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A little ominous, perhaps, that the Haymarket entrepreneur should bear the same name as the Calcutta judge who had unsuccessfully sought her hand. But Lola experienced no qualms. As she stood at the wings, in a black satin bodice and much flounced pink silk skirt, waiting for her cue, Lumley passed her with a nod of encouragement.

"Capital," he said, rubbing his whiskers. "Most attractive. You'll be a big success, my dear."

As he moved off, a bell tinkled in the prompt corner. In response, the conductor lifted his baton; the heavy curtains were drawn aside; and, under a cross-fire of opera glasses, Lola bounded on to the stage and executed her initial piroutte. There was a sudden hush, as, at the finish of the number, she stepped up to the footlights and awaited the verdict. Had she made good, or not? In a moment, however, she knew that all was well, for a storm of applause and clapping of hands filled the air. Lumley, from his place in the wings, beamed approval. His enterprise was to be rewarded. The débutante was a success. No doubt about it. She should have a contract from him before any other manager should step in and snap her up.

We do not believe (scribbled a critic, hurriedly jotting down his impressions, to be expanded when he got back to his office) that Donna Lola smiled once throughout her performance. As she withdrew, numbers of bouquets fell on to the stage. But the proud one of Seville did not deign to return to pick them up, and one of the gentlemen in livery was deputed for that purpose. When, however, her measure was encored, she stepped down from her pinnacle and actually condescended to accept an additional bouquet that had been tossed by a fair one from a box.

Her Majesty's Theatre (added a colleague) may now be said to be in its full zenith of grandeur and perfection of beauty and splendour, and variety and fame of the ballet. A new Spanish Donna has been introduced. Although the visitation was unheralded by the customary flourish of trumpeting on dits, it was extremely successful. The young lady came and saw and conquered. Many floral offerings were shot at her as a compliment, and the useful M. Coulos—ever at hand in such an emergency—assisted very industriously in picking them up. As for El Oleano, this is a sort of cachucha; and it certainly gives Donna Lola Montez an opportunity of introducing herself to the public under a very captivating aspect. … A lovely picture she is to contemplate. There is before you the very perfection of Spanish beauty—the tall handsome figure, the full lustrous eye, the joyous animated countenance, and the dark raven tresses. You gaze upon the Donna with delight and admiration.

It was just after the third item on her programme and while she stood before the curtain, bowing and smiling her acknowledgments, that there was an unexpected interruption. An ominous hiss suddenly split the air. The sound came from the occupants of the stage box in which Lord Ranelagh and his party had ensconced themselves. As at a prearranged signal, the occupants of the opposite box took it up and repeated it. The audience gasped in astonishment, and looked to Lord Ranelagh for a solution. He supplied one promptly. "Egad!" he exclaimed in a loud voice, "that's not Lola Montez at all. It's Betsy James, an Irish girl. Ladies and gentlemen, we're being properly swindled!"

"Swindled" was an ugly word. The pit and gallery, feeling that they were in some mysterious fashion being defrauded, followed the cue thus given them, and a volume of hisses and cat-calls sprang from the throats that, a moment earlier, had bellowed vociferous cheers. The great Michael Costa, who was conducting, dropped his baton in astonishment, and, refusing to pick it up again, left his desk. There is a theory that it was this untoward incident that led him to transfer himself from the Haymarket to Covent Garden. Quite possible. Musicians are temperamental folk.

It was left for Lumley to deal with the situation. He did so by ringing down the curtain, while Lola, in tears and fury, rushed off to her dressing-room.

The Magnificent Montez: From Courtesan to Convert

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