Читать книгу Movie Bliss: A Hopeless Romantic Seeks Movies to Love - Heidi Rice - Страница 16

Directed by Norman Jewison

Starring:

Steve McQueen as Thomas Crown

Faye Dunaway as Vicki Anderson

Paul Burke as Eddie Malone

Jack Weston as Erwin

Biff McGuire as Sandy

I adore Steve McQueen. He is the King of Cool for a very good reason. The ultimate movie bad boy, he oozes tough, rugged sex appeal in all his movies, even the rubbish ones. But I’ve always thought that The Thomas Crown Affair is his sexiest screen appearance. A romantic-heist-thriller wrapped in stylish sixties chic and packed with enough sexual tension to blow anyone’s socks off—it’s as cool and sexy today as it was in 1968.

The plot has Steve’s bad-boy billionaire pulling the ‘perfect’ heist, because he’s bored. A dark mix of the smouldering Presents guy and the cool KISS hero, financier Thomas Crown is a man who doesn’t need any more money. But having made his millions, legitimate business no longer challenges him, so he starts seeking his thrills elsewhere. What he hasn’t counted on after his latest heist, though, is getting a few more thrills than he bargained for when Faye Dunaway’s smart, savvy and uber-sexy insurance investigator is sicced on his tail. Because Faye, you see, is the perfect KISS heroine. With a brilliant mind that matches Crown’s, not to mention amazing legs and a razor-sharp women’s intuition, Faye immediately pinpoints Steve as the thief, and thus begins a tantalising game of cat and mouse (where we’re never quite sure who’s the cat and who’s the mouse) as they use all the weapons in their arsenal to come out on top (pun fully intended, folks!).

McQueen is brilliantly cast in this movie—he’s superslick on the surface, completely gorgeous but with a dangerous edge, which means that while Faye’s getting the goods on him, she’s also in danger of losing the battle for her heart. Not least because he’s losing his heart to her, too.

But what also makes this movie work so well is that Faye Dunaway is McQueen’s absolute equal—as prepared to use sex to get what she wants as he is. At a time when women’s lib was just starting to come into its own, Dunaway’s ambitious, stylish career woman forced to choose between a hefty pay cheque and the man she has fallen in love with is a feminist icon to be proud of…right up to that bittersweet ending.

And let’s not forget all the lashings of sixties style: ‘The Windmills of Your Mind’ theme song, Steve’s drainpipe suits, Faye’s Mary Quant–like minidresses, dune buggies, polo matches, the gleeful overuse of gimmicky split-screen photography and the sexiest chess match ever put on film—when Faye decides to put the moves on Steve’s consummate player and wins. I have to admit, I totally ripped off that smokin’ hot chess game in my third book, The Tycoon’s Very Personal Assistant, when I had my hero and heroine play strip poker. What can I say? It inspired me.

I should give the stylish nineties Pierce Brosnan/Rene Russo remake an honourable mention here, because it’s also very watchable, but for me, the sixties original is the real deal—and wins the cool-and-sexy stakes hands down. And that’s despite the appearance of Mr Brosnan’s exceptionally pert nekkid butt in The TCA version II!