Читать книгу The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary - Hugh Walpole - Страница 41

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Brun, meeting Christopher one day, had asked him to tea in his flat, and then, remembering his interest in the Beaminster history, invited him to bring Breton with him.

"I haven't seen him for years. I'd like to see him again."

Christopher had accepted this invitation, and now on a sultry afternoon in June found himself sitting in Brun's rooms. Brun's sitting-room had a glazed and mathematical appearance as though, from cushions to ceiling, it had been purchased at a handsome price from a handsome warehouse. It was not comfortable, it was very hot. … The narrow street squeezed between Portland Square and Great Portland Street lay on its back, the little windows of its mean houses gasping like mouths for air, the hard sun pouring pitilessly down.

No weather nor atmosphere ever affected Brun. His clothes as well as his body had that definite appearance of something outside change or disorder. He might have been, one would allow, something else at earlier stages before this final result had been achieved (as a painting is presented to the observer before its completion), but surely now nothing would ever be done to him again. Surveying him, he appeared less a man with a history, origins, destinies about him than an opinion or a criticism. He was designed exactly by Nature for cynical observation, and was intended to play no other part in life.

"Well, Christopher?" said Brun. "Hot, isn't it?"

"My word—yes. Breton's coming along presently."

"Good. I've asked Arkwright the explorer. Nice fellow." They sat in silence for a little. Then Brun said:

"Interested in writers, Christopher?"

"Not very much. Why?"

"Just been lunching with a young novelist, Westcott. What he said interested me. Of course, he's very young, got no humour, takes himself dreadfully seriously, but he asked my advice—and it is as a sign of the times over here that I mention it."

"Go ahead."

"He tells me that a number of young novelists are going to band themselves into a kind of Artists' Young Liberty movement—artists, poets, novelists, some thirty altogether—going to have a magazine, do all kinds of things. Some of the older men will scoff. At the same time——"

"Well?" said Christopher.

"They'd asked him to join. He wanted my opinion."

"What did you say?"

"He interested me—he was a kind of test case. It would mean that, commercially, from the popular point of view, it would put him back for years. Those young men will all be put down as conceited cranks. They will tilt at the successful popular men like Lawson and the others, will worship at the feet of the unsuccessful 'Great' men like Lester and Cotton. The papers will hate 'em, the public will be indifferent. The result will be that, in the end, they may do a big thing—at any rate they'll have done a fine thing, but they'll all die on the way, I expect."

Brun spoke with enthusiasm unusual for him.

"How was this a test of Westcott?" asked Christopher.

"Well—would he go or no? He's at the kind of parting of the ways. I believe success is coming to him, if he wants it; but he'll have to build another wall in front of his Tiger either before the success or after. If he joins this crowd of men, there'll be no walls for him ever again."

Christopher knew that when Brun had some idea that he was pleasantly pursuing and had secured an audience nothing would stay or hinder him.

He pushed a chair towards him.

"What do you mean by your Tiger?" he asked.

"My Tiger is what every man has within him—I don't mean, you know, a nasty habit or a degrading passion or anything of necessity vicious—only my theory is that every man is given at the outset of life a Beast in the finest, noblest sense with whom through life he has got to settle. It may be an Ambition, or a Passion, or a Temptation, or a Virtue, what you will, but with that Beast he's got to live. Now it's according to his dealings with the Beast that the man's great or no. If he faces the Beast—and the Beast is generally something that a man knows about himself that nobody else knows—the Beast can be used, magnificently used. If he's afraid, pretends the Tiger isn't there, builds up walls, hides in cities, does what you will, then he must be prepared for a life of incessant alarm, and he may be sure that at some moment or another the Tiger will make his spring—then there'll be a crisis!

"Over here in England you're hiding your Tigers all the time. That's why you're muddled—about Art, Literature, Government, everything that matters—and an old woman like the Duchess of Wrexe—sharp enough herself, mind you—uses all of you.

"No Beaminster has ever faced his or her Tiger yet, and they're down, like knives, on everyone who does and everything that shows the Tiger's bright eyes——

"But I see—oh, Lord! I see—a time coming, yes, here in England, when the Individual, the great man, is coming through, when the Duchess will be dead and the Beaminster driven from power and every man with his Tiger there in front of him, faced and trained, will have his chance—

"More brain, more courage, no muddle—God help the day!"

"You see things moving—everywhere?"

"Everywhere. These fellows, Randall and the rest, are bringing their Tigers with 'em. They're going to put them there for all the world to see. It's only another party out against the Duchess, she wants all the Tigers hidden—only herself to know about them—then she can do her work. She'll hate these fellows until they've made their stand and then she'll try to adopt them in order to muzzle them the better in the end.

"If Westcott hides his Tiger, forgets he's there, his way's plain enough. He'll make money, the Duchess will ask him to tea. Let him join these fellows and his Tiger may tear all his present self to pieces."

"What about yourself, Brun?"

"Oh, I'm nothing! I'm the one great exception. No Tiger thinks me worth while. I merely observe, I don't feel—and you have to feel to keep your Tiger alive."

Brun's little lecture was over. He suddenly drew his body together, clapped his mental hands to dismiss the whole thing and was drawing Westcott to the door.

"But I talk—how I talk! You bear with me, Christopher, because I must go on, you know. It means nothing—absolutely nothing. But they will have arrived now, so down we go. I go on in my sleep, exactly the same. And now tea—and I will talk less because Breton talks a great deal and so does Arkwright, and so do you. … "