Читать книгу The Jealousies of a Country Town - Honoré de Balzac - Страница 14

Madame Granson, widow of a lieutenant-colonel of artillery killed at Jena, possessed, as her whole means of livelihood, a meagre pension of nine hundred francs a year, and three hundred francs from property of her own, plus a son whose support and education had eaten up all her savings. She occupied, in the rue du Bercail, one of those melancholy ground-floor apartments which a traveller passing along the principal street of a little provincial town can look through at a glance. The street door opened at the top of three steep steps; a passage led to an interior courtyard, at the end of which was the staircase covered by a wooden gallery. On one side of the passage was the dining-room and the kitchen; on the other side, a salon put to many uses, and the widow's bedchamber.

Athanase Granson, a young man twenty-three years of age, who slept in an attic room above the second floor of the house, added six hundred francs to the income of his poor mother, by the salary of a little place which the influence of his relation, Mademoiselle Cormon, had obtained for him in the mayor's office, where he was placed in charge of the archives.

From these indications it is easy to imagine Madame Granson in her cold salon with its yellow curtains and Utrecht velvet furniture, also yellow, as she straightened the round straw mats which were placed before each chair, that visitors might not soil the red-tiled floor while they sat there; after which she returned to her cushioned armchair and little work-table placed beneath the portrait of the lieutenant-colonel of artillery between two windows,—a point from which her eye could rake the rue du Bercail and see all comers. She was a good woman, dressed with bourgeois simplicity in keeping with her wan face furrowed by grief. The rigorous humbleness of poverty made itself felt in all the accessories of this household, the very air of which was charged with the stern and upright morals of the provinces. At this moment the son and mother were together in the dining-room, where they were breakfasting with a cup of coffee, with bread and butter and radishes. To make the pleasure which Suzanne's visit was to give to Madame Granson intelligible, we must explain certain secret interests of the mother and son.

Athanase Granson was a thin and pale young man, of medium height, with a hollow face in which his two black eyes, sparkling with thoughts, gave the effect of bits of coal. The rather irregular lines of his face, the curve of his lips, a prominent chin, the fine modelling of his forehead, his melancholy countenance, caused by a sense of his poverty warring with the powers that he felt within him, were all indications of repressed and imprisoned talent. In any other place than the town of Alencon the mere aspect of his person would have won him the assistance of superior men, or of women who are able to recognize genius in obscurity. If his was not genius, it was at any rate the form and aspect of it; if he had not the actual force of a great heart, the glow of such a heart was in his glance. Although he was capable of expressing the highest feeling, a casing of timidity destroyed all the graces of his youth, just as the ice of poverty kept him from daring to put forth all his powers. Provincial life, without an opening, without appreciation, without encouragement, described a circle about him in which languished and died the power of thought,—a power which as yet had scarcely reached its dawn. Moreover, Athanase possessed that savage pride which poverty intensifies in noble minds, exalting them in their struggle with men and things; although at their start in life it is an obstacle to their advancement. Genius proceeds in two ways: either it takes its opportunity—like Napoleon, like Moliere—the moment that it sees it, or it waits to be sought when it has patiently revealed itself. Young Granson belonged to that class of men of talent who distrust themselves and are easily discouraged. His soul was contemplative. He lived more by thought than by action. Perhaps he might have seemed deficient or incomplete to those who cannot conceive of genius without the sparkle of French passion; but he was powerful in the world of mind, and he was liable to reach, through a series of emotions imperceptible to common souls, those sudden determinations which make fools say of a man, "He is mad."

The contempt which the world pours out on poverty was death to Athanase; the enervating heat of solitude, without a breath or current of air, relaxed the bow which ever strove to tighten itself; his soul grew weary in this painful effort without results. Athanase was a man who might have taken his place among the glories of France; but, eagle as he was, cooped in a cage without his proper nourishment, he was about to die of hunger after contemplating with an ardent eye the fields of air and the mountain heights where genius soars. His work in the city library escaped attention, and he buried in his soul his thoughts of fame, fearing that they might injure him; but deeper than all lay buried within him the secret of his heart,—a passion which hollowed his cheeks and yellowed his brow. He loved his distant cousin, this very Mademoiselle Cormon whom the Chevalier de Valois and du Bousquier, his hidden rivals, were stalking. This love had had its origin in calculation. Mademoiselle Cormon was thought to be one of the richest persons in the town: the poor lad had therefore been led to love her by desires for material happiness, by the hope, long indulged, of gilding with comfort his mother's last years, by eager longing for the ease of life so needful to men who live by thought; but this most innocent point of departure degraded his passion in his own eyes. Moreover, he feared the ridicule the world would cast upon the love of a young man of twenty-three for an old maid of forty.