Читать книгу The Principles of the Art of Conversation - J. P. Mahaffy - Страница 5

Subjective Side—Physical Conditions

Оглавление

Table of Contents

§ 6. There are no physical conditions absolutely necessary for becoming a good talker. I have known a man with a painful impediment in his speech far more agreeable than all the fluent people in the room. But when a man comes to consider by what conditions conversation can be improved, and turns first of all to his own side, to see what he can do for himself in that direction, he will find that certain natural gifts which he may possess, or the absence of which he may regret, are of no small importance in making him more agreeable to those whom he meets in society. It seems desirable to mention these at the outset for completeness’ sake, and also that educators may lay their foundations in children for after use in the world.

The old Greeks set it down as an axiom that a loud or harsh voice betokened bad breeding, and any one who hears the lower classes discussing any topic at the corners of the streets, may notice not merely their coarseness and rudeness in expression, but also the loudness and harshness of their voices, in support of this observation. The habit of wrangling with people who will not listen without interruption, and who try to shout down their company, nay even the habit of losing one’s temper, engenders a noisy and harsh way of speaking, which naturally causes a prejudice against the talker in good society. Even the dogmatic or over-confident temper which asserts opinions loudly, and looks round to command approval or challenge contradiction, chills good conversation by setting people against the speaker, whom they presume to be a social bully and wanting in sympathy.

Contrariwise, nothing attracts more at first hearing than a soft and sweet tone of voice. It generally suggests a deeper well of feeling than the speaker possesses, and certainly prejudices people as much in his favour as a grating or loud utterance repels them. It is to be classed with personal beauty, which disposes every one to favour the speaker, and listen to him or her with sympathy and attention. This sweetness in the tone of the voice is chiefly a natural gift, but it may also be improved, if not acquired, by constant and careful training in early years. It can certainly be marred by constant straining and shouting. It should therefore be carefully cultivated or protected in youth as a valuable vantage-ground in social intercourse.

Similarly the presence of a strong local accent, though there are cases where it gives raciness to wit and pungency to satire, is usually a hindrance in conversation, especially at its outset, and among strangers.[2] It marks a man as provincial, and hence is akin to vulgarity and narrowness of mind. It suggests too that the speaker has not moved much about the world, or even in the best society of his native country, in which such provincialism is carefully avoided, and set down as an index of mind and manners below the highest level. Hence all careful educators endeavour to eradicate peculiarities of accent or pronunciation in children, and justly, though we have all met great talkers whose Scotch burr or Irish brogue seemed an essential feature of their charm. If this be so, no education can eradicate it. In lesser people to be provincial is distinctly an obstacle in the way, even though a great mind may turn it into a stepping-stone.

2.It has been suggested to me that a slight impediment or stammer often gives peculiar zest to conversation. But this is hardly the case at first hearing; it is only appreciated when we have discovered that what the speaker is hesitating to utter is worth waiting for. It then produces the same kind of surprise that irony does, which is often deliberate mental stammering.

§ 7. There is yet another almost physical disability or damage to conversation, which is akin to provincialism, and which consists in disagreeable tricks in conversation, such as the constant and meaningless repetition of catchwords and phrases, such as the unmeaning oaths of our grandfathers, such as inarticulate sounds of assent, such as contortions of the face, which so annoy the hearer by their very want of meaning and triviality as to excite quite a disproportionate dislike to the speaker, and to require great and sterling qualities to counterbalance it. However apt a man’s internal furniture may be for conversation, he may make it useless by being externally disagreeable, and how often when we praise a friend as a good talker do we hear the reply: I should like him well enough if he did not worry me with his don’t you know, or his what, or his exactly so, or something else so childishly small, that we shudder to think how easily a man may forfeit his position or popularity among civilised men in their daily intercourse. But modern society, which ought to be of all things in human life the most easy and unconstrained, is growing every day more tyrannical and only to be kept in good humour by careful attention to its unwritten behests, unless indeed we have the power to bend it to our will, and force it to follow our lead instead of driving us along like slaves.

No more need be said concerning these physical conditions, which are rather negative conditions, or favourable starting points, than real aids for our purpose. The handsomest man or woman, even with the sweetest tones of human voice, will soon be found out, if dull or unsympathetic, and then these advantages all go for nothing.

The Principles of the Art of Conversation

Подняться наверх