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n a tearful column, headed "Necrology of the Year," a mid-Victorian obituarist wrote thus of a woman figuring therein:

This was one who, notwithstanding her evil ways, had a share in some public transactions too remarkable to allow her name to be omitted from the list of celebrated persons deceased in the year 1861.

Born of an English or Irish family of respectable rank, at a very early age the unhappy girl was found to be possessed of the fatal gift of beauty. She appeared for a short time on the stage as a dancer (for which degradation her sorrowing relatives put on mourning, and issued undertakers' cards to signify that she was now dead to them) and then blazed forth as the most notorious Paphian in Europe.

Were this all, these columns would not have included her name. But she exhibited some very remarkable qualities. The natural powers of her mind were considerable. She had a strong will, and a certain grasp of circumstances. Her disposition was generous, and her sympathies very large. These qualities raised the courtesan to a singular position. She became a political influence; and exercised a fascination over sovereigns and ministers more widely extended than has perhaps been possessed by any other member of the demi-monde. She ruled a kingdom; and ruled it, moreover, with dignity and wisdom and ability. The political Hypatia, however, was sacrificed to the rabble. Her power was gone, and she could hope no more from the flattery of statesmen. She became an adventuress of an inferior class. Her intrigues, her duels, and her horse-whippings made her for a time a notoriety in London, Paris, and America.

Like other celebrated favourites who, with all her personal charms, but without her glimpses of a better human nature, have sacrificed the dignity of womanhood to a profligate ambition, this one upbraided herself in her last moments on her wasted life; and then, when all her ambition and vanity had turned to ashes, she understood what it was to have been the toy of men and the scorn of women.

Altogether a somewhat guarded suggestion of disapproval about the subject of this particular memoir.

The Magnificent Montez: From Courtesan to Convert

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