Читать книгу The Complete Ingo Chronicles: Ingo, The Tide Knot, The Deep, The Crossing of Ingo, Stormswept - Helen Dunmore - Страница 11

Next morning I wake up late to the smell of cooking. Dad’s in the kitchen, frying mushrooms in the big black pan. He’s whistling softly through his teeth. Mum’s banging knives into the drawer.

“He didn’t come home until eight this morning,” Conor whispers to me.

The atmosphere in the kitchen is thick with anger. Conor and I retreat into the living room with a bowl of cereal each. As we eat, they start to quarrel again. Their voices grow loud. “Are you crazy, Mathew, taking that boat out at night alone when you’d been drinking?”

“I didn’t take the boat out.”

“Don’t lie to me. I can smell the sea on you. Look at the wet on your clothes. It wasn’t enough to risk your neck climbing down those rocks in the dark, you had to take the boat out too. I haven’t slept a wink. Are you out of your mind?”

Dad’s voice crashes back. “I know what I’m doing. I’m in no danger. Are you going to stay on land for the rest of your life, Jennie? If you’d only come with me—”

His voice breaks off. He’s angry with Mum, too, just as much as she’s angry with him. But why? Dad knows Mum hates the sea. She never goes out in the boat, and for once I’m glad of it. It makes me shiver to think of them both away out there on the sea, on the dark water. So far away that even if I called as loud as I could, they’d never hear me.

“You know why I won’t come,” says Mum. “I’ve got good reason to keep away from the sea.” Her voice is full of meaning. We’re so used to the idea that Mum hates the sea and won’t go near it that we don’t ask why, but suddenly I want to know more.

“Conor, why won’t Mum ever go out in the Peggy Gordon?” I whisper. It’s always, always been Dad who takes me and Conor out on the sea, and Mum who stays at home. Conor shrugs, but suddenly I see in his face that he knows something I don’t.

“Conor! You’ve got to tell me. Just because I’m the youngest, no one ever tells me anything.”

“They didn’t exactly tell me, either.”

“But you do know something.”

“I heard them talking one day,” says Conor reluctantly. “Mum was saying that she was going to cook a saddle of hare for Sunday dinner.”

“Hare! Yuck! I’m not eating that.”

“Yeah, that’s exactly what Dad said. He said it was bad luck to eat a hare. So Mum said she didn’t care, she wasn’t superstitious. Dad said she was the most superstitious person he’d ever met in his life. And Mum said, Only over one thing, Mathew. And I’ve got a good reason to fear the sea.”

“What did she mean? What good reason?”

“I asked Dad later. I said they were talking so loud I couldn’t help overhearing. He wasn’t going to tell me, and then he did. He said a fortune-teller had told Mum’s fortune once, and after that she’d never gone out on the sea again. It was years ago, but she never has. Not once.”

“What do you think the fortune-teller said?”

“Dad wouldn’t tell me. It must have been something really bad, though.”

“Maybe the fortune-teller said that Mum would die by drowning.”

“Don’t be stupid, Saph. A fortune-teller wouldn’t ever say that to someone. You’re going to drown, that’ll be ten pounds please.”

“But she must have told Mum something terrible. Mum wouldn’t stop going in boats for the rest of her life otherwise—”

“Saph, please don’t go on about it or I’ll wish I hadn’t told you. And don’t let them know you know. Dad said not to tell you in case you got scared.”

Mum and Dad’s voices rise again. Why do they have to argue so much? I hardly ever quarrel with Conor.

“I’m going in to make some toast,” says Conor. “That’ll stop them.”

“I’ll come with you.”

Mum and Dad are standing by the stove. They go quiet when they see us, but the air prickles with all the bad things they’ve said. Sometimes I think that if adult quarrels had a smell, they would smell like burned food. Dad’s mushrooms are shrivelled up and black. He sees me looking at them, and he picks up the pan and scrapes the burned mushrooms into the pig bin.

What a waste. I love mushrooms.

The next night Conor and I bike up to see his friend Jack. We stay longer than we mean to, because Jack’s Labrador bitch has three puppies. We haven’t played with them before, because they’ve been too little, but now they’re seven weeks old. Jack lets us hold one each. My puppy is plump and wriggly and she sniffs my fingers, licks them, and makes a hopeful whining sound in the back of her throat. She is so beautiful. Conor and I have always wanted a dog, but we haven’t managed it yet.

“You are the most beautiful puppy in the whole world,” I whisper to her, holding her close to my face. She has a funny little folded-down left ear, and soft, inquisitive brown eyes. If I could choose one of the puppies, it would be her. She wrinkles her nose, does a tiny puppy sneeze, and then snuggles in under my chin. I feel as if she’s chosen me already.

Poppy, the pups’ mother, she knows us, so she doesn’t mind us playing with them. She stays near, though, looking pleased and proud and watchful. Every time a pup tries to sneak away to explore, Poppy fetches it back and drops it in the basket. I love the way Poppy makes her mouth soft to pick up the pups by the scruff of their neck.

We forget all about the time. When we remember, it’s getting late and we have to rush.

“Come on, Saph. Mum’s going to kill me if we’re any later!”

Conor’s up ahead, racing. My bike’s too small for me and I have to pedal like crazy, but it still won’t go fast. When Conor gets a new one, I’ll have his old one. Dad says maybe at Christmas Conor will get his new bike.

“Wait for me!” I yell, but Conor’s away in the distance. At the last bend he waits for me to catch up.

“You are so slow,” he grumbles, as we bike the final downhill stretch side by side.

“I’m just as fast as you are, it’s only my bike that’s slow,” I say. “If I had your bike…” Conor’s already told me he’ll paint his old bike for me when he gets a new one, and I can keep the lights. He’ll paint it any colour I like.

We reach the gate where the track goes down past our cottage. Ours isn’t the only cottage here, but our neighbours are set far apart. At night we can see the lights from the other cottages’ windows, shining out against the dark hillside. Our cottage is closest to the sea.

“Look, there’s Mum. What’s she doing?” asks Conor suddenly.

Mum has climbed to the top of the stile opposite our cottage. She’s standing there, outlined against the light of the sunset. She strains forward, as if she’s looking for something.

“Something’s wrong,” says Conor. He drops his bike on the side of the track and starts to run. I drop mine too, but its handlebars get tangled up with Conor’s bike. I stop to sort out the bikes and prop them against the wall. I want to run to Mum, but I also don’t want to. I hang back. I have a cold feeling in my heart that tells me that Conor is right. Something is wrong. Something has happened.

This is when the long night begins. The longest night of my life so far, even though it’s summer and the nights are short.

None of us goes to bed. At first we all sit together in the kitchen, round the table, waiting. Sometimes I start to fall asleep. My head lolls and then I lurch out of sleep just before I tip off my chair. Mum doesn’t notice, and she doesn’t send me to bed. She watches the door as if any moment it will open, and Dad will be back.

“Dad often takes the boat out this late,” Conor keeps saying stubbornly, as the clock moves on. Ten o’clock. Eleven o’clock.

“Not like this,” says Mum. Her lips barely move. I know that she’s right, and so does Conor. Something’s wrong. When Dad goes fishing he usually goes with Badge or Pete. He does go on his own sometimes, but he never, ever just disappears without telling us where he’s going. We help him load up the boat and often we watch him go out on the tide.

But this time Dad has said nothing. He was working in the garden all afternoon. Mum heard him singing. She went to lie down for half an hour, because she was so tired from not sleeping the night before. She must have fallen asleep. When she woke the sun was low. She called to Dad, but no one answered. She went down the track and called again but everything was still. Our neighbour, Mary Thomas, came out.

“Is something wrong, Jennie?” she asked. “I heard you calling for Mathew.”

“No, nothing’s wrong,” said Mum. “It’s just I don’t know where he is. Maybe he’s working on the boat. I’ll go down to the mooring and check.”

Imagine Mum going all the way down to the cove, so near to the sea. She must have been scared, but she did it. She slipped on a rock as she climbed down, and cut her hand on mussel shells and got blood all over her jeans. She went down as far as she dared, until she could see that there was no boat tied up at the mooring place. The tide was high, just on the turn. Mum called and called again even though she was sure by now that Dad wasn’t there. She couldn’t stop herself calling.

“I had a feeling that Mathew was nearby. He was trying to get to me, but he couldn’t.”

Mum doesn’t tell us all this as we sit around the kitchen table. Much later that night, when she’s told us to go upstairs and get some sleep, we sit on the stairs and listen to her talking to Mary Thomas, telling her all the things she hasn’t told us – about calling Dad, and thinking he was nearby, but he couldn’t get to her.

Dawn comes, and Dad’s still not back. Mary Thomas is with Mum in the kitchen. Conor and I are still sitting on the stairs, waiting and listening. I must have fallen asleep, because suddenly I wake up with Conor’s arm round me. I’m stiff all over. My head hurts and the heavy frightened feeling inside is stronger than ever.

Mum said Dad would be back in the morning. But it’s morning now, and he’s not here. There’s a murmur of voices through the closed kitchen door, and we strain to make out what Mum’s saying.

“I don’t know what to do now, Mary!” she says, and we can hear the fear and panic in her voice. I wait for Mary to tell her to relax and calm down, because Dad’s been out in that boat a million times and no harm has ever come to him. But Mary doesn’t. Morning light creeps into our cottage, and Mary says, “Maybe we should call the coastguard now, Jennie.”

“Come on Saph,” says Conor. He stands up, and his face suddenly looks much older. We push through the kitchen doorway, and Mum stares at us as if she’s forgotten who we are. She looks awful.

Mary says to Conor, “I was saying to your mum, Conor, that maybe it’s time to call the coastguard now. It’s not like your father to go off like this and leave your mother worrying. There’s enough light to search by. If he’s out there fishing, there’s no harm done if the coastguard happens by. I’ll get the phone for you now, Jennie.”

Mum phones, and everything begins. Once it starts you can’t stop it. I’m still clinging to the hope that the police and the coastguard will say we’re being stupid to bother them. Take it easy, your dad’ll be fine. Wait a while and he’ll turn up. But they don’t.

The coastguard Jeep comes bouncing down the track. People talk into radios and mobiles. The police crowd into the kitchen, filling it with their uniforms.

Neighbours knock on the door. Mary goes out to talk to them, quietly, so that none of us will hear her telling the story over and over again. There are mugs of tea on the kitchen table, some empty, some half full. People start bringing sandwiches and cakes and biscuits until there’s so much food I think it’ll never get eaten I can’t eat anything. I try to swallow a biscuit and I choke, and Mum holds a glass of water to my mouth while I sip and splutter. Mum’s face is creased with fear and lack of sleep.

The old life of me and Dad and Mum and Conor has stopped like a clock. Another life has begun. I can hear it ticking: your dad has gone, your dad has gone, your dad has gone.

The sun shines brightly, and it’s getting warm. Conor stays downstairs with Mum but I go up to my bedroom and wrap the duvet tight around me and shut my eyes and try to bring Dad back. I shut out all the sounds of people in the kitchen below, and concentrate. If you love someone so much, how can he not hear you when you call to him?

“Dad,” I say, “Dad. Please. Please come home. Can you hear me, Dad? It’s me, Sapphy. I won’t let Mum be angry with you if you just come home.”

Nobody. Nothing. All I can hear is the rushing sound of my own blood, because the duvet is wrapped around my ears.

“Dad, please…”

I sit up, cold all over, and strain my ears for the two things I want to hear more than anything else in the world. One is the beating of Dad’s heart, as I heard it when he was carrying me down from the Midsummer Fire. The other is his voice rising up in the summer air, singing O Peggy Gordon.

O Peggy Gordon, you are my darling,

Come sit you down upon my knee…

My name’s not Peggy, I used to say when I was little. Come and sit on my knee anyway, Dad always answered, and he’d cup his hands under my elbows and swoop me up to sit on his lap and I would bounce and laugh and he would laugh back and bounce me higher and higher until Mum told him to stop before I was sick. But she wasn’t ever angry then. She was laughing too.

If only time would go back, like the tide. Back and back, past yesterday, past the night before. Back when the bonfire wasn’t lit, back to when none of this had happened. And then we could all start again…

The coastguard search up and down the coast, but they find nothing. All that day they search, all the next day and the one after. A helicopter comes down from the air-sea rescue. It flies low and hammers the air, searching coves and cliffs.

After two days Conor explains to me that they are now scaling down the search. He tells me what that means. It means that if Dad is in the sea, or on the cliffs, they don’t believe that they’ll find him safe any more. Too much time has passed. The helicopter stops flying, and there are only neighbours in our kitchen now, instead of police and coastguards and volunteer searchers. And then the neighbours go back to their own lives, except for Mary.

A few days later Mum says she thinks it’s better if we both go back to school. It isn’t doing us any good, staying in the cottage and waiting, always waiting.

Five weeks later a climber on the cliffs miles down the coast sees something. It’s the hull of the Peggy Gordon, wedged upside down between the rocks. He reads the name on it. The coastguards go down, and a team of divers searches the area. There is no sign of Dad. Finally, they pull the boat off the rocks and tow it into shore, so they can examine it thoroughly and find out what caused the accident. But the boat doesn’t give a single clue.

Mum says to us, “We have to accept it now. Your Dad had an accident.”

“No!” says Conor, slamming his fists on the table. “No, no, no. Dad wouldn’t lose the Peggy Gordon like that, on a calm night. That’s not what happened.” He bangs out of the house and gets his bike and disappears. I think he goes up to Jack’s. Anyway he comes home late, and when he creeps into my room to climb up his loft ladder, I’m already half asleep.

“Conor?”

“Ssh.”

“It’s all right. Mum’s asleep. She’s been—”

“Crying?”

“No. Just sitting, not looking at anything. I hate it when she does that.”

“I know.”

“Conor, where’s Dad?”

I’m still half asleep, or I’d never ask that question. How can Conor know, when nobody knows? The question just slips out. But Conor doesn’t get angry. He tiptoes over and kneels by my bed.

“I don’t know what happened, Saph. But he’s not drowned. I’m sure of it. We’d know if he was drowned. We’d feel it. We’d feel a difference, if he was dead.”

“Yes,” I say. Relief floods me. “You’re right. I don’t feel as if he’s dead either.”

Conor nods. “We’re going to find Dad, Saph. However long it takes. But you mustn’t tell Mum. Swear and promise.”

“Swear and promise,” I answer, and I spit on my right palm and Conor spits on his, and we slap our palms together. After that I sleep.

They hold a memorial service for Dad in the church. Mum explains that we can’t have a proper funeral, because Dad’s body hasn’t been found. It hasn’t been found because there isn’t a body to find. Dad isn’t dead, I think to myself, and I know Conor is thinking the same thing.

Everyone comes to the memorial service in dark clothes, with sad faces.

“Oh Jennie, Jennie dear,” they say, and they put their arms round Mum. Some women kiss me, even though I don’t want them to. Conor stands there frowning, with his arms folded so no one will dare to kiss him. Conor’s angry because everybody’s flocking to the memorial service like sheep, believing that Dad’s dead, even though no one has found his body. Most people think that Conor is being brave, for Mum’s sake.

“You’re the man of the house now, Conor,” says Alice Trewhidden in her creaky old voice. “Your mother’s lucky that she’s got a son to take care of her.” Alice only likes boys, not girls. In fact girls practically don’t exist in Alice’s eyes.

“Conor has his own life to live, Alice,” says Granny Carne sharply. I didn’t see Granny Carne arrive, but suddenly she’s there, tall and strong and wild-looking. People fall back a little, to give her room, out of respect. Everyone shows respect to Granny Carne, as if she’s a queen. “Conor has his own choices to make,” Granny Carne goes on. “None of us can make them for him.”

Grumpy, sharp-tongued Alice Trewhidden says nothing back. She just mumbles under her breath and shuffles off sideways like a crab to find the best seat. She’s not exactly scared of Granny Carne, but she doesn’t want to cross her. Nobody does.

I’m surprised that Granny Carne has come to the memorial service. I’ve never seen her inside the church before. Everybody else looks surprised too. Heads bob round to look at her as she comes in, and murmurs fly around the cool, echoing space.

Look who’s here!

Who?

Granny Carne. Can’t remember the last time we saw her inside the church.

“I never seen her inside this church in my life, and that’s going back many years,” mutters Alice Trewhidden.

Granny Carne doesn’t go far inside the church today. She stands by the open door at the back, watching and listening. Maybe she hears all the mutters and murmurs, but she takes no notice. She wears her usual shabby old earth-coloured clothes, but her poppy-red scarf is the brightest thing in the church.

Granny Carne is tall and forbidding. People are still pushing their way into the crowded church, and they glance sideways at her as they come in, and a lot of them nod respectfully, just the same way as they nod to the vicar. The thought of Granny Carne being like the vicar makes my lips twitch.

Granny Carne catches me looking at her. The faintest smile crosses her face. Suddenly I feel a flicker of hope and courage in the dark sadness of the church.

Who is Granny Carne? Why is she different from everyone else?

I remember asking Dad that, when I was about seven. We were sitting on the beach on a day of flat calm, and Dad was skimming stones on the water with a flick of his wrist. Just Dad and me, on our own. The stones hopped on the silky smooth water. One jump, two, four, six jumps—

“Dad, who is Granny Carne? Why do they call her that when she’s not anyone’s real granny?”

“Some say she’s a witch,” answered Dad.

“I know,” I said. I’d heard that in the playground. “But there aren’t real witches now, are there?”

“Who knows?” said Dad. “She has power in her, that’s for sure. If you want to put a label on it, you could call it witchcraft. Or you could call it magic.”

“Does she do spells, Dad?”

“Out of a great big spell book, do you mean?”

“Or she might know them off by heart.”

“She might. She has earth magic in her. That’s why she’s so strong, old as she is.”

“How old is she, Dad?”

Dad shrugged. “She’s always been as old as she is now. If you ask her how old she is she’ll say she’s as old as her tongue and a little bit older than her teeth. Maybe she’s been old for ever.”

“Are you scared of her, Dad?”

“No, I’m not scared. There are two sorts of magic, Sapphy. I’d say that Granny Carne’s magic is mostly benign.”

“What does that mean?”

“That her magic does good, rather than harm. Most of the time.”

“Not all the time?”

“Magic’s wild. You can’t put a harness on it, or make it do what you want. Even the best magic can be dangerous.”

I remember being very surprised that Dad talked about magic as if it was a real thing. I knew that most grown-ups didn’t believe it was.

“Always show respect to Granny Carne, Sapphy,” said Dad. “If you do that, and you don’t cross her, she’ll be a good friend to you. She’s always been a good friend to me. Never whisper about her behind her back, like ignorant people do. You think she doesn’t know, but she does.”

Benign. Dad thought that Granny Carne’s magic was benign. I didn’t even know what the word meant then, but much later I looked it up in a dictionary. Characterised by goodness, kindness, it said. I thought about good magic, and wondered what Granny Carne’s magic was really like.

And here she is at Dad’s memorial service, dressed in earth colours and red like flame, not in best black like all the others crowding into the church. Her face is deep brown from wind and sun, and her eyes are yellow amber, like an owl’s.

Is there such a thing as owl magic? Maybe Granny Carne is really an owl, changed to a human and sailing high above the church and then swooping down on us. Owls are strong and powerful and wise, but they can tear you with their claws. Mostly benign, Dad said. Her owl-eyes are piercing and full of light, as if they can see everything you try to hide.

People have come to the church from miles around, in their dark clothes. Mum and Conor and I sit in the front pew. No one except the vicar can see our faces.

The choir sings, but no one has a voice as good as Dad’s. I remember what Dad said about wanting to sing in the open air, instead of inside the church, in the choir. If Dad was here, he wouldn’t stay. He’d slip out of the open back door. He’d wink at Granny Carne as he went. I nearly laugh when I think of Dad escaping from his own memorial service, but I stop myself.

Oh hear us when we cry to thee

For those in peril on the sea…

They sing this hymn because it’s the hymn for sailors and fishermen, and they believe that Dad has drowned.

And ever let us cry to thee

For those in peril on the sea…

Mum doesn’t sing. She stares straight ahead as the song swells louder. Her lips are pressed so tightly together that there’s no colour in them. If you didn’t know Mum was sad, you’d think she was furiously angry. She often looks like that since Dad went. It’s such a slow, gloomy, droning hymn. Dad would hate it. He likes music to have life in it.

I close my eyes, and shut my ears to the church hymn. I strain to listen to a different music. Yes, I can almost believe that I hear Dad’s voice:

I wish I was away in Ingo

Far across the briny sea,

Sailing over deepest waters…

Maybe that’s where Dad has gone, sailing over deepest waters. He’s away in Ingo, wherever Ingo is. That’s where we’ll find him. If I can just catch one note of his voice, I’ll be able to follow it. I’ll follow a single thread of his voice, to where Dad is.

The hymn ends. People cough and rustle as they sit down, cramming themselves into the tight pews. Fat Bridget Demelza is spilling over the edge of the pew and into the aisle. I turn to Conor and whisper, “We’ll find him, won’t we, Conor?”

“Yes,” whispers back Conor. “Don’t worry, Saph. Let them get on with their memorial service if it makes them happy. It doesn’t mean Dad’s dead. I know we’ll find him.”

We’ll find Dad in Ingo, I tell myself. In Ingo, however long it takes. We’ll find Dad, however hard it is.

No, I am not going to cry. I tip my head back so the tears that are swelling in my eyes will not fall. They run down the back of my throat and into my mouth, tasting of salt. I swallow them. Dad’s still alive. He wouldn’t want me to cry.