Читать книгу Battle-Pieces and Aspects of the War - Herman Melville - Страница 21
Оглавление(March, 1862.)
Some names there are of telling sound,
Whose voweled syllables free
Are pledge that they shall ever live renowned;
Such seem to be
A Frigate's name (by present glory spanned)—
The Cumberland.
Sounding name as ere was sung,
Flowing, rolling on the tongue—
Cumberland! Cumberland!
She warred and sunk. There's no denying
That she was ended—quelled;
And yet her flag above her fate is flying,
As when it swelled
Unswallowed by the swallowing sea: so grand—
The Cumberland.
Goodly name as ere was sung,
Roundly rolling on the tongue—
Cumberland! Cumberland!
What need to tell how she was fought—
The sinking flaming gun—
The gunner leaping out the port—
Washed back, undone!
Her dead unconquerably manned
The Cumberland.
Noble name as ere was sung,
Slowly roll it on the tongue—
Cumberland! Cumberland!
Long as hearts shall share the flame
Which burned in that brave crew,
Her fame shall live—outlive the victor's name;
For this is due.
Your flag and flag-staff shall in story stand—
Cumberland!
Sounding name as ere was sung,
Long they'll roll it on the tongue—
Cumberland! Cumberland!
(March, 1862.)
Your honest heart of duty, Worden,
So helped you that in fame you dwell;
You bore the first iron battle's burden
Sealed as in a diving-bell.
Alcides, groping into haunted hell
To bring forth King Admetus' bride,
Braved naught more vaguely direful and untried.
What poet shall uplift his charm,
Bold Sailor, to your height of daring,
And interblend therewith the calm,
And build a goodly style upon your bearing.
Escaped the gale of outer ocean—
Cribbed in a craft which like a log
Was washed by every billow's motion—
By night you heard of Og
The huge; nor felt your courage clog
At tokens of his onset grim:
You marked the sunk ship's flag-staff slim,
Lit by her burning sister's heart;
You marked, and mused: "Day brings the trial:
Then be it proved if I have part
With men whose manhood never took denial."
A prayer went up—a champion's. Morning
Beheld you in the Turret walled
by adamant, where a spirit forewarning
And all-deriding called:
"Man, darest thou—desperate, unappalled—
Be first to lock thee in the armored tower?
I have thee now; and what the battle-hour
To me shall bring—heed well—thou'lt share;
This plot-work, planned to be the foeman's terror,
To thee may prove a goblin-snare;
Its very strength and cunning—monstrous error!"
"Stand up, my heart; be strong; what matter
If here thou seest thy welded tomb?
And let huge Og with thunders batter—
Duty be still my doom,
Though drowning come in liquid gloom;
First duty, duty next, and duty last;
Ay, Turret, rivet me here to duty fast!—"
So nerved, you fought wisely and well;
And live, twice live in life and story;
But over your Monitor dirges swell,
In wind and wave that keep the rites of glory.
The Temeraire.[3]
(Supposed to have been suggested to an Englishman of the old order by the fight of the Monitor and Merrimac.)
[3] The Temeraire, that storied ship of the old English fleet, and the subject of the well-known painting by Turner, commends itself to the mind seeking for some one craft to stand for the poetic ideal of those great historic wooden warships, whose gradual displacement is lamented by none more than by regularly educated navy officers, and of all nations.
The gloomy hulls, in armor grim,
Like clouds o'er moors have met,
And prove that oak, and iron, and man
Are tough in fibre yet.
But Splendors wane. The sea-fight yields
No front of old display;
The garniture, emblazonment,
And heraldry all decay.
Towering afar in parting light,
The fleets like Albion's forelands shine—
The full-sailed fleets, the shrouded show
Of Ships-of-the-Line.
The fighting Temeraire,
Built of a thousand trees,
Lunging out her lightnings,
And beetling o'er the seas—
O Ship, how brave and fair,
That fought so oft and well,
