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Contents
ОглавлениеACKNOWLEDGEMENTS
FOREWORD by Marina LaPalma
THE TV GENERATION: MEDIA CULTURE AND PERFORMANCE
Performance in the Eighties: The TV Generation (1984)
Psycho-Opera (1987)
Commentary Intermedia: Performance and Video (1983)
Sex and Technology: The Politics of Intimacy (1990)
The Making of Cambodia: Spalding Gray and The Killing Fields (1985)
Terry Allen’s Radio Cinema (2000/2018)
The Life and Times of Lin Hixson: The LA Years (1991)
SPECTACLE, FILM, COLLABORATION
Time, Space, and Questions of Otherness (1989)
Time Lost/Time Found (2017)
Journeys to Heaven and Hell (2015)
Life, Art, and Death in Multimedia Experimental Theater (2011)
Light Energy, Dark Matter (2009/2015)
Wrestling with an Age That Won’t Give Back (1985)
CROSSING CULTURES: SOUND, SPACE, GESTURE
Radio Art: The Coming Sonic Boom (1990)
The Aural Stage (1991)
Yoshi Oida: Interrogations (1990)
Performance and the Art of Conversation (2015)
Listening to the Universe (1990)
Urban Bush Women (1987)
Tarika Sammy (1993)
Rudy Perez Performance Ensemble: Made In LA (1991)
Lula Washington: LA Contemporary Dance Theater (1989)
Fulfillment in The Empty Room (2012)
Peripheral Visions: Perspectives on Culture, Media, and Performance (2017)
Faustin Linyekula’s Journey from Darkness to Light (2017)
HISTORY RESTAGED
Plato’s Symposium (1986)
Tao, Mao, Now! (1991)
The Sound of History Dreaming the Future (1991)
Dancing on History’s Grave (2014)
Dancing on History’s Grave: Part Two (2014)
Mining the Past to Change the Future (2017)
1969 Speaks For Itself (2018)
Staging Politics: Allegory vs. Satire (2017)
My Lai Revisited: One Man’s Journey (2018)
1984 in 2016: Big Brother is Watching
PROPHESIES PAST TENSE
Voyage to Prague (1991)
Slouching Towards the Next Millennium: Some Meditations on Art and the Twenty-First Century (1989)
The Voices of America 1992 (1992)
Commentary Intermedia: A Bright Tomorrow? (1987/89)
Resurrecting the Disappeared: Recollections on Artists in Absentia (1997)
Commerce on the Edge: The Convergence of Art and Entertainment (1986)
Performance Art is Dead: Long Live Performance Art! (1994)
Notes on Performance and Sex(ism) (2015)
POLITICS OF CULTURE
Commentary Intermedia: Interdisciplinary Performance: Collaboration in the 1980s (1985)
Politics, Performance, and the Los Angeles Festival (1991)
Screamers (1991)
Radiodeath: The Expulsion of Art from the Airwaves (1995)
The Artist as Fundamentalist (1992)
A Question of Civic and Public Responsibility (1994)
Beauty and the (Art) Beast (1993)
CONCERNING NATURE
Calls from the Deep (1990)
Reviving the Horror (1986)
Miwa Matreyek’s Self-Made World (2014)
Laurie Anderson’s Dirtday! (2012)
Cynthia Hopkins: This Clement World (2013)
Meredith Monk: On Behalf of Nature (2013)
Entangled Waters (2018)
AFTERWORD: A Retrospective View
APPENDIX I: Publications
APPENDIX II: Performances
NOTES
BIOGRAPHIES
INDEX