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We will now consider a small miscellaneous selection of cutting-out puzzles, varying in degrees of difficulty.

146.—AN EASY DISSECTION PUZZLE.

First, cut out a piece of paper or cardboard of the shape shown in the illustration. It will be seen at once that the proportions are simply those of a square attached to half of another similar square, divided diagonally. The puzzle is to cut it into four pieces all of precisely the same size and shape.

147.—AN EASY SQUARE PUZZLE.

If you take a rectangular piece of cardboard, twice as long as it is broad, and cut it in half diagonally, you will get two of the pieces shown in the illustration. The puzzle is with five such pieces of equal size to form a square. One of the pieces may be cut in two, but the others must be used intact.

148.—THE BUN PUZZLE.

The three circles represent three buns, and it is simply required to show how these may be equally divided among four boys. The buns must be regarded as of equal thickness throughout and of equal thickness to each other. Of course, they must be cut into as few pieces as possible. To simplify it I will state the rather surprising fact that only five pieces are necessary, from which it will be seen that one boy gets his share in two pieces and the other three receive theirs in a single piece. I am aware that this statement "gives away" the puzzle, but it should not destroy its interest to those who like to discover the "reason why."

149.—THE CHOCOLATE SQUARES.

Here is a slab of chocolate, indented at the dotted lines so that the twenty squares can be easily separated. Make a copy of the slab in paper or cardboard and then try to cut it into nine pieces so that they will form four perfect squares all of exactly the same size.

150.—DISSECTING A MITRE.

The figure that is perplexing the carpenter in the illustration represents a mitre. It will be seen that its proportions are those of a square with one quarter removed. The puzzle is to cut it into five pieces that will fit together and form a perfect square. I show an attempt, published in America, to perform the feat in four pieces, based on what is known as the "step principle," but it is a fallacy.

We are told first to cut oft the pieces 1 and 2 and pack them into the triangular space marked off by the dotted line, and so form a rectangle.

So far, so good. Now, we are directed to apply the old step principle, as shown, and, by moving down the piece 4 one step, form the required square. But, unfortunately, it does not produce a square: only an oblong. Call the three long sides of the mitre 84 in. each. Then, before cutting the steps, our rectangle in three pieces will be 84×63. The steps must be 10½ in. in height and 12 in. in breadth. Therefore, by moving down a step we reduce by 12 in. the side 84 in. and increase by 10½ in. the side 63 in. Hence our final rectangle must be 72 in. × 73½ in., which certainly is not a square! The fact is, the step principle can only be applied to rectangles with sides of particular relative lengths. For example, if the shorter side in this case were 61⁵/₇ (instead of 63), then the step method would apply. For the steps would then be 10²/₇ in. in height and 12 in. in breadth. Note that 61⁵/₇ × 84= the square of 72. At present no solution has been found in four pieces, and I do not believe one possible.

151.—THE JOINER'S PROBLEM.

I have often had occasion to remark on the practical utility of puzzles, arising out of an application to the ordinary affairs of life of the little tricks and "wrinkles" that we learn while solving recreation problems.

The joiner, in the illustration, wants to cut the piece of wood into as few pieces as possible to form a square table-top, without any waste of material. How should he go to work? How many pieces would you require?

152.—ANOTHER JOINER'S PROBLEM.

A joiner had two pieces of wood of the shapes and relative proportions shown in the diagram. He wished to cut them into as few pieces as possible so that they could be fitted together, without waste, to form a perfectly square table-top. How should he have done it? There is no necessity to give measurements, for if the smaller piece (which is half a square) be made a little too large or a little too small it will not affect the method of solution.

153.—A CUTTING-OUT PUZZLE.

Here is a little cutting-out poser. I take a strip of paper, measuring five inches by one inch, and, by cutting it into five pieces, the parts fit together and form a square, as shown in the illustration. Now, it is quite an interesting puzzle to discover how we can do this in only four pieces.

154.—MRS. HOBSON'S HEARTHRUG.

Mrs. Hobson's boy had an accident when playing with the fire, and burnt two of the corners of a pretty hearthrug. The damaged corners have been cut away, and it now has the appearance and proportions shown in my diagram. How is Mrs. Hobson to cut the rug into the fewest possible pieces that will fit together and form a perfectly square rug? It will be seen that the rug is in the proportions 36 × 27 (it does not matter whether we say inches or yards), and each piece cut away measured 12 and 6 on the outside.

155.—THE PENTAGON AND SQUARE.

I wonder how many of my readers, amongst those who have not given any close attention to the elements of geometry, could draw a regular pentagon, or five-sided figure, if they suddenly required to do so. A regular hexagon, or six-sided figure, is easy enough, for everybody knows that all you have to do is to describe a circle and then, taking the radius as the length of one of the sides, mark off the six points round the circumference. But a pentagon is quite another matter. So, as my puzzle has to do with the cutting up of a regular pentagon, it will perhaps be well if I first show my less experienced readers how this figure is to be correctly drawn. Describe a circle and draw the two lines H B and D G, in the diagram, through the centre at right angles. Now find the point A, midway between C and B. Next place the point of your compasses at A and with the distance A D describe the arc cutting H B at E. Then place the point of your compasses at D and with the distance D E describe the arc cutting the circumference at F. Now, D F is one of the sides of your pentagon, and you have simply to mark off the other sides round the circle. Quite simple when you know how, but otherwise somewhat of a poser.

Having formed your pentagon, the puzzle is to cut it into the fewest possible pieces that will fit together and form a perfect square.

156.—THE DISSECTED TRIANGLE.

A good puzzle is that which the gentleman in the illustration is showing to his friends. He has simply cut out of paper an equilateral triangle—that is, a triangle with all its three sides of the same length. He proposes that it shall be cut into five pieces in such a way that they will fit together and form either two or three smaller equilateral triangles, using all the material in each case. Can you discover how the cuts should be made?

Remember that when you have made your five pieces, you must be able, as desired, to put them together to form either the single original triangle or to form two triangles or to form three triangles—all equilateral.

157.—THE TABLE-TOP AND STOOLS.

I have frequently had occasion to show that the published answers to a great many of the oldest and most widely known puzzles are either quite incorrect or capable of improvement. I propose to consider the old poser of the table-top and stools that most of my readers have probably seen in some form or another in books compiled for the recreation of childhood.

The story is told that an economical and ingenious schoolmaster once wished to convert a circular table-top, for which he had no use, into seats for two oval stools, each with a hand-hole in the centre. He instructed the carpenter to make the cuts as in the illustration and then join the eight pieces together in the manner shown. So impressed was he with the ingenuity of his performance that he set the puzzle to his geometry class as a little study in dissection. But the remainder of the story has never been published, because, so it is said, it was a characteristic of the principals of academies that they would never admit that they could err. I get my information from a descendant of the original boy who had most reason to be interested in the matter.

The clever youth suggested modestly to the master that the hand-holes were too big, and that a small boy might perhaps fall through them. He therefore proposed another way of making the cuts that would get over this objection. For his impertinence he received such severe chastisement that he became convinced that the larger the hand-hole in the stools the more comfortable might they be.

Now what was the method the boy proposed?

Can you show how the circular table-top may be cut into eight pieces that will fit together and form two oval seats for stools (each of exactly the same size and shape) and each having similar hand-holes of smaller dimensions than in the case shown above? Of course, all the wood must be used.

158.—THE GREAT MONAD.

Here is a symbol of tremendous antiquity which is worthy of notice. It is borne on the Korean ensign and merchant flag, and has been adopted as a trade sign by the Northern Pacific Railroad Company, though probably few are aware that it is the Great Monad, as shown in the sketch below. This sign is to the Chinaman what the cross is to the Christian. It is the sign of Deity and eternity, while the two parts into which the circle is divided are called the Yin and the Yan—the male and female forces of nature. A writer on the subject more than three thousand years ago is reported to have said in reference to it: "The illimitable produces the great extreme. The great extreme produces the two principles. The two principles produce the four quarters, and from the four quarters we develop the quadrature of the eight diagrams of Feuh-hi." I hope readers will not ask me to explain this, for I have not the slightest idea what it means. Yet I am persuaded that for ages the symbol has had occult and probably mathematical meanings for the esoteric student.

I will introduce the Monad in its elementary form. Here are three easy questions respecting this great symbol:—

(I.) Which has the greater area, the inner circle containing the Yin and the Yan, or the outer ring?

(II.) Divide the Yin and the Yan into four pieces of the same size and shape by one cut.

(III.) Divide the Yin and the Yan into four pieces of the same size, but different shape, by one straight cut.

159.—THE SQUARE OF VENEER.

The following represents a piece of wood in my possession, 5 in. square. By markings on the surface it is divided into twenty-five square inches. I want to discover a way of cutting this piece of wood into the fewest possible pieces that will fit together and form two perfect squares of different sizes and of known dimensions. But, unfortunately, at every one of the sixteen intersections of the cross lines a small nail has been driven in at some time or other, and my fret-saw will be injured if it comes in contact with any of these. I have therefore to find a method of doing the work that will not necessitate my cutting through any of those sixteen points. How is it to be done? Remember, the exact dimensions of the two squares must be given.