Читать книгу The Chateau of Happily-Ever-Afters: a laugh-out-loud romcom! - Jaimie Admans - Страница 9

Chapter Two

There’s a little thrill of excitement growing in me as I sit on the train home. I try to stamp it down because this doesn’t change anything. Owning a château in France makes no difference to my life.

Well, part owning with Nephew-git McLoophole. If there’s a loophole for him, hopefully there’s a way for me to loophole him right back out again.

It’s raining as I rush home but I’m so caught up in everything that’s just happened I don’t notice myself getting wet until it’s too late to bother with an umbrella. I can’t get home quick enough and it’s nothing to do with the rain. I’m desperate to read Eulalie’s letter. There must be some answers in it, maybe an explanation about why she never told me it was a real place, and something about this ridiculous treasure riddle. She wasn’t the joking type, and her will is a pretty odd place to start making jokes.

At home, the lift is out of order again and my wet shoes squeak against the stained floor as I drag myself up the stairs. As I go into my own flat, I look at the battered door next to mine, wishing she was still there, that she’d come out with a batch of hot cakes because she’d heard me coming in, that she’d offer an explanation for how any of this château thing can be real.

Inside, the smell of mould hits me like a wall and I open a window and let in the rain and the stink of stale curry from the Indian takeaway three doors down. The smells combine to make a stench that slithers through the flat like low-hanging fog.

Why would anyone live here if they could afford to live somewhere better? Why would she stay here if she owned a castle in France?

Maybe she was like me – she just didn’t need anything more.

It’s fine. It’s nice, even, if you don’t look too hard or think about things too much. The rent is reasonable for being near London, the smell of the Indian almost goes away if you keep the windows shut, and the mildew isn’t that noticeable after a while. This is Britain, after all. Everyone has some level of damp problems.

Maybe Eulalie had the right idea. Why try to make things better when everything is already good enough? When people get ideas above their station, they invest money in businesses that are doomed to fail and their hearts in people who are doomed to break them – that’s when things go wrong. If you have enough to get by then why try for more? Getting by is fine. That’s probably why Eulalie didn’t live at her château, or sell it for the money. What did the solicitor say it had? Forty rooms? Forty rooms is ridiculous. No one needs forty rooms. It would be a nightmare. I have one bedroom, one kitchen-slash-living room, and one bathroom, and it’s all I can do to keep it clean. And what would you even do with all those acres of land? Fifteen acres is mad. You’d need six circuses to cover half of it.

The numbers on my alarm clock are blinking 3.31 and, instead of sleeping, I’m reading the letter for the six hundred and ninetieth time.

My dearest Wendy,

I know this will come as a surprise to you once I’m gone, and that’s exactly the way I wanted it. The Château of Happily Ever Afters is real. It’s real, and it’s yours.

Let my death be the push you need. You’re only young, but you live the life of an old woman. You live inside a comfort zone that’s getting smaller each day, and will continue to do so until it suffocates you.

The Château of Happily Ever Afters speaks to people. It calls to people who deserve a happily ever after, and you, my dear, most definitely do, which is why I’m passing it on to you with the sincere belief that you will find a happily ever after there too. And I hope that one day, in many years’ time, after a long and happy life, you will also pass it on to someone who needs it.

Take a chance, Wendy. Tell me you can hear it calling. Go there, give the old place my love, let it bring you a happily ever after like it brought me.

Forever,

Eulalie

I’m trying to be offended by her attempt at meddling in my life even from the great beyond, but she knows me better than anyone, and I know she’s got a point. All right, I don’t exactly live on the edge or throw myself into things headfirst, but I tried that once and it didn’t work out. Taking chances, taking risks, trusting people – those are the kinds of things that always end badly. Sticking to a normal routine and a quiet life is the only thing that stops everything going wrong.

Eulalie was always telling me to take a step outside my comfort zone, and I did sometimes in little ways, like buying a different brand of teabags, but all I got from it was a week of tea that tasted like you’d asked a local stray cat to pee in your cup.

But it doesn’t matter if you never throw yourself outside your comfort zone, does it? Eulalie might have told fancy stories of love and adventure, but I’m not the kind of person to get on a train and go in search of them. Love doesn’t exist and adventure is for Indiana Jones. There aren’t really French dukes who whisk you away to fairy-tale castles and throw lavish balls for the nobility of France. It’s just a lovely fantasy to lose yourself in for a while.

That’s what I tell myself, anyway, as I lie there staring at a water stain on the ceiling, listening to a drunken man puking up his onion bhaji on the street outside, thinking about how early I’ve got to get up for work in the morning. But then that little fizz of excitement returns.

I bet you don’t get people vomiting outside The Château of Happily Ever Afters. I bet it’s peaceful there. Sunny. Glamorous. About as far away from here as you can get.

When I wake up in the morning, I know I’m going. After lying awake most of the night, trying to convince myself I’m stupid for even considering it, I’d assumed I’d wake up this morning with my sensible head back on, but my mind is filled with the château. Eulalie talked about it so much that getting a mental image is easy and, as I look around my grotty flat, all I can think is one thing. Why would I not go there?

It’s now or never. If I don’t do this now, I’ll talk myself out of it. I’m owed holidays from work, and although I haven’t reserved them in advance, I could book my time off now and phone in sick this week. I could lie to my boss. I could find my passport and go to the place Eulalie loved more than anywhere in the world.

I have two choices. I can go to work as normal. Put on my uniform and get the bus in like any mention of a French château has been nothing but a dream. I can stand with my table in the supermarket aisles, getting in the way of every customer, hawking whatever product the store wants hawked today. I can learn my lines perfectly, deliver them to customers with such chirpiness that the exclamation point is audible, and try to push whatever food the shop has been paid to push. I’m a sampler in a supermarket bakery, a job that goes against the very core of what you think you know about human nature: it makes people turn down cake.

It’s the kind of job you do solely because you get paid. I can’t remember the last time I enjoyed a day at work, or felt valued, or like my skills as a baker were being taken into consideration. A dog could do my job if it wouldn’t eat all the cake samples.

Or I can take a risk. Eulalie was like a mum to me. My own mum died a few years ago, and Eulalie was there for me through every moment, and she became the closest thing I had to family. Losing her has left a huge hole in my world, even though it wasn’t sudden, and we both knew the end was coming by the time she died. Doing what she wants me to do, and visiting the place she loved so much… it suddenly seems more important than anything else.