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Spring- and Summer-Wood

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Examining the rings more closely, it is noticed that each ring is made up of an inner, softer, light-colored and an outer, or peripheral, firmer and darker-colored portion. Being formed in the forepart of the season, the inner, light-colored part is termed spring-wood, the outer, darker-portioned being the summer-wood of the ring. Since the latter is very heavy and firm it determines to a very large extent the weight and strength of the wood, and as its darker color influences the shade of color of the entire piece of wood, this color effect becomes a valuable aid in distinguishing heavy and strong from light and soft pine wood.

In most hard pines, like the long-leaf, the dark summer-wood appears as a distinct band, so that the yearly ring is composed of two sharply defined bands—an inner, the spring-wood, and an outer, the summer-wood. But in some cases, even in hard pines, and normally in the woods of white pines, the spring-wood passes gradually into the darker summer-wood, so that a darkly defined line occurs only where the spring-wood of one ring abuts against the summer-wood of its neighbor. It is this clearly defined line which enables the eye to distinguish even the very narrow lines in old pines and spruces.


Fig. 1. Board of Pine. CS, cross-section; RS, radial section; TS, tangential section; sw, summer-wood; spw, spring-wood.

In some cases, especially in the trunks of Southern pines, and normally on the lower side of pine limbs, there occur dark bands of wood in the spring-wood portion of the ring, giving rise to false rings, which mislead in a superficial counting of rings. In the disks cut from limbs these dark bands often occupy the greater part of the ring, and appear as "lunes," or sickle-shaped figures. The wood of these dark bands is similar to that of the true summer-wood. The cells have thick walls, but usually the compressed or flattened form. Normally, the summer-wood forms a greater proportion of the rings in the part of the tree formed during the period of thriftiest growth. In an old tree this proportion is very small in the first two to five rings about the pith, and also in the part next to the bark, the intermediate part showing a greater proportion of summer-wood. It is also greatest in a disk taken from near the stump, and decreases upward in the stem, thus fully accounting for the difference in weight and firmness of the wood of these different parts.

In the long-leaf pine the summer-wood often forms scarcely ten per cent of the wood in the central five rings; forty to fifty per cent of the next one hundred rings, about thirty per cent of the next fifty, and only about twenty per cent in the fifty rings next to the bark. It averages forty-five per cent of the wood of the stump and only twenty-four per cent of that of the top.

Sawing the log into boards, the yearly rings are represented on the board faces of the middle board (radial sections) by narrow parallel strips (see Fig. 1), an inner, lighter stripe and its outer, darker neighbor always corresponding to one annual ring.

On the faces of the boards nearest the slab (tangential or bastard boards) the several years' growth should also appear as parallel, but much broader stripes. This they do if the log is short and very perfect. Usually a variety of pleasing patterns is displayed on the boards, depending on the position of the saw cut and on the regularity of growth of the log (see Fig. 1). Where the cut passes through a prominence (bump or crook) of the log, irregular, concentric circlets and ovals are produced, and on almost all tangent boards arrow or V-shaped forms occur.

Seasoning of Wood

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