Creative Evolution

Creative Evolution
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"Creative Evolution" by Henri Bergson (translated by Arthur Mitchell). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Оглавление

Henri Bergson. Creative Evolution

Creative Evolution

Table of Contents

INTRODUCTION

FOOTNOTES:

CHAPTER I

FOOTNOTES:

CHAPTER II

FOOTNOTES:

CHAPTER III

FOOTNOTES:

CHAPTER IV

FOOTNOTES:

INDEX

Отрывок из книги

Henri Bergson

Published by Good Press, 2019

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Thus our personality shoots, grows and ripens without ceasing. Each of its moments is something new added to what was before. We may go further: it is not only something new, but something unforeseeable. Doubtless, my present state is explained by what was in me and by what was acting on me a moment ago. In analyzing it I should find no other elements. But even a superhuman intelligence would not have been able to foresee the simple indivisible form which gives to these purely abstract elements their concrete organization. For to foresee consists of projecting into the future what has been perceived in the past, or of imagining for a later time a new grouping, in a new order, of elements already perceived. But that which has never been perceived, and which is at the same time simple, is necessarily unforeseeable. Now such is the case with each of our states, regarded as a moment in a history that is gradually unfolding: it is simple, and it cannot have been already perceived, since it concentrates in its indivisibility all that has been perceived and what the present is adding to it besides. It is an original moment of a no less original history.

The finished portrait is explained by the features of the model, by the nature of the artist, by the colors spread out on the palette; but, even with the knowledge of what explains it, no one, not even the artist, could have foreseen exactly what the portrait would be, for to predict it would have been to produce it before it was produced—an absurd hypothesis which is its own refutation. Even so with regard to the moments of our life, of which we are the artisans. Each of them is a kind of creation. And just as the talent of the painter is formed or deformed—in any case, is modified—under the very influence of the works he produces, so each of our states, at the moment of its issue, modifies our personality, being indeed the new form that we are just assuming. It is then right to say that what we do depends on what we are; but it is necessary to add also that we are, to a certain extent, what we do, and that we are creating ourselves continually. This creation of self by self is the more complete, the more one reasons on what one does. For reason does not proceed in such matters as in geometry, where impersonal premisses are given once for all, and an impersonal conclusion must perforce be drawn. Here, on the contrary, the same reasons may dictate to different persons, or to the same person at different moments, acts profoundly different, although equally reasonable. The truth is that they are not quite the same reasons, since they are not those of the same person, nor of the same moment. That is why we cannot deal with them in the abstract, from outside, as in geometry, nor solve for another the problems by which he is faced in life. Each must solve them from within, on his own account. But we need not go more deeply into this. We are seeking only the precise meaning that our consciousness gives to this word "exist," and we find that, for a conscious being, to exist is to change, to change is to mature, to mature is to go on creating oneself endlessly. Should the same be said of existence in general?

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