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ROME, 9 January.

Some months ago I met my old friend and school-fellow, Jozef Sniatynski, who for the last few years has occupied a prominent place among our literary men. In a discussion about literature Sniatynski spoke about diaries. He said that a man who leaves memoirs, whether well or badly written, provided they be sincere, renders a service to future psychologists and writers, giving them not only a faithful picture of the times, but likewise human documents that can be relied upon. He seemed to think that most likely the novel of the future would take the form of diary; finally he asserted that anybody who keeps a diary works for the common good, and does a meritorious thing.

I am thirty-five, and do not remember ever having done anything for my country, for the reason, maybe, that after leaving the University, my life, with slight intervals, was spent abroad. This fact, so lightly touched upon, has given me, in spite of all my scepticism, many a bitter pang; therefore I resolved to follow my friend's advice. If this indeed means work, with some kind of merit in it, I will try to be of some use in this way.

I intend to be perfectly sincere. I enter upon the task, not only because of the above-mentioned reasons, but also because the idea pleases me. Sniatynski says that if a man gets accustomed to put down his thoughts and impressions it becomes gradually one of the most delightful occupations of his life. If it should prove the contrary, then the Lord have mercy on my diary; it would snap asunder like a string too tightly drawn. I am ready to do much for my community; but to bore myself for its sake, oh, no! I could not do it.

Nevertheless, I am resolved not to be discouraged by first difficulties, and shall give it a fair trial. "Do not adopt any style; do not write from a literary point of view," says Sniatynski. Easier said than done. I fully understand that the greater the writer, the less he writes in a purely literary style; but I am a dilettante, and have no command over any style. I know from experience that to one who thinks much and feels deeply, it often seems that he has only to put down his thoughts and feelings in order to produce something altogether out of the common; yet as soon as he sets to work he falls into a certain mannerism of style and common phraseology; his thoughts do not come spontaneously, and one might almost say that it is not the mind that directs the pen, but the pen leads the mind into common, empty artificiality. I am afraid of this for myself, for if I am wanting in eloquence, literary simplicity, or picturesqueness, I am not wanting in good taste, and my own style might become distasteful to myself, and thereby render my task impossible. But this I shall see later on. I begin my diary with a short introductory autobiography.

My name is Leon Ploszowski, and I am, as I said before, thirty-five years of age. I come from a wealthy family which has been able to preserve its fortune. As to myself I shall not increase it, and at the same time I am not likely to squander it. My position is such that there is no necessity for me to enter into competition with struggling humanity. As to expensive and ruinous pleasures, I am a sceptic who knows how much they are worth, or rather, knows that they are not worth anything.

My mother died a week after I was born. My father, who loved her more than his life, became affected with melancholia. Even after he recovered from this, at Vienna, he did not wish to return to his estates, as the memories associated with them rent his very soul; he left Ploszow under the care of his sister, my aunt, and betook himself in the year 1848 to Rome, which, during thirty-odd years, he never left once, so as to be near my mother's tomb. I forgot to mention that he brought her remains to Rome, and buried her on the Campo Santo.

We have our own house on the Babuino, called Casa Osoria, from our coat of arms. It looks more like a museum than anything else, as my father possesses no mean collections, especially from the early Christian times. In these collections his whole life is now absorbed. As a young man, he was very brilliant in appearance as well as in mind; his wealth and name added to this, all roads were open to him, and consequently great things were expected from him. I know this from his fellow-students at Berlin. He was deeply absorbed in the study of philosophy, and it was generally believed his name would rank with such as Cieszkowski, Libelt, and others. Society, and his being a favorite in female circles, diverted him somewhat from scientific studies. In society he was known by the nickname of "Leon l'Invincible." In spite of his social success he did not neglect his philosophical researches, and everybody expected that some day he would electrify the world with a great work, and make his name illustrious. They were disappointed in their expectations.

Of the once so beautiful appearance there still remains up to this day one of the finest and noblest heads. Artists are of the same opinion, and not long ago one of them remarked that it would be difficult to find a more perfect type of a patrician head. As to his scientific career, my father is and remains a cultured and gifted nobleman-dilettante. I almost believe dilettantism to be the fate of all Ploszowskis, to which I will refer later on, when I come to write about myself. As to my father, there is in his desk a yellow manuscript about Triplicity in Nature. I perused it, and it did not interest me. I only remember a comparison between the transcendental belief of Christianity in the Father, the Son, and the Holy Ghost, and the natural triplicity of oxygen, hydrogen, and ozone, with many other analogous triplicities from absolute truth, goodness, and beauty, to the syllogism of the minor premise, the major premise, and the conclusion—a quaint mixture of Hegel and Hoene-Wronski, and utterly useless. I am quite convinced that my father did not intend to have it published, if only for the reason that speculative philosophy had failed in him even before it was set aside by the world. The reason for this failure was the death of my mother. My father, who in spite of his nickname, "Leon l'Invincible," and reputation of conqueror of hearts, was a man of deep feelings and simply worshipped my mother, put many terrible questions to his philosophy, and not obtaining either answer or comfort, recognized its utter emptiness in the presence of a great sorrow. This must have been an awful tragedy of his life, since it almost shattered its foundations—the brain and heart. His mind became affected, as I said before, and when he recovered he went back to his religious convictions. I was told that at one time he prayed night and day, knelt down in the street when he passed a church, and was carried away by his religious fervor to such an extent that he was looked upon by some as a madman, by others as a saint. It was evident he found more consolation in this than in his philosophical triplicities, for he gradually calmed down and began to lead a more rational life. His heart, with all his power for affection, turned towards me, and his aesthetic bent found employment in the study of early Christianity. The lofty, restless mind wanted nourishment. After his first year in Rome he took up archaeology, and by dint of hard study acquired a thorough knowledge of the antique.

Father Calvi, my first tutor and at the same time a great judge of Roman antiquities, gave him the final impulse towards investigation of the Eternal City. Some fifteen years ago my father became acquainted and subsequently on terms of friendship with the great Rossi, in whose company he spent whole days in the catacombs. Thanks to his extraordinary gifts he soon acquired such consummate knowledge of Rome as to astonish Rossi himself. Several times he began writing treatises on the subject, but never finished what he had begun. Maybe the completion of his collections took up too much of his time, but most likely the reason he will not leave anything behind him except his collections is that he did not confine himself to one epoch or any specialty in his researches. Gradually mediaeval Rome began to fascinate him as much as the first era of Christianity. There was a time when his mind was full of Orsinis and Colonnas; after that he approached the Renaissance, and was fairly captivated by it. From inscriptions, tombs, and the first traces of Christian architecture he passed to nearer times; from the Byzantine paintings to Fiesole and Giotto, from these to artists of the fourteenth and fifteenth centuries, and so on; he fell in love with statues and pictures; his collections certainly increased, but the great work in Polish about the three Romes remained forever in the land of unfulfilled intentions.

As to these collections my father has a singular idea. He wants to bequeath them to Rome under the condition they should be placed in a separate gallery named after him, "Museum Osoria Ploszowski." Of course his wishes will be respected. I only wonder why my father believes that in doing this he will be more useful to his community than by sending them to his own country.

Not long ago he said to me: "You perceive that scarcely anybody there would see them, and very few derive any benefit, whereas here the whole world can study them, and every individual that benefits thereby carries the benefit to other communities." It does not befit me to analyze how much family pride and the thought of having his name engraved in marble in the Eternal City has to do with the whole scheme. I almost think that such must be the case. As to myself, I am perfectly indifferent where the collections are to remain. But my aunt, to whom by the bye I am shortly going to pay a visit at Warsaw, is very indignant at the idea of leaving the collections out of the country, and as, with her, thought and speech go always together, she expresses her indignation in every letter. Some years ago she was at Rome, and they wrangled every day over the matter, and would have quarrelled outright had not the affection she has towards me subdued her temper.

My aunt is older than my father by several years. When my father, after his great sorrow, left the country, he gave up the Ploszow estate to her, and took instead the ready capital. My aunt has managed the property for thirty years, and manages it perfectly. She is of a rather uncommon character, therefore I will devote to her a few lines. At the age of twenty she was betrothed to a young man who died in exile just when my aunt was about to follow him abroad. From that time forth she refused all offers of marriage and remained an old maid. After my mother's death she went with my father to Vienna and Rome, where she lived with him, surrounding him with the tenderest affections, which she subsequently transferred to me. She is, in the full meaning of the word, une grande dame, somewhat of an autocrat, haughty and outspoken, with that self-possession wealth and a high position give, but withal the very essence of goodness and kindliness. Under the cover of abrupt manners she has an excellent and lenient disposition, loving not only her own family, as for instance my father and myself and her own household, but mankind in general. She is so virtuous that really I do not know whether there be any merit in it, as she could not be otherwise if she tried. Her charities are proverbial. She orders poor people about like a constable, and tends them like a Saint Vincent de Paul. She is very religious. No doubts whatever assail her mind. What she does, she does from unshaken principles, and therefore never hesitates in the choice of ways and means. Therefore she is always at peace with herself and very happy. At Warsaw they call my aunt, on account of her abrupt manners, le bourreau bienfaisant. Some people, especially among women, dislike her, but generally speaking she lives in peace with all classes.

Ploszow is not far from Warsaw, where my aunt owns a house in which she spends the winter. Every winter she tries to inveigle me there in the hope to see me married. Even now I received a mysteriously worded missive adjuring me to come at once. I shall have to go, as I have not seen her for some time. She writes that she is getting old and wishes to see me before she dies. I confess I do not always feel inclined to go. I know that my aunt's dearest wish is to see me married, therefore every visit brings her a cruel disappointment. The very idea of such a decisive step frightens me. To begin a new life when I am so tired of the old one! Finally, there is another vexatious element in my relations with my aunt. As formerly my father's friends looked upon him as a genius, so she persists in regarding me as one exceptionally gifted, from whom great things are to be expected. To allow her to remain of this opinion seems an abuse of her good faith; to tell her that nothing is to be expected from me would be a more likely conclusion, but at the same time inflict upon the dear old lady a cruel blow.

To my misfortune many of those near me share my aunt's opinion, and this brings me to the point of drawing a sketch of my own character, which is by no means an easy task, as my nature is rather a complicated one.

I brought with me into the world very sensitive nerves, nerves perfected by the culture of generations. During the first years of my childhood I remained under the care of my aunt; after her departure, according to the custom of our country, a nursery governess was engaged for me. As we lived in Rome, among foreign surroundings, and my father wished me to be well grounded in my own language, he engaged a Polish governess. She is still with us as housekeeper at Babuino. My father also bestowed some pains upon me, especially after my fifth year. I used to go to his room to talk with him, and this developed my mind prodigiously, too much so perhaps for my age. Later on, when his studies and archaeologic researches took up his whole time, he engaged a tutor, Father Calvi. This was an old man, with a mind and faith exceedingly serene. He loved art beyond everything. I believe religion even reacted upon him through its beauty. In the galleries before the old masters, or listening to the music in the Sistine Chapel, he lost himself altogether. There was nothing pagan in these feelings, as they were not based upon sybaritism or sensual enjoyment. Father Calvi loved art with the pure, serene feeling as maybe a Da Fiesole, a Cimabue, or Giotto loved it. And he loved in all humility, as he himself had no gifts that way. I could not say which of the fine arts he loved best, but I believe he leaned mostly towards harmony, which responded to the harmony of his own mind.

Whenever I think of Father Calvi, I am reminded at the same time of the old man that stands beside Raphael's Saint Cecilia listening intently to the music of the spheres.

Between my father and the priest sprang up a friendship which lasted unto the latter's death. It was he who confirmed my father in his archaeologic researches, especially about Rome. There was another bond between these two—their love for me. Both considered me as an exceptionally gifted child, and of a God knows what promising future. It strikes me at times that I formed for them a kind of harmony—a rounding of and completion to the world in which they lived; and they loved me with the same absorbing passion with which they loved Rome and its antiquities. Such an atmosphere, such surroundings, could not fail to impress my mind. I was brought up in an original way. With my tutor—sometimes with my father—I visited galleries, museums, villas, ruins, catacombs, and the environs of Rome. Father Calvi was equally sensitive to the beauties of nature and to those of art, and taught me at an early age to understand poetic melancholy. The Roman Campagna, the harmony of the arch-line on the sky of the arches in the ruined aqueducts, the fine tracery of the pines—I understood all this before I could read or had mastered the first rudiments of arithmetic. I was able to set English tourists right to whom the names of Carracci and Caravaggio caused confusion. I learned Latin early and without effort, from being familiar with the Italian language. I gave my opinion about Italian and foreign masters—which, however unsophisticated, made both my father and my tutor look at each other in astonishment. I did not like Ribera—there was too great a contrast of color in his pictures, and he frightened me a little; but I liked Carlo Dolce. In short, my tutor, my father, and his friends considered me a very prodigy; I heard myself praised, and it flattered my vanity. But, all the same, it was not the healthiest of educations; and my nervous system, developed too early, always remained very sensitive. It seems strange that these influences were neither so deep nor so lasting as might have been expected. That I did not become an artist is owing, may be, to a lack of gifts that way—although my drawing and music masters opined differently; but how was it that neither my father nor the priest was able to imbue me with that love of art for art's sake? Have I a feeling for art? Yes. Is art a necessity of my life? Yes, again. But they loved it; I only feel it as a dilettante; it is a necessity in so far as it complements every kind of pleasant and delightful sensation. It is one of my delights, but not an all-absorbing passion; I should not like to live without it, but could not devote my whole life to it.

As the schools at Rome left much to be desired, my father sent me to a college in Metz, where I carried off honors and prizes with very little effort. A year before the last term, I ran away to join Don Carlos, and with Tristan's detachment wandered for some time about the Pyrenees; until my father, with the help of the consul in Burgos, found me, and I was sent back to Metz to be duly punished. The penalty was not a heavy one, as my father and the teachers were secretly proud of my escapade. A brilliant success at the examinations quickly earned me a full absolution.

Among my schoolfellows, whose sympathies were naturally with Don Carlos, I henceforth passed as a hero; and as I was at the same time one of the foremost pupils, my position as the first at school was beyond dispute. I was growing up with the conviction that later on, in a larger sphere, it would be the same. This opinion was shared by my teachers and schoolfellows; and yet the fact is that many of my schoolfellows who at one time would not have dreamed of competing with me, occupy to-day in France high places in literary, scientific, and political spheres; whereas I, had I to choose a profession, should feel considerably perplexed. My social position is excellent. I possess independent means from my mother's side, shall inherit my father's fortune in time to come, and administer the Ploszow estate more or less wisely, as the case may be; but the very limitation of the work excludes all hope of distinguishing myself in life, or playing any prominent part in it.

I shall never be a great administrator or agriculturist; for though I do not mean to shirk my duties, I could not devote my whole life to them—for the simple reason that my aspirations aim much higher. Sometimes I ask myself whether we Ploszowskis do not delude ourselves as to our abilities. But if such were the case, the delusion would be only personal; other people, strangers, could not be deceived in the same way. Besides, I know that my father is an extraordinarily gifted man. As to myself, I will not enter more fully on the subject, as it might appear mere boastfulness; nevertheless I have the conviction that I could be something infinitely greater than I am.

For instance, at Warsaw (my father and my aunt wished me to enter the university there) Sniatynski and I were fellow-students. We both were drawn towards literature, and tried our hand at it. I do not say I was looked upon as the more gifted of the two, but the truth is that my work then was considered better and more promising than Sniatynski's. Sniatynski has for some years past occupied a prominent position in literature, and I am still the greatly promising Pan Ploszowski, of whom here and there people are wont to say: "If he would only take up something!"

Ah! there is the rub—"if he would!" But they do not seem to take it into account that one has to know how to will. I thought sometimes that if I had no means of subsistence I should have to work. Certainly I should have to do something in order to earn my bread; but even then I am firmly convinced I should not derive the twentieth part of advantage from my capacities. Besides, such men as Darwin or Buckle were rich; Sir John Lubbock is a banker; most of the known men in France are in easy circumstances. This proves that wealth is not a hindrance, but rather a help towards attaining a proper standing in the chosen field of labor. I confess that, as far as I am concerned, it has done me some service, as it preserved my character from many a crookedness poverty might have exposed it to. I do not mean by this that I have a weak character—although struggle for existence might have made it stronger; but still I maintain that the less stony the road, the less chance of a fall. It is not owing to constitutional laziness, either, that I am a nullity. I possess alike a great facility for acquiring knowledge, and a desire for it; I read much, and have a good memory. Perhaps I could not summon energy enough for a long, slow work, but the greater facility ought to serve instead; and besides, there is no urgent necessity for me to write encyclopedias, like Littré. He who cannot shine with the steady light of a sun might at least dazzle as a meteor. But oh! that nothingness of the past—the most probable nothingness of the future! I am growing peevish—and tired; and will leave off writing for to-day.

ROME, 10 January.

Last night, at Count Malatesta's reception, I heard by chance these two words: "l'improductivité Slave." I experienced the same relief as does a nervous patient when the physician tells him that his symptoms are common enough, and that many others suffer from the same disease. I have many fellow-sufferers, not only among other Slavs, a race which I know but imperfectly, but in my own country. I thought about that "improductivité Slave" all night. He had his wits about him who summed the thing up in two words. There is something in us—an incapacity to give forth all that is in us. One might say, God has given us bow and arrow, but refused us the power to string the bow and send the arrow straight to its aim. I should like to discuss it with my father, but am afraid to touch a sore point. Instead of this, I will discuss it with my diary. Perhaps it will be just the thing to give it any value. Besides, what can be more natural than to write about what interests me? Everybody carries within him his tragedy. Mine is this same "improductivité slave" of the Ploszowskis. Not long ago, when romanticism flourished in hearts and poetry, everybody carried his tragedy draped around him as a picturesque cloak; now it is carried still, but as a jaegervest next to the skin. But with a diary it is different; with a diary one may be sincere.

ROME, 11 January.

The few days which remain to me before my departure I will use in retrospects of the past, until I come to note down day after day the events of my present life. As I said before, I do not intend to write an autobiography; who and what I am, my future life will show sufficiently. I should not like to enter into minute details of the past—it is a kind of adding number to number, and a summing up. I always hated the four rules of arithmetic, and especially the first. But I want to have a general idea of the total, so as to have a clearer view of myself. Therefore I go on with the mere outline.

After having finished my studies at the university I went to an agricultural school in France. The work there was easy enough, but it had no special attraction for me. I did it as one who knows that this special branch of knowledge will be useful to him, but at the same time feels that he lowers himself to it and that it does not respond either to his ambition or his faculties. I derived a twofold gain from my sojourn there. Agriculture became to me familiar enough to protect me from being cheated by any agents or bailiffs, and it strengthened my frame so that it could withstand the life I later on led in Paris.

The years following I spent either in Koine or in Paris, not to mention short stays at Warsaw, where my aunt summoned me now and then in order to introduce me to some special favorite of hers with a view to matrimony.

Paris and its life attracted me greatly. With the truly excellent opinion I had then of myself, with more confidence in my intelligence and the self-possession an independent position gives, I still played a very unsophisticated part on this scene of the world. I began by falling desperately in love with Mademoiselle Richemberg of the Comédie Française, and absolutely insisted upon marrying her. I will not dwell now upon the many tragicomic imbroglios, as I am partly ashamed of those times, and partly inclined to laugh at them. Still later on it happened that I took counterfeits for pure gold. The French women, and for the matter of that, my own countrywomen, of whatever class and in spite of all their virtues when young, remind me of my fencing lessons. As the fencer has his hour of practice with the foils so as to keep his hand in, so women practise with sentimental foils. As a mere youth, fairly good looking, I was sometimes invited to a passage of arms, and as I took the matter seriously, received many a scratch. They were not mortal wounds and healed quickly. Besides, everybody has to pay for his apprenticeship in this world, especially in a world like that. My time of probation was, comparatively speaking, a short one. Then came a period one might call "la revanche." I paid back in the same coin, and if now and then I was still taken in, it was with my eyes open to the fact.

Myself of a good social standing, I came to know all shades of society, from the old legitimist circles, where I was not a little bored, to the new aristocracy created by the Bonapartes and the Orléanists, representing the society, perhaps not of Paris, but let us say, of Nice. Dumas the Younger, Sardou, and others, take thence their counts, marquises, and princes, who, without historical traditions, have titles and money in plenty, and whose principal aim is to enjoy life. I frequented their salons mostly for the sake of their female element. They are very subtle, the women there, with highly strung nerves always in search for new pleasures, fresh sensations, and truly void of any idealism. They are often as corrupt as the novels they are reading, because their morality finds no support either in religion or tradition. But it is a brilliant world all the same. The hours of practice with the foils are so long there that they look more like days and nights, and the weapons are dangerous sometimes, as they are not blunted. There too I received a few painful lessons until I got my hand in. It would be a sign of mere vanity and still more of bad taste to write about my successes, and I will only say this, that I tried to keep alive the tradition of my father's youth.

The lowest circles of this world slightly merge into the higher sphere of the great demi-monde. This demi-monde is far more dangerous than appears on the surface because it is not in the least commonplace. Its cynicism has a certain air of refinement and art. If I did not leave many feathers there it must be because my beak had acquired a certain curve and my claws had grown. Generally speaking of the life in Paris, a man who has passed through that mill feels rather exhausted, and what then of such as I, who leave only to go back again? It is only later on in life we begin to understand that triumphs like these are somewhat like the victories of Pyrrhus. My naturally strong constitution withstood this life, but my nerves are somewhat shattered.

Paris, though, possesses one superiority over other centres of civilization. I do not know of any other city in the world where the elements of art, science, and all kinds of human ideas seem to float in the air to be assimilated by the human brain. Almost unconsciously it imbibes not only the newest ideas in the sphere of intellect, but also loses some of its onesidedness, broadens out, becomes more civilized. I say again, civilized, because in Italy, Germany, and Poland, I met with brains and powerful brains too, but who would not recognize any light but their own, so onesided and barbarian that for one who did not want to sacrifice his own opinions, intercourse from an intellectual point of view was simply impossible.

In France and still more in Paris, similar manifestations have no existence. As a running stream smoothes and polishes the pebbles, rubbing them against each other, so the swift current of life rubs off the angles from the human mind. It is obvious that under such influences my mind became that of a civilized being, that can make due allowance for other people's opinions; I do not utter peacock cries when I hear of anything opposed to my views or something utterly new. It may be that such leniency and tolerance of all opinions leads finally to indifferentism and weakens the active principle in the human mind, but I could not be different now.

A certain mental current got hold of me and carried me along. If the social circles, salons, boudoirs, and clubs took up a considerable part of my time, they did not occupy it altogether. I made many acquaintances in the literary and artistic world, and lived their life, or rather I live it still. Prompted by innate curiosity I read very much, and as I have the faculty of assimilating what I read, I may say that I derived considerable benefit from it and am able to keep step with every intellectual movement of the time.

My consciousness of self is highly developed. At times I feel inclined to send that second self to the devil, that self which does not permit yielding to any sensation, but is always there, searching, criticising every action, feeling, delight, or passion. "Know thyself" may be a wise maxim, but to carry about one's self an ever watchful critic deadens the feeling, dividing as it were your soul in two parts. To exist in a state of mind like this is about as easy as for the bird to fly with one wing. Besides, selfconsciousness too much developed weakens the power of action. But for this, Hamlet would have made a hole in his uncle in the first act, and with the greatest composure taken possession of the throne.

As far as I am concerned, it sometimes protects me or saves me from heedless slips, yet more often tires me, preventing absolute concentration upon one point of action. I carry within me two beings—the one that protests and criticises, the other leading only half a life, losing gradually all power of decision. I am afraid I shall never free myself from that yoke; on the contrary, the more my mind expands, the more minute will be the knowledge of self, and even on my deathbed I shall not leave off criticising the dying Ploszowski unless disease has fogged my brain.

I must have inherited from my father a synthetic mind, because I always try to generalize matters, and for that reason science attracts me more than philosophy. In my father's time philosophy embraced no more nor less than the whole universe and all being; consequently it had a ready answer for all questions. In our times it has become rational in so far as to confess that it has ceased to exist in the old meaning of the word and remains only as a philosophy of special scientific branches. Truly, when I come to think of it it seems that the human mind too has its tragedies, and it began by confessing its own powerlessness. As I write a personal diary I will treat these matters from a personal point of view. I am not a professed philosopher, because I am nothing by profession; but as a thinking being I am interested in the new philosophic movement; I have been and am under its influence, and have a full right to speak about what entered the composition, and contributed to the creation, of my moral and intellectual being.

To begin with, I note down that my religious belief I carried still intact with me from Metz did not withstand the study of natural philosophy. It does not follow that I am an atheist. Oh, no! This was good enough in former times, when he who did not believe in spirit, said to himself, "Matter," and that settled for him the question. Nowadays only provincial philosophers cling to that worn-out creed. Philosophy of our times does not pronounce upon the matter; to all such questions it says, "I do not know!" and that "I do not know" sinks into and permeates the mind. Nowadays psychology occupies itself with close analysis and researches of spiritual manifestations; but when questioned upon the immortality of the soul it says the same—"I do not know;" and truly it does not know, and it cannot know. And now it will be easier to describe the state of my mind. It all lies in these words: I do not know. In this—in the acknowledged impotence of the human mind—lies the tragedy. Not to mention the fact that humanity always has asked, and always will ask, for an answer, they are truly questions of more importance than anything else in the world. If there be something on the other side, and that something an eternal life, then misfortunes and losses on this side are as nothing. In this case we might exclaim with Hamlet: "Nay, then, let the devil wear black, for I'll have a suit of sables."

"I am content to die," says Renan; "but I should like to know whether death will be of any use to me."

And philosophy replies, "I do not know."

And man beats against that blank wall, and like the bedridden sufferer fancies, if he could lie on this or on that side, he would feel easier. What is to be done? Are we to abuse philosophy that, instead of building up new systems which, like a house of cards, fall at a touch, it has confessed its impotence, and begun to search for and classify manifestations within reach of the human intellect? Methinks that I and everybody else has a right to say: "Philosophy, I am struck by your common sense, admire your close analysis; but with all that, you have made me supremely wretched. By your own confession you have no answer for a question, to me of the greatest importance, and yet you had power enough to destroy that faith which not only cleared up all doubts, but soothed and comforted the soul. And do not say that, since you do not lay down the law, you permit me to adhere to my old beliefs. It is not true! Your method, your soul, your very essence is doubt and criticism. This, your scientific method, this scepticism, this criticism you have implanted in the soul till they have become a second nature. As with lunar caustic, you have deadened the spiritual nerves by the help of which one believes simply and without question, so that even if I would believe I have lost the power. You permit me to go to church if I like; but you have poisoned me with scepticism to such a degree that I have grown sceptical even with regard to you—sceptical in regard to my own scepticism; and I do not know, I do not know. I torture myself, and am maddened by the darkness."

ROME, 12 January.

Yesterday I allowed myself to be carried away by my writing. But all the same it seems to me that I laid a finger upon the rottenness of my soul and that of humanity. There are times when I am indifferent to these questions; then again they seem to tear at me without mercy; all the more as those are matters kept within the privacy of the soul. It would be better to put them aside; but they are too important for that. We want to know what we are to expect, and arrange our life accordingly. I have tried to say to myself: "Stop, you will never leave that enchanted circle; why enter it at all?" I have every qualification to render myself a well-satisfied, cheerful animal; but I cannot always be satisfied with that. It is said the Slav temperament has a tendency towards mysticism. I have noticed that our greatest writers and poets end by becoming mystics. It is not surprising that lesser minds should be now and then troubled. As to myself I feel obliged to take notice of those inward struggles in order to get a faithful image of myself. Perhaps I feel also the want of justifying myself before my own conscience. For instance, with the great "I do not know" before me, I still observe the regulations of the Church; yet do not consider myself a hypocrite. This would be the case if, instead of the "I do not know," I could say "I know there is nothing." But our scepticism is not an open negation; it is rather a sorrowful, anxious suspicion that perhaps there is nothing—a dense fog around our minds that stifles the breath and hides from us the light. I therefore stretch out my hands towards that sun that maybe shines beyond the mist. I fancy that not I alone am in that position, and that of all those who go to church and mass on Sundays the prayers might be condensed in these words: "O God! lift the mist!"

I cannot write coldly or dispassionately about all this. I keep religious observances for the simple reason that I long to believe, and since the sweet teaching of my childhood tells me that faith is a gift of grace, I am waiting for that grace. I am waiting that it may be given unto me; that my soul may believe unquestioningly, even as it believed in childhood. Those are my motives; no self-interest prompts me; it would be much easier to be a cheerful, contented animal. Since I am justifying my outward semblance of piety, I have some other less noble and more practical reasons. From the days of my childhood I have been accustomed to keep certain rules, and they have grown into a habit. Henry the Fourth said Paris was well worth a mass; so say I that the peace of those nearest is worth a mass; people of my class, as a rule, observe religious prescriptions, and I should protest against the outward symbols only in such a case if I could find something more conclusive to say than "I do not know." I go to church because I am a sceptic in regard to my own scepticism. It is not a comfortable feeling, and my soul drags one wing along the earth. But it would be much worse with me if I always pondered over these questions so earnestly as I have done while writing these last pages. Fortunately for me this is not the case. I have mentioned already that at times I am indifferent to them. Life carries me along, and although in the main I know what to think of its hollow pleasures, I give myself up to it altogether, and then the moral "to be, or not to be" has no meaning for me. A strange thing, about the power of which not much has been said, is the influence of social suggestion on the mind. In Paris, for instance, I feel happier not only because the continual mill deafens me—I am swallowed up by the surging masses, and my mind is diverted by tricks of the fencing ring—but also because the people there, without being conscious of it, live as if it were worth their while to put all their energies into this life, and as if beyond there was nothing but a chemical process. My pulse begins to beat in unison with theirs; I feel myself in harmony with my surroundings; amuse myself or bore myself, conquer or am conquered, but enjoy a comparative rest.

ROME, BABUINO, 13 January.

I have only four days left before my departure, and will now sum up what I said about myself. I am an individual rather worn out, very sensitive, and of a highly nervous temperament. I have a strongly developed consciousness of self, seconded by comparative culture, and taken altogether, may consider myself an intellectually developed being.

My scepticism debars me from all firm convictions. I look, observe, criticise, sometimes fancy I get hold of some essential truth, but am ready always to doubt even that. I have already said all that was necessary in reference to religion. As to my social creed I am a conservative so far as a man in my position is bound to be, and so far as conservatism suits me. No need to mention that I am far from considering conservatism as a dogma, which no one is allowed to touch or to criticise. I am too much civilized to take a party view of either aristocracy or democracy. I leave that as a pastime to those who live in the country, or in remote places where ideas, like fashions, are some ten years late. From the time when privileges were done away with, the question has been closed; but in remoter parts, where the world remains more or less stagnant, it has become not so much a question of principle as rather a question of vanity and nerves. In regard to myself, I like well-bred people—people with brains and nerves, and look for them where they are most readily found. I like them as I like works of art, fine scenery, and beautiful women. From an aesthetic point of view, I possess refined nerves—too refined, perhaps, owing to my early training and a naturally impressionable temperament. This aesthetic sensitiveness gives me as many delights as torments, and renders me one great service: it preserves me from cynicism or otherwise extreme corruption, and serves me instead of moral principle. I recoil from many things, not because they are wicked, but because they are ugly. From my aesthetic nerves I derive also a certain delicacy of feeling. Taken all in all, it seems to me that I am a man a little marred by life, decent enough though to say the truth, rather floating in mid-air because not supported by any dogma, either social or religious. I am also without an aim to which I could devote my life.

One word more about my abilities before concluding the synthesis. My father, my aunt, my colleagues, and sometimes strangers, consider them simply prodigious. I allow that my intellect has a certain glitter. But will the improductivité Slave scatter all the hopes invested in me? Considering all I have, or rather have not done up to this day, either for others or myself, I feel inclined to think that such will be the case. This confession costs me more than appears on the surface. My irony when I think of myself tastes bitter on the palate. There was something barren in the clay from which God formed the Ploszowskis, since on that soil everything springs up and grows so luxuriously, yet produces no fruit. Truly, if with this barrenness, this powerlessness to act, I possessed the abilities of a genius, it would be a strange kind of genius—a genius without portfolio, as there are ministers of state without portfolio.

This definition, "a genius without portfolio" seems to fit me to perfection. I shall take out a patent of invention for the word. But the definition does not apply to me alone. Its name is legion. Side by side with the improductivité Slave goes the genius without portfolio; it is a pure product of the Slav soil. Once more I say its name is legion. I do not know another part of the world where so much ability is wasted, in which even those who bring forth something give so little, so incredibly little, in comparison with what God gave them.

ROME, BABUINO, 14 January.

Another letter from my aunt urging me to come. I am coming, I am coming, dear aunt, though God knows I am doing it out of love for you; otherwise I should greatly prefer to remain where I am. My father seems not well; from time to time he feels a strange numbness on the whole of his left side. At my urgent entreaties he has seen a physician, but I am quite sure the physic he received is safely stowed away in a cupboard, according to an old custom he has. Once he opened the mysterious receptacle and showed me a whole collection of bottles, pill-boxes, and powders, saying: "For mercy's sake! this would kill a strong man, let alone a sick one." Up to now, this quaint way of looking upon medicine has not done him any harm, but I am troubled about the future. Another reason for my unwillingness to go is my aunt's plan of campaign. Of course she is anxious to see me married. I do not know whether she has anything definite in view. God grant I may be wrong; but she does not deny the intention. "About an eligible parti like you," she writes, "there will be at once a war of the roses, you may be sure of that." I am tired and do not wish for any war, and least of all to end it like Henry VII. by a marriage. On the other hand—I dare not tell my aunt, but may confess it to myself—I do not like Polish women. I am thirty-five, and like other men that live much in society, I had my sentimental passages, among others, with Polish women, and from these encounters I carried away the impression that they are the most impossible and most wearying women in the world. I do not know whether, generally speaking, they are more virtuous than their French or Italian sisters; I only know that they are more pathetic. The very remembrance of it gives me a creepy sensation. I can understand an elegy over a broken pitcher when you behold the shards for the first time; but to go on with the same pathos over a much mended pitcher, looks more like a comic opera. A pleasant role that of the listener, whom courtesy bids to take it seriously.

Strange, fantastic women with fiery imagination and cold temperaments! In their sentiments there is neither cheerfulness nor even simplicity. They are in love with the outward forms of love, caring less for its intrinsic value. With French or Italian women after the first skirmishes, you may be sure of your "ergo." With a Pole it is different. Somebody said that if a man is mistaken and says two and two makes five, you may be able to set him right; a woman says two and two is a lamp, and you come against a blank wall. In a Polish woman's logic two and two may be not four, but a lamp, love, hatred, a cat, tears, duty, scorn; in brief, you cannot foresee anything, calculate upon anything, or guard against anything. It may be, after all, because of these very pitfalls that their virtue is better guarded than that of other women, if only for the reason that the beleaguering forces get mortally tired. But what struck me, and what I resented most, is that those pitfalls, barricades, and the whole array of defence are not so much erected for the repulse of the enemy as to give them the sensation of warfare. I spoke of this in a roundabout way with a clever woman only half a Pole, for her father was an Italian.

She listened to me for a while, then said at last:—

"It seems to me you are very much like the fox looking at the dovecote. He does not like, and it makes him wroth, to see the doves dwelling so high, and unlike the hens, always on the wing. All you have said tells in favor of Polish women."

"How do you make that out?"

"The more a Polish woman seems intolerable as somebody else's wife, the more desirable she is to have for one's own."

She had driven me into a corner, and I could not find an answer. Perhaps she is right, and I look upon it from a fox's point of view. There is also not the slightest doubt that if I were to marry, especially a Pole, I not only should search for her among the high flying doves, but I should choose a perfectly white one.

But I am like the chickens when asked in what sauce they would like to be served; I do not want to be dished up at all. Now, to return to my grievance against you, dear ladies, you are before everything in love with love, and not with the lover. Every one of you is a queen in her own rights, and in this you differ from other women; every one seems to confer a boon and a favor in permitting herself to be loved; none agrees to be only an addition or completion of a man's life, who, besides matrimony, has some other aims in life. You want us to live for you, instead of living for us. Last, but not least, you love your children more than your husband. His final fate is that of a satellite turning forever round in the same orbit. I have seen this and noticed it very often in a general way; but now and then there happens to be found a pure diamond too among the chaff. No, my queens and princesses, permit me to worship you from a safe distance.

Fancy putting aside all other aims, all ideals, in order to burn incense every day at the shrine of a woman, and that woman one's own wife. No, dear ladies, that is not sufficient to fill a man's life.

Nevertheless, that second self sometimes mutters, "And what else is there for you to do? If, anybody it is you who are fittest for the sacrifice, for what are your aims or your intentions? No! the deuce and all! To change the whole tenor of one's life, renounce old habits, comforts, pleasures, it must be a great love, indeed, that could induce me to such a venture. Marriage means a most amazing act of faith in a woman, I could never summon courage enough to commit. No, most decidedly, I do not wish to be served up in any sauce whatever."

WARSAW, 21 January.

I arrived here to-day. I broke my journey at Vienna which made it less tiring, but my nerves do not let me sleep, so I take up my journal which has grown as a friend to me. What joy there was in the house at my arrival, and what a dear, kind soul that aunt of mine is! I do believe she is awake now for very joy. She could scarcely eat any dinner. When in the country at Ploszow, she is continually wrangling with her land-agent, Pan Chwastowski, a burly old nobleman who does not give in to her one whit. Sometimes their disputes reach to such a pitch that a catastrophe seems imminent; then suddenly my aunt relaxes, falls to with an appetite and eats her dinner with a certain determination. To-day she had only the servants to scold, and that was not sufficient to give her an appetite. She was in capital spirits though, and the loving glances she bestowed on me beggar description. In intimate circles I am called my aunt's fetich, which makes her very angry.

Of course my fears and presentiments have not deceived me. There are not only plans, but also a definite object. After dinner my aunt is in the habit of walking up and down the room, and often thinks aloud. Therefore, in spite of the mystery she deems fit to surround herself with, I heard the following monologue:—

"He is young, handsome, rich, intelligent; she would be a fool if she did not fall in love with him at once."

To-morrow I am to go to a picnic the gentlemen are giving for the ladies. They say it is going to be a grand entertainment.

WARSAW, 25 January.

I am often bored at balls. As a homo sapiens and an éligible parti, I abhor them; as an artist, that is, artist without portfolio, I now and then like them. What a splendid sight, for instance, that broad staircase well lit up, where, amid a profusion of flowers the women ascend to the ball-room. They all appear tall, and when not seen from below (because the training robes destroy the illusion) they remind one of the angels on Jacob's ladder. I like the motion, the light, the flowers, and the gauzy material which enwraps the young girls as in a soft mist; and then those shoulders, necks, and arms which released from the warm cloaks seem at once to grow firm and crisp as marble. My sense of smell, too, is gratified, for I delight in good perfumes.

The picnic was a great success. To give Staszewski his due, he knows how to arrange these things. I arrived together with my aunt, but lost sight of her in the entrance hall, for Staszewski himself came down to lead her upstairs. The dear old lady had on her ermine cloak she uses on great occasions, and which her friends call her robe of state. When I entered the ballroom I remained near the door and looked around. What a strange sensation when, after a long interval, one comes back to once familiar scenes. I feel I am a part of them, and yet I look at them and criticise them as if I were a stranger. Especially the women attracted my attention—I must admit, fastidious as I am, that our society is very choice. I saw pretty faces and plain faces, but all stamped with the same well-bred refinement. The necks and shoulders, in spite of the softly rounded contours, simply reminded me of Sevres china. There is a restful elegance, something daintily finished, in all of them. Truly, they do not imitate Europe—they are Europe.

I remained there about a quarter of an hour indolently musing which of all these dainty damsels my aunt had chosen for me, when Sniatynski and his wife came up. I had seen him only a few months ago at Rome, and had known her, too, for some time. I like her very much; she has a sweet face and belongs to those exceptional Poles that do not absorb their husband's whole life, but surrender their own. Presently a young girl slipped in between us, and while greeting Pani Sniatynska, put out a small hand encased in a white kid glove and said:—

"Don't you know me, Leon?"

I felt slightly perplexed at this question, for indeed I did not know who it was that greeted me thus familiarly; but not wishing to seem rude, I smiled and pressed the little hand, saying, "Of course I do." I must have looked a little foolish because, presently Pani Sniatynska burst out laughing and said, "But he does not recognize you; it is Aniela P."

Aniela, my cousin! No wonder I did not recognize her. The last time I saw her, some ten or eleven years ago at Ploszow, she wore a short frock and pink stockings. I remember the midges had stung her about the legs, and she stamped on the ground like a little pony. How could I dream that these white shoulders, this breast covered with violets, this pretty face with the dark eyes, in short, this girl in the full bloom of maidenhood, was the same as the little wagtail on thin feet I had known formerly. How pretty she had grown; a fine butterfly had come from that chrysalis. I renewed my greeting very heartily. Afterwards when the Sniatynskis had left us she told me that my aunt and her mother had sent her to fetch me. I offered my arm and we went across the room.

All at once it burst in upon me. It was she, Aniela, my aunt had in her mind. That then was the secret, the surprise meant for me. My aunt always used to be fond of her, and troubled herself not a little over Pani P.'s financial difficulties. I only wondered why these ladies were not stopping with my aunt; but I did not ponder over it long; I preferred to look at Aniela, who naturally interested me more than the average girl. As we had to make our way to the other end of the room and the crush was great, I had ample time for conversation and scrutiny. Fashion this year has it that gloves should be worn halfway up the elbow, so I noticed that the arm which rested on mine had a slightly dusky shade, covered as it was with a light down. And yet she could not be called a brunette. Her hair is a light brown with a gleam of bronze. Her eyes are light too, but appear dark, shaded as they are by long eyelashes; the eyebrows, on the contrary, are dark and very pretty. The characteristic of this little head with the low brow is that exuberance of hair, eyebrows, eyelashes, and that down, which on the face is very slight. This at some future time may spoil her beauty, but at present she is so young that it points only to an exuberance of organism, and shows that she is not a doll, but a woman full of warm, active life.

I do not deny that, fastidious as are my nerves and not easily thrilled, I fell under a spell. She is my type exactly. My aunt, who, if she ever heard about Darwin would call him a wicked writer, has unconsciously adopted his theory of natural selection. Yes, she is my type. They have baited the hook this time with a dainty morsel.

An electric current seemed to pass from her arm into mine. Besides I noticed that she too seemed pleased with me, and that naturally raises one's spirits. My scrutiny from an artistic point of view proved highly satisfactory. There are faces that seem to be a translation from music or poetry into human shape. Such a face is Aniela's. There is nothing commonplace about it. As children are inoculated for small-pox so the upper classes inoculate modesty in their girls; there is something so very innocent in this face, but through that very innocence peeps out a warm temperament. What a combination!—as if some one said, "An innocent Satan!"

Unsophisticated as Aniela is, she is yet a little bit of a coquette, and quite conscious of her attractions. Knowing for instance that she has beautiful eyelashes, she very often drops her eyes. She has also a graceful way of lifting her head and looking at the person she is speaking to. In the beginning she was slightly artificial, from shyness I fancy, but soon afterwards we chatted together as if we had never been separated since those times at Ploszow. My aunt is highly amusing with her absentmindedness, but I should not care to have her for a fellow-conspirator. Scarcely had we approached the two elderly ladies and I exchanged greetings with Aniela's mother, when my aunt, noticing my animation, turned to her companion and said aloud, "How pretty she looks in those violets! It was, after all, a happy thought that he should see her the first time at a ball."

Aniela's mother grew very confused, and so did Aniela, and the truth began to dawn upon me why it was the ladies were not staying with my aunt. This had been Pani P.'s idea; she and my aunt had been plotting together. I suppose Aniela had not been taken into confidence, but thanks to female perspicacity could not help guessing how matters stood.

To put an end to the embarrassing situation I turned to her and said, "I warn you that I am not very proficient at dancing, but as they will carry you off any moment, will you grant me a waltz?"

Aniela for all answer handed me her tablets and said resolutely, "Put down as many as you like."