Читать книгу Sudden Bill Dorn - Jackson Gregory - Страница 4

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There are those men who go through life never known by any name except that wished upon them in their cradles. On the other hand, there are men who gather nicknames as inevitably as a magnet draws convenient steel filings. Speaking now of Bill Dorn: His name—fond parents concurring after a forceful mother had dictated the terms and an easygoing father had agreed, “Sure, why not?”—was William Stockney O’Shaunnessy Dorn. Now, twenty-seven years old, six feet four in his customary two-inch-and-a-half boot heels, he was known along the border as Sudden Bill, as Roll-Along Dorn, as Long Horn Bill, as Here-We-Go Dorn, as Daybreak, as Aces. How names did stick to him! One day a lean old chestnut-hued cattle man, a great friend of Bill’s, chanced to say in the presence of Bill’s Chinese cook, “Shore he’s a heller, that boy. Born a Dorn, ain’t he?” And the Chink had giggled and said, “Born-a-Dorn, damn good name. Me call him Born-a-Dorn Bill now.” That’s the way it went. His father, violently removed from the mundane scene some years before, was Early Bill Dorn.

And it was the father, Early Bill, who had carved out the original Dorn Ranch close to the rim of cattle country, on the edge of the desert. He was buried with his boots on, a forthright gentleman of the old school with Kentucky blood and proclivities in his staunch veins, leaving behind him a wife who still adored him, knowing him to the depths though she did; leaving also a single son and an unencumbered ranch of six thousand four hundred acres, together with a tobacco tin heavy with gold coins under a stone in the hearth. Bill’s mother lost interest in life, pottered about listlessly for three or four years, told young Bill that he’d never need her half as much as old Early Bill did, and died happily. Young Bill sat all night by the two graves. Then he hitched up his belt, looked life square between the eyes and tied in to his job.

He built the ranch up to sixty thousand acres. And he lived like a king—a barbarian king, to be sure—in the same old ranch house. It was close to a hundred years old—at least the kernel of it was—an imperishable affair of good honest adobe mud reinforced with honest straw, of field stone and cedar timbers hauled forty miles from the Blue Smokes Mountains. And now, all of a sudden, circumstances over which young Bill Dorn had not maintained control up-ended him.

He had been given what folk call “advantages”; that was because Bedelia Dorn, his mother, insisted. He had even had “schooling,” though old Early Bill guffawed. He had had money to jingle at the age when jingling is sweet in the callow ear, so he had jingled it with the best of the Jinglers. He had knocked about a bit; he had “been places”; he was like the bear that went over the mountain. After his mother fluttered him a good-bye and slipped away to see if she could find the place where Early Bill would need somebody to see that his socks were dry, young Bill did some pretty precipitate knocking about. He was mighty glad and grateful to get back to the old Dorn Ranch.

During his prowlings he met many people, many kinds. One of them, encountered no farther away than Los Angeles, a city well known in Southern California at that time, which was long before Hollywood absorbed it, was a man who seemed to fit into Bill Dorn’s life like a finger in a glove. That was Michael Bundy. The two clicked the first time they met.

They locked horns in a poker game in La Puebla de Nuestra Señora la Reina de los Angeles, which happens to be the proper name of the city now so pertly called Los or L.A. It was at a club in La Primevera Street, which the gringos have chopped down, for speed of all things, to Spring Street. The two plunged, but they plunged with method in their madness. The other players dropped out one by one; foregathering at the adjacent bar they were unanimous in their expressions of satisfaction at getting out with their skins intact. It was that sort of roofless game.

Bill Dorn was lean and dark, like a well-oiled spring ready to explode into expression of power released; Mike Bundy was blond, red-haired and dynamic, a favorite with women, also with men until they came to know him down to the boot heels, and Bundy was acute enough to make sure that few knew him as far as that. He was an adventurer and said so; he had knocked about as much as Dorn, and more; he was, as he himself said, a pioneer in black gold. That meant oil, at which most men, lacking Mike Bundy’s vision, twitched their noses.

The two became inseparable. They became Damon and Pythias. Bill Dorn would have gone to hell for Mike Bundy. Mike Bundy would have gone to hell for an option on the devil’s coal, sulphur and brimstone mines. That was how it was. And many outsiders realized it; some even tried to make it clear to Bill Dorn. One man, well-intentioned, had opened his mouth on the subject only to have Dorn, in sudden fury, knock him cold.

“Come out to the ranch, Michael,” Bill had invited one day. Bundy came and he stayed. He had money; he gave people the impression of having all the money there was. He nosed around for oil. The very first well he drilled on a near-by property brought in his damned black gold. The well never paid—that is, it never paid anyone but Mike Bundy. He spread out; he fished for suckers, at first with a hook, then with a net. He “promoted,” lovely word. On paper, where it’s as cheap to set down a long string of ciphers as it is to dot an “i,” he made money for many a credulous and suddenly avaricious, hitherto contented land owner. On paper—that was Bundy for you. Witness all those papers this afternoon on Bill Dorn’s table, gathered up at the end and snapped together in the sheriff’s rubber band.

It was another cutthroat poker game with Bill Dorn, only Dorn didn’t know it. He went in with his friend; he’d back his play to the limit. He did just that. And he did more. What else he did was the thing which stung him, now that the dead cards were spread out face up. He had gone to his own friends, and they were many, men who trusted Bill Dorn as some of them had trusted Early Bill before him, in the day when they had the quaint old saying, “His word is his bond.” Bonds were worth something then, and so was the word of a Dorn. When Bill Dorn said to his friends, “It’s absolutely safe; I give you my word for it,” they dug up their buried hoardings and plunked down all they owned, all they could borrow. They saw themselves on the high road to becoming millionaires. Now they were ruined. So was Sudden Bill. But he wasn’t thinking of his own losses; a poker player of the old school, he could shrug at them. But he couldn’t shrug away the looks he knew he was bound to see in the eyes of his friends to whom he had said, trusting Mike Bundy to the limit, “It’s absolutely safe; I give you my word for it.”

His had ever been a light touch on life; he was Roll-Along Dorn; Here-We-Go Dorn; he had never known what it was to brood. But tonight he brooded. Those eyes of his, grown red-flecked, when not sharply focusing on some newcomer into his ken who might be Michael Bundy, gloomed bleakly into vast distances. More than one bartender who served him, and thus came under those smoke-dark eyes, experienced a creepy feeling and stood aside as soon as he could.

He entered, one after another, all the swinging doors facing the Plaza. Throngs continued to swell on the street, in the saloons and dance halls and gaming places, and he would have needed to be deaf and blind as well as preoccupied not to come early upon the explanation. When he understood, he merely made a wry face and went on, immediately forgetful of the cause of this latest Nacional mob scene. Men were damned fools, always chasing after the same thing—“There’s a new Señorita who dances, and she sings, too, over at the place of One Eye,” said the bartender in the border argot which passes as Spanish. “Don Bill, he has seen her, no?”

“Where in hell’s Michael Bundy?” growled Don Bill.

So when at last he went to the place of One Eye, a burly, bulky Mexican bandit of the name of Pico Perez who boasted of the fact, if fact it were, that his lost eye had been gouged out by none less renowned than that immortal bandit El Toro Blanco, it was still seeking a man and without the remotest thought of a new Señorita who danced, and sang, too.

But there was no escaping that girl. Not a man of the many who thronged the place escaped her. She was as vital as life itself, as merry-mad in her dance act as a leaf blown along a March wind, as gay and triumphant, one would have said, as tossing banners of a victorious army—a girl, in a word, to strike any susceptible male square between the eyes. It was not that Here-We-Go Dorn was in the least susceptible on this night of all nights for him, but he did have two eyes and he could still see what was before him; and so he, like many another, saw the girl who danced at One Eye’s place. But where others stared, Bill Dorn glared.

She disturbed him and he did not want to be disturbed. She wore a damnable little black mask which only made her beauty the more piquant. He worked up a sneer; with a glance, as though it were any affair of his, he as much as accused her of seeking to make a mystery of a trite, commonplace and altogether sordid bit of business. Hell take her and all her kind; he was looking for Michael Bundy.

He leaned back against the sixty foot bar, one high heel hooked on the foot rail, both elbows hooked on the bar, and gave the barnlike room a pretty thorough onceover. He overheard what two men, desert rats like the late Jake Fanning by the look and talk of them, were saying. The word to rivet his attention was a man’s name. They were talking about Mike Bundy.

“Shore,” said the first man, and took off his drink garglingly, the way that old-timers, with desert alkali in their throats, knock off the first one. “Mos’ folks think this is One Eye Perez’s place; hell, it’s Bundy’s now. Bundy’ll be showin’ up here ’fore the night’s over. An’ if any man in Nacional has got the low-down on this last play, well, Mike Bundy’s real apt to be that man.”

“Shore,” said the second man, who had throated his drink while the other spoke. Then he recognized Bill Dorn standing next to him and gave his partner a prod with his elbow. He added something in an undertone; that done he said for anyone to hear: “Shore, she’s a cute trick. Wonder where Perez picked her up? Say, I’ll pay that gal’s rent any time.” Bill Dorn looked down his nose at the man who had first spoken, looked at him with all the amiability of a man regarding another over the sights of a rifle. He demanded curtly:

“You say this is Michael Bundy’s place now? You say he’ll be showing up here?”

“Why, hello Bill,” said the other. “I didn’t see you. I—”

“This place used to belong to One Eye Perez,” said Dorn. “How come it’s Michael Bundy’s now?”

“Perez needed money—he borrowed from Bundy—Bundy took a mortgage—Oh hell, Bill, you ought to know—” Bill Dorn left the bar and went to a small table, to sit alone. He was hungry but didn’t know it. When a white-jacketed Mexican waiter with a damp towel in the crook of his arm came up and gave the table a swipe, thereafter giving his towel a flick like a blacksnake, Bill Dorn ordered a drink. Then he shoved his hat back and rolled a cigarette and permitted his eyes to flick to the girl making a show of her pretty self on the platform at the end of the room. Three young gentlemen of confused Latin and Indian extraction, pianist, violinist and guitarist, made the music which lapped her movements in soft Durango airs.

How Born-a-Dorn Bill did resent that girl! She ought to have her pink and white face slapped, that’s what she ought to have. She was the most graceful thing he ever saw, and hers was not the cheap stereotyped grace of the usual dance hall girl. She danced not as though trying to show her body to men, rather as one who so loved dancing that she couldn’t help it; she gave the tremendously disturbing impression of having forgotten that she was being watched, of fancying herself quite alone somewhere in the woods, or on a seashore in the dawn or twilight. “Hell,” snorted Dorn, and gulped his drink. He vowed he’d keep his eyes off her. There were too many like her—like her, that is, under the dainty white and pink exterior. He muttered sneeringly to himself: “Gilded tombs do worms enfold.” He thought: “The world grows rotten, peopled with folk like Michael Bundy and this flip. Muchacho! Un otro aguadiente!”

He wasn’t drunk. Don’t get Sudden Bill Dorn wrong. But he was in a savage mood and his unaccustomed savagery had been nicely promoted along to a brutal stage by the fiery cargo he had taken aboard. He had not forgotten Mike Bundy; the only reason he was here was that he awaited with all the patience of a hungry tiger which, even starving, can control itself and wait—and wait. But meantime he experienced an urge to spring up on the low stage and pull that girl’s silly mask off and slap her face.

He grew conscious of three things: First, that the men all about him were talking excitedly about the stirring event which had brought the mob surging into Nacional; second, that now and then one or another of them would nudge his fellow and point Dorn out; third, that that damned dancing girl was watching him pretty nearly all the time now.

Now, Bill Dorn, down underneath the outward layers of him, was far more of a poet than he’d ever come to suspect; and with a great, soul-troubling love he loved beauty itself. Dawns and dusks and twilights over the desert, the wind in the mountain piñons, the satiny sheen of a thoroughbred’s flank, the falling of water in a pool, a sudden unexpected strain of music—these and their kindred had the trick of putting a knot into his lean brown throat. He felt with the philosopher poet, whom he had once read, that if you get simple beauty and naught else you get about the best thing God invents. Here, in this girl, in the ripple and flow of her sweet young body down the current of music from hushed piano and whispering guitar and muted violin, was—perhaps he had had too much of the cursed border liquor!—beauty ineffable. Why, damn the cheap little wench, she looked like sweet sixteen pirouetting on the spray-misted crest of the rainbow-tinted wave which carries sweet sixteen along toward the inexorable years. Her voice, too, had reached him; she had sung just a few bars of a little old Mexican love song, a song as old in the South as La Cachucha itself, and her voice had been like the rest of her—all youth and innocence and lilt and loveliness.

She started to withdraw. There was a burst of applause. A flimsy curtain, more or less under the control of a grinning Chinese boy at the side, jerkily shut off the stage.

Bill Dorn stood up. He had been holding himself in check today, but after all he was Sudden Bill Dorn, Roll-Along Dorn, Here-We-Go Dorn, Born-a-Dorn Bill. At the side of the stage was a narrow passageway leading to the three rooms at the rear of the long adobe building, kitchen and dressing room and sanctum of One Eye Perez, former owner, present manager. Bill Dorn, wearing his hat perilously far back and walking on his heels, strode purposefully down that restricted hallway. He knew just where he would encounter her, coming down the three steps to the dressing room.

He intercepted her coming down. She saw him, read the purpose in his eyes, and made a dart in the murk of the three-foot passageway for the first door, that leading to One Eye Perez’s office. Bill Dorn stepped swiftly in front of her and she brought up, frightened, her back to the wall and her hands lifted before her breast as if to fend him off.

“You make me sick,” said Bill Dorn.

She gasped; he could hear the sharp intake of her breath. He glared; she could see even in this dim light the scornful anger in his eyes. He wanted to storm at her. Later, thinking things over, he rather guessed he did storm at her. She flattened herself against the wall, looking smaller and daintier, more fragile and fairylike than ever. He felt then that he could crush her between finger and thumb as easily as a silly butterfly; he felt also that he’d relish the job. Still he did not touch her as he started in to scold her.

“You’re no Mexican girl, no half-breed, no rag-tag of hell such as the border breeds,” he snarled at her. “You’re American, and to begin with you were damn fine American, of the finest stock in the world. Can’t I tell? And now, look at you! You cheap little gutter-snipe! Dancing in a place like this! Dragging loveliness in the muck! You’ve got no business here; you have no right to make your loveliness as cheap as a few dirty coins in some man’s pocket. Get out! Get the hell out of here—and keep going! Hear me? Beat it! And keep yourself decent—as decent as you are now, anyhow—or I’ll break your damned little neck!”

“You—you—” Breathless, choking up, her face scarlet under her sketchy little black mask, she got only that far when her voice left her. He saw the flash of her eyes; he didn’t know then what color they were; blue? violet? It was just that her anger, as hot as his own, darkened them.

“I tell you—” stormed Bill Dorn.

Just then her voice came back to her. She went straight on from where she had left off:

“You—you big ugly beast! The nerve of you, talking to me like that! You are out to do murder tonight, Mr. Bill Dorn; all keyed up to shoot a man—in the back, I suppose!—and you stand up and lecture me! You’d do better to slink off in your own slime and hide your ugly face in the good clean desert sand! You—you—you make me sick!”

Down here at the end of the hall they were out of sight of any in the barroom, out of hearing, too, since the men at the tables and strung along the bar were drowning with their own voices all other sounds. Bill Dorn lifted his hands as though to choke her. But he did not touch her. He said: “How do you know I am here to commit murder?”

“Every man, woman and child in Nacional knows! I’ve heard it a dozen times. And if I doubted—Oh, go look into a mirror! You’re eyes are full of it! You are here to kill your own partner—and then, you drunk fool, you dare—you dare!—to read me a lesson in human behavior! Ugh! Go away; get out of my sight!”

“You are going to clear out of this dive,” he told her in still fury, not caring the snap of his fingers whether he spoke in reason or out of it. To hell with reason anyhow. “And you’re going to get out now.”

She said curiously: “You’re a big unimaginative beast—like a plow horse—or a sick lion! Did you ever see a dead man? A man who had been alive a little while before, then suddenly dead? Ever see a man recently murdered?”

“You little fool!—Well, yes. Not longer ago than this afternoon.”

“You killed him!” She shrank still tighter back against the wall, her eyes large with horror.

“No. I found him.”

“Was it—Was he nice to look at?”

“Are you crazy?”

“Maybe I am. But not murder-mad like you. Now tell me, Bill Dorn: Will you ever forget how that man looked, dead this afternoon? And after you have killed Mike Bundy, and have looked at him, turned all of a sudden into a senseless lump—”

“Shut up!” he stormed. “If you think for a split second—”

“Sh! What’s all the commotion in the barroom? Do you suppose that Bundy has come at last?”

She tricked him into swinging about, for an instant shifting his eyes from her. An instant was all that was required by that girl, as swift as a leaping deer, for her escape. Out of the corner of his eye he caught the flash of her flight; she was at One Eye’s private door, had snatched it open and shot through, before Bill Dorn could say damn.

That commotion in the barroom? There wasn’t any more uproar than there had been pretty consistently for an hour. Anyhow Bill Dorn disregarded it. Of a sudden he took the bit between his teeth; of a sudden he was wholly himself again, which is to say he was a man whom you might readily call Sudden Bill Dorn. He had heard the girl shoot a bolt on the inside of the door as she sped through. He hurled himself at the door, going in his accustomed fashion, headlong. He had heard also an exclamation which he knew came from One Eye Perez.

“Open your damn door or I’ll smash it off its hinges,” said Sudden Bill Dorn.