Читать книгу Anti-utopian Mood, Liminality, and Literature - Irma Ratiani - Страница 8

Table of Contents

Acknowledgements

Introduction

Chapter One. Literary Anti-Utopia and the General Trends of Its Development

1.1. Utopia. Ou Topos or Eu Topos?

1.2. Utopia and Anti-Utopia – from Ambivalent Unity to Conceptual Determination

1.3. The Philosophical and Literary Predecessors of Anti-Utopian Genre

Chapter Two. Theoretical and Methodological Approaches toward the Study of Literary Anti-Utopia

2.1. Evolution of Genre Theory and the Holistic Method

2.2. Genre Peculiarities of Anti-Utopian Text

2.3. Time-Space Hypotheses, and Anti-Utopia in Eschatological Perspective

2.4. Liminality and the Liminal Theory of Conceptualization of Time and Space

Chapter Three. Liminal Models of Chronotope in 20th-Century Eschatological Anti-Utopia: Vladimir Nabokov’s – “Invitation to a Beheading” and “Bend Sinister”, and Mikheil Javakhishvili’s “Jaqo’s Dispossessed”

3.1. The Subjective Paradigm of Conceptualization of Time

3.2. Liminal Models of Artistic Time and Space and Their Genre-Determining Function

3.2.1. Invitation to a Beheading

3.2.2. Bend Sinister

3.2.3. Jaqo’s Dispossessed

Brief Conclusions

References

Index