Читать книгу Pictorial Composition and the Critical Judgment of Pictures - Henry Rankin Poore - Страница 2

Preface

Preface to Second Edition

Preface to Tenth Edition

Illustrations

PART I

CHAPTER I - INTRODUCTORY

CHAPTER II - THE SCIENTIFIC SENSE IN PICTURES

CHAPTER III - BALANCE

BALANCE OF THE STEELYARD.

POSTULATES

VERTICAL AND HORIZONTAL BALANCE.

THE NATURAL AXIS

APPARENT OR FORMAL BALANCE.

BALANCE BY OPPOSITION OF LINE.

BALANCE BY OPPOSITION OF SPOTS.

TRANSITION OF LINE.

BALANCE BY GRADATION

BALANCE OF PRINCIPALITY OR ISOLATION

BALANCE OF CUBICAL SPACE.

CHAPTER IV - EVOLVING THE PICTURE

CHAPTER V - ENTRANCE AND EXIT

GETTING INTO THE PICTURE

GETTING OUT OF THE PICTURE

CHAPTER VI - THE CIRCULAR OBSERVATION OF PICTURES

CIRCULAR COMPOSITION

RECONSTRUCTION FOR CIRCULAR OBSERVATION.

CHAPTER VII - ANGULAR COMPOSITION, THE LINE OF BEAUTY AND THE RECTANGLE

The Triangle.

THE VERTICAL LINE IN ANGULAR COMPOSITION

ANGULAR COMPOSITION BASED ON THE HORIZONTAL

THE LINE OF BEAUTY.

THE RECTANGLE

LINE

CHAPTER VIII - THE COMPOSITION OF ONE, TWO, THREE AND MORE UNITS

THE FIGURE IN LANDSCAPE

CHAPTER IX - GROUPS

CHAPTER X - LIGHT AND SHADE

PRINCIPALITY BY EMPHASIS, SACRIFICE, AND CONTRAST.

GRADATION

EQUIVALENTS

CHAPTER XI - THE PLACE OF PHOTOGRAPHY IN FINE ART

PART II - THE ÆSTHETICS OF COMPOSITION

CHAPTER XII - BREADTH VERSUS DETAIL

SUGGESTIVENESS.

MYSTERY.

SIMPLICITY.

RESERVE.

RELIEF.

FINISH.

PART III - THE CRITICAL JUDGEMENT OF PICTURES

CHAPTER XIII - THE MAN IN ART

CHAPTER XIV - SPECIFIC QUALITIES AND FAULTS

CHAPTER XV - THE PICTURE SENSE

CHAPTER XVI - COLOR, HARMONY, TONE

VALUES.

CHAPTER XVII - ENVELOPMENT AND COLOR PERSPECTIVE

CHAPTER XVIII - THE BIAS OF JUDGMENT

CHAPTER XIX - THE LIVING PRINCIPLE

APPENDIX

The Concept

The Procedure

Design

Line

The Vertical

The Horizontal

The Diagonal

Principality and Sacrifice

The Dominant Idea

Harmony

The Must Be's and May Be's of Composition

Perspective

Balance

Color

Tone

Quality

Don'ts