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CONTENTS

Acknowledgments vii

Pronunciation Guide ix

INTRODUCTION Dangerous Playing and Affective Block 1

ONE Tamburaši and “Sacral Buildings” on a Balkanizing Peninsula 43

TWO Whiteness and Becoming among Tambura Bands of the American Rust Belt 85

THREE Feeling and Knowing Race in Postwar Croatian Music 129

FOUR Young Men, Rituals of Power, and Conscription into Intimacy’s Assemblages 161

FIVE Metaphysics, Musical Space, and the Outside 199

EPILOGUE Musical Affect and the Political Beyond 232

Notes 237

References 247

Index 265