. Off now.”
“Wait! I’ll take full responsibility! One more hug each,” Moira said. The girls giggled; Brian was more serious. She kissed their cheeks, hugged them tightly one more time.
“Auntie Mo has to go down and see your father—and Granda,” Katy said. “Besides, she’ll be here for the week, like the lot o’ you. And she’s promised to get you on the telly, so you’ll be needing your sleep.”
Brian nodded seriously.
“We don’t want bags under your eyes,” Moira teased, then winked. Brian’s lips twitched in a smile, and he gave his grandmother a rueful glance. “And,” she added, “I have presents for all three of you. So if you go back to bed right now, you’ll get them first thing when I see you in the morning,” she promised.
“Presents?” Molly said happily.
“One apiece!” Moira said, laughing. “Now, like Granny Katy has told you, back off to bed! And sound asleep. Or the Auntie Mo fairy—just like Santa and the tooth fairy—will know that you’ve been awake, and no present beside the teacup in the morning!”
Her mother gazed at her and rolled her eyes. Moira grimaced, then laughed.
“Night, Auntie Mo,” Brian said. “Come on, girls.” He led them toward the bedrooms.
Molly tugged on his hand and stopped him. “Granny Jon,” she said seriously. “There aren’t really any banshees around tonight, are there?”
“Not a one,” Granny Jon said.
“No monsters at all!” Brian said firmly.
“Not in this house! I’ll see to it. I’m as mean as any old banshee,” Granny Jon said, her eyes alight.
The kids called good-night again and went traipsing off down the hall. Moira rose and stared at her grandmother sternly. “Now, have you been telling tales again?”
“Not on your life! They spent the day watching ‘Darby O’Gill and the Little People.’ I’m entirely innocent,” her grandmother protested with a laugh. “And you, young lady, you’d best get downstairs to the pub. Your father will be heartbroken if he hears you’ve been here all this time and haven’t been to give him a hug.”
“Patrick, Siobhan and Colleen are down there?” Moira asked.
“Siobhan’s off to see her folks, but your brother and sister are both downstairs,” Katy said. “Get along with you.”
“Wait, wait, let her have a sip of her tea before they ply her with alcohol,” Granny Jon protested, bringing a cup to Moira. Moira thanked her with a quick smile. No one made tea like Granny Jon. Not cold, not scalding. A touch of sugar. Never like syrup, and never bitter.
“It’s delicious, Granny Jon,” Moira said.
“Then swallow it down and be gone with you,” her mother said.
She gulped the tea—grateful that it wasn’t scalding.
“I’ll put your bag in your room—give me your coat, Moira Kathleen,” Katy said. “Take the inside stairs down. You know your father will be behind the bar.”
“I’ll be rescuing the teacup,” Granny Jon said dryly.
Moira slid obediently out of her coat and handed it to her mother. “I’ll take my bag, Mum. It’s heavy.”
“Away with you, I can handle a mite of luggage.”
“All right, all right, I’m going. ‘So happy you’re here, now get out,”’ she teased her mother.
“’Tis just your father, girl,” Katy protested.
“How is he?” she asked anxiously.
Her mother’s smile was the best answer she could have received. “His tests came out well, but he was told that he must come in without fail for a checkup every six months.”
“He’s working too hard,” Moira murmured.
“Well, now, that was my thought, but the doctors say that work is good for a man, and sitting around and getting no exercise is not. So he got all the permission he needed to keep right on running his pub, though the Lord knows, he has able help.”
“I’m going down right now to see him.”
Her mother nodded, pleased.
Moira gave both her mother and grandmother another kiss, then started through the foyer to the left; there was a little sitting room there, and a spiral staircase that led down to a door at the foot of the stairs that opened to the office and storage space behind the polished oak expanse of the bar, where she would find the rest of her family—and all the mixed emotions that coming home entailed.