Читать книгу Mary Wollaston - Henry Kitchell Webster - Страница 13

JOHN MAKES A POINT OF IT

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Mary was warmly touched by the thought of Wallace's coming to see her in that special sort of way when he was certain of finding her at dinner an hour or two later. Her feelings about him were rather mixed but he dated back to the very earliest of her memories, and his kindly affectionate attitude toward her had never failed, even during those periods when she had treated him most detestably. Even as a little girl, she had been aware of his sentimental attachment to her mother and perhaps in an instinctive way had resented it, though her actual indictment against Wallace in those days had always been that he made her naughty; incited her by his perpetual assumption that she was the angelic little creature she looked, to one desperate misdemeanor after another, for which her father usually punished her. Mary had, superficially anyhow, her mother's looks along with her father's temper.

But for two years after Mrs. Wollaston's death, she and Wallace had been very good friends. She was grateful to him for treating her like a grown-up, for talking to her, as he often did, about her mother and how much she had meant to him. (She owed it, indeed, largely to Wallace that her memories of this sentimental, romantic, passionless lady with whom in life she had never been completely in sympathy, were as sweet and satisfactory as they were.) He had taken infinite pains with her, guiding her reading and her enjoyment of pictures in the paths of good taste. He took her to concerts sometimes, too, though at this point her docility ceased. She wouldn't be musical for anybody. He gave her much-needed advice in dealing with social matters which her sudden prematurity forced her to cope with. And with all this went a placidity which had no part at all in her relations with her father.

She got the idea, during this period, that he meant, when she was a little older, to ask her to marry him, and she sometimes speculated whether, if he did, she would. There would be something beautifully appropriate about it;—like the Professor's Love Story. Usually, though, she terminated the scene with a tender refusal.

She had long known, of course, how unreal all this was. Wallace had faded into complete invisibility at the time when she fell in love with Captain Burch and quarreled with her father about him. She couldn't remember afterward whether he had even been on the scene or not. But the savor of their friendship, though mild, was a pleasant one and there was none of her old acquaintances she'd rather have looked forward to to-day at tea-time in the drawing-room. She knew exactly what he would be like; just what they would say to each other. The only doubt in her mind was whether he'd bring her chocolates or daffodils.

She guessed wrong. It was a box of candied strawberries that he gave her as soon as their double hand-shake set him free. But nothing else came at once to the surface to falsify her prevision. She remembered how he liked his tea and was able to get an affectionate warmth into her voice, that sounded real though strangely enough it wasn't, in agreeing with him how like old times this was and how good it seemed to be home. Then came the joy of having Rush back again, and the war, and the Peace Conference—only we weren't going to talk about things like that. And then Alan Seeger, Rupert Brooke, Conningsby Dawson.

But oddly enough, she felt herself going back to still older times, to the abominable little girl who had yielded to irresistible desires such as making faces at him and rubbing the nap of his silk hat the wrong way. She repressed, vigorously, this lawless vein. She was determined for this one day to be just as nice as he tried, so hard, to think she was. But with this resolution occupying her mind the talk presently ran rather thin, her contribution to it for whole minutes drying up entirely. It was after a rather blank silence that he said he supposed Paula was lying down, resting for to-night's performance. His inflection struck Mary as a little too casual and reminded her that it was his first mention of her stepmother's name. This roused her attention.

"Oh, Paula's off playing with Rush," she said. "I believe they went to a matinée."

He exclaimed at that, over Paula's stores of energy and her reckless ways of spending them. He said she gave him the impression of being absolutely tireless, superimposing a high speed society existence which John Wollaston and he, in relays, could hardly keep up with, upon the heavy routine of work in her studio. He illustrated this with a schedule of her activities during the last three days. "Oh, yes," he threw in, in parenthesis, "I'm as much in the family as ever. When your father can't do escort duty, they call on me." He added in conclusion that he was glad she had already made a start toward getting acquainted with Rush.

Was this relief, Mary wondered—at learning that she was not at this moment engaged less domestically somewhere with Anthony March? But she doubted whether this was a good guess. If he did feel any such relief, it was not, at all events, from a personal jealousy; for the illuminating conviction had come over her that Wallace could not possibly be one of Paula's conquests. A man still capable of cherishing as the most beautiful event of his life, that sentimental platonic friendship he had enjoyed with her mother, would be immune against Paula's spells.

She wondered if he wasn't a little afraid of Paula. If he did not, in his heart, actually dislike her. But if this were true, why did he willingly devote so many of his hours to squiring her about, substituting for her husband? (She told herself, as one discovering a great truth, that a substitute was exactly what Heaven had ordained Wallace Hood to be.) She kept him going about Paula easily enough, as a sort of obbligato to these meditations and her name was on Wallace's lips when John Wollaston came into the room.

"Where is she?" he asked Mary. "I hoped I'd find her resting for to-night." Evidently he had been up to her room to see. The relief was plainly legible in his face when he got Mary's answer.

"She and Rush, eh," he said. "I'm glad they've made a start together, but they ought to be back by now. They drove, didn't they?"

She couldn't inform him as to that and by way of getting him to come to anchor, offered him his tea.

"Oh, I'll wait for the others," he said. "They can't be much later than this.—I'm glad she's taken a vacation from those songs," he went on presently from the fireplace. "She told me last night she'd been working all day with Novelli over them. Only sent him home about half an hour before it was time for her to dress for dinner. Do you suppose,"—this to Wallace—"that they're as wonderful as she thinks they are?"

It was obvious to Mary that Hood's reply was calculated to soothe; his attitude was indulgent. He talked to Mary about March as just another of Paula's delightful extravagances. March's indignant refusal, at first, to tune the Circassian grand, his trick of sitting on the floor under Paula's piano while she played for him, his forgetting to be paid, though he had not, in all probability, a cent in his pockets, were exhibited as whimsicalities, such as Wallace's favorite author, J.M. Barrie, might have invented. It was just like Paula to take him up as she had done, to work away for days at his songs, proclaiming the wonder of them all the while. "We're all hoping, of course," he concluded, "that when she's finished with them to-night, she'll sing us some of the old familiar music we really love."

The neat finality of all this, produced, momentarily, the effect of ranging Mary on the other side, with Paula and her musician. But just at this point, she lost her character of disinterested spectator, for Wallace, having put March back in his box and laid him deliberately on the shelf, abruptly produced, by way of diversion, another piece of goods altogether.

"I hope Mary's come home to stay," he said to John. "We can't let her go away again, can we?"

Afterward, she was able to see that it was a natural enough thing for him to have said. It would never have occurred to him, pleasant, harmless sentimentalist that he was, that John's second marriage might be a disturbing factor in his relation with Mary and that the question so cheerfully asked as an escape from the more serious matter that he had been talking about, struck straight into a ganglion of nerves.

But at the time, no such excuse for him presented itself. She stared for a moment, breathless, paled a little and locked her teeth so that they shouldn't chatter; then, a wave of bright anger relaxed her stiffened muscles. She did not look at her father but was aware that he was fixedly not looking at her.

"I don't know whether I am going to stay or not," she said casually enough. "There isn't any particular reason why I should, unless I can find something to do. You haven't a job for me, have you?"

"A job?" Wallace gasped.

"In your office," she explained. "Filing and typing, or running the mimeograph. It seems to be a choice between something like that and—millinery."

"That's an extravagant idea," her father said, trying for, but not quite able to manage, a tone that matched hers. "Good lord, Wallace, don't sit there looking as if you thought she meant it!"

"You do look perfectly—consternated," she said with a pretty good laugh. "Never mind; I shan't do anything outrageous for a week or two. Oh, here they come. Will you ring, dad? I want some more hot water."

Rush came into the drawing-room alone, Paula having lingered a moment, probably before the mirror in the hall. Mere professional instinct for arranging entrances for herself, Mary surmised this to be. And she may have been right for Paula was not one of those women who are forever making minute readjustments before a glass. But when she came in, just after Wallace Hood had accomplished his welcome of the returned soldier, it was hard to believe that she was concerned about the effect she produced upon the group about the tea-table. She didn't, indeed, altogether join it, gave them a collective nod of greeting with a faint but special smile for her husband on the end of it and then deliberately seated herself with a "No, don't bother; this is all right," at the end of the little sofa that stood in the curve of the grand piano, rather in the background.

When Mary asked her how she wanted her tea, she said she didn't think she'd have any; and certainly no cakes. No, not even one of Wallace's candied strawberries. There was an exchange of glances between her and Rush over this.

"They have been having tea by themselves, those two," Mary remarked.

"No," said Rush, "not what you could call tea."

Paula smiled vaguely but didn't throw the ball back, did not happen, it appeared, to care to talk about anything. Presently the chatter among the rest of them renewed itself.

Only it would have amused an invisible spectator to note how those three Wollastons, blonde, dolichocephalic, high-strung, magnetically susceptible, responded, as strips of gold-leaf to the static electricity about a well rubbed amber rod, to the influence that emanated from that silent figure on the sofa. Rush, in and out of his chair a dozen times, to flip the ash from his cigarette, to light one for Mary, to hand the strawberries round again, was tugging at his moorings like a captive balloon. When he answered a question it was with the air of interrupting an inaudible tune he was whistling. John still planted before the fireplace, taking, automatically, a small part in the talk just as he went through the minimum of business with his tea, seemed capable of only one significant action, which he repeated at short, irregular intervals. He turned his head enough to enable him to see into a mirror which gave him a reflection of his wife's face; then turned away again, like one waiting for some sort of reassurance and not getting it. Mary, muscularly relaxed, indeed, drooping over the tea-table, had visible about her, nevertheless, a sort of supernormal alertness. Every time her father looked into the mirror she glanced at him, and she rippled, like still water, at all of her brother's sudden movements.

As for Wallace Hood, one look at him sitting there, as unresponsive to the spell as the cup from which he was sipping its third replenishment of tea, would have explained his domestication in that household;—the necessity, in fact, for domesticating among them some one who was always buoyantly upon the surface, whose talk, in comfortably rounded sentences, flowed along with a mild approximation to wit, whose sentiments were never barbed with passion;—who was, to sum him up in one embracing word, appropriate.

Mary, in addition to feeling repentant over her outbreak just before Paula came in, experienced a sort of gratitude to him for being able to sit squarely facing the sofa, untroubled by the absent thoughtful face and the figure a little languorously disposed that confronted him. His bright generalities were addressed to her as much as to the rest of them; his smile asked the same response from her and nothing more.

Mary Wollaston

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